Performance Calendar

Looking for what’s happening around town? We’ve got you covered — with theatre, dance, and more.

We try hard to provide updated information, but these showtimes are not official. Please confirm dates/times with the individual theatres via their ticketing pages.


Use Categories or Tags to filter. Click the calendar (MONTH YEAR) to look at one date.

 


Hosting a show you don’t see listed? Send details, link, and production or rehearsal/promo photos to nwtheatre.org at gmail.com for consideration. Listings are currently limited to theatre, dance, and select comedy/variety shows at theatre companies in King, Pierce, Snohomish, and Thurston counties, with some expansion into Kitsap and up the peninsula.

 

Mar
28
Tue
Comedy Nest @ The Rendezvous (Seattle – Belltown)
Mar 28 @ 7:30 pm

The Comedy Nest is an inclusive comedy open mic with a focus on encouraging female and female-friendly comedians. Half of the open mic spots will be reserved for self-identifying women.

The Comedy Nest isn’t only an open mic show, it is also a place where you will get to see up and coming comics working on their longer sets. The night closes out with a featured comic doing a longer set. Come out, laugh, and support Seattle’s amazing stand up scene. Two hours of laughter for only 5 bucks, every Tuesday night.

Haven’t tried stand-up comedy before? Itching to get on stage? The Comedy Nest is a supportive, safe, heckle-free environment (except for special heckle training nights) where you can try new and innovative material. It’ll be intimate and cozy. Just bring three minutes of material, sign up the Sunday before the show (sign ups open at noon) by emailing comedynestseattle at gmail.com.

Location: The Grotto, in the Rendezvous basement (2322 2nd Ave)

Age 21+

Admission $5 (at the door); show info here.

 

Mar
29
Wed
Drum & Colours – Henry IV @ Seattle Shakespeare Company (Seattle Center)
Mar 29 @ 2:00 pm

By William Shakespeare
Adapted by Lamar Legend
Directed by S Franco

King Henry IV’s reign has been rife with conflict from the very beginning, which is not surprising given that he usurped the throne from Richard II. Now, even friends have become enemies as conflict between the King and his former supporters grows. To make matters worse, the King’s son seems disinclined to rule, frequenting the taverns and brothels of London with his friend Sir John Falstaff. Family drama and political intrigue intertwine to make way for a new ruler, and as unrest grows and conflict bubbles, England dares to ask: who has the right to wear the crown?An all-BIPOC company gathers for this epic tale of a polarized nation, a combined adaptation of both parts of Henry IV in a follow up to Drum and Colours from winter 2022.

Furthering the work of previous projects like the Shakespeare Equity Engagement program (SEE) and the Holding Space project, Drum and Colours aims to meet the community’s needs with an all-BIPOC company with 360-degree representation, including actors, directors, and production team. It explores BIPOC company members’ personal connections to the classics and sheds new light on familiar works. SSC believes that art that is open — to adaptation, interpretation, and the recognition of the wonderful vastness of the human experience — is stronger and more long-lasting than art which ignores that complexity.

Previews 3/14-16, opens 3/17

Tickets ($45-$62, depending on day) here.

$10 rush tickets (if tickets remain) available for all performances; see Groundling tickets info here.

 

As It Is in Heaven @ Taproot Theatre (Seattle – Greenwood)
Mar 29 @ 7:30 pm

Set during America’s surge of Utopian communities, the play wrestles with belief and doubt in a swiftly changing world. As the young women in the community claim new spiritual gifts, Sister Hannah and the other elders must judge whether these gifts are real or rebellion. Written by Arlene Hutton, directed by Marianne Savell.

Pay-what-you-choose performance on 3/29. Tickets available same-day; see info here.

Show info here.

 

Duo Comedy Showcase @ Unexpected Productions (Seattle – Pike Place Market)
Mar 29 @ 8:00 pm

Duo Comedy Showcase is Seattle’s only public open-mic for improv. Two-person teams doing what they do best: creating spontaneous scenes on the fly that are so hilarious, quick-witted, and perfectly constructed, it’s hard to believe they are made up on the spot. At Duos, newer improvisers have an opportunity to improve while professional improvisers practice and try new things. Who knows, you might even want to join them. Every Wednesday.

Location: Unexpected Productions, at the Gum Wall in the Market

Tickets ($11) here.

 

Mar
30
Thu
Art Bar: Games & Coloring Night @ Everett Improv (Everett)
Mar 30 @ 4:00 pm – 11:00 pm

Thursdays, we are a game and art bar — the place to activate your pineal gland by playing and art-ing. You can play our games and use our art stuff. Or bring your own games and your own art stuff.

We will have good music on, appropriate lighting, drink specials, and a general vibe of “well shi*t, this is downright lovely.”

Location: Everett Improv (2610 Colby Ave)

Free, drop-in. Info here.

 

110 in the Shade – Reboot Theatre @ Seattle Public Theater (Seattle – Green Lake)
Mar 30 @ 7:30 pm

Reboot Theatre Company, known for its intriguing deep dives and fresh interpretations of theater, brings to life 110 in the Shade, a beautiful exploration of love, hope, and acceptance. From the creators of The Fantasticks, 110 in the Shade is a touching and intimate musical adaptation of the hit play The Rainmaker. Set in a small western town besieged by drought, Lizzie, intelligent and independent, struggles with the societal pressure to do as a “woman” should do. One blistering hot day, Lizzie’s family urges her to marry the recently widowed Sheriff File, while charismatic stranger Starbuck comes to town with promises of being able to make it rain. Immediately suspicious, Lizzie tries to pick apart Starbuck’s story, but realizes a deeper truth about herself along the way. While the source material was written in the 1950’s, director Scot Charles Anderson will take a closer look at the seemingly simplified gender roles in classic Reboot style.

Tickets $5-$50 (sliding scale available for all) here.

 

Drum & Colours – Henry IV @ Seattle Shakespeare Company (Seattle Center)
Mar 30 @ 7:30 pm

By William Shakespeare
Adapted by Lamar Legend
Directed by S Franco

King Henry IV’s reign has been rife with conflict from the very beginning, which is not surprising given that he usurped the throne from Richard II. Now, even friends have become enemies as conflict between the King and his former supporters grows. To make matters worse, the King’s son seems disinclined to rule, frequenting the taverns and brothels of London with his friend Sir John Falstaff. Family drama and political intrigue intertwine to make way for a new ruler, and as unrest grows and conflict bubbles, England dares to ask: who has the right to wear the crown?An all-BIPOC company gathers for this epic tale of a polarized nation, a combined adaptation of both parts of Henry IV in a follow up to Drum and Colours from winter 2022.

Furthering the work of previous projects like the Shakespeare Equity Engagement program (SEE) and the Holding Space project, Drum and Colours aims to meet the community’s needs with an all-BIPOC company with 360-degree representation, including actors, directors, and production team. It explores BIPOC company members’ personal connections to the classics and sheds new light on familiar works. SSC believes that art that is open — to adaptation, interpretation, and the recognition of the wonderful vastness of the human experience — is stronger and more long-lasting than art which ignores that complexity.

Previews 3/14-16, opens 3/17

Tickets ($45-$62, depending on day) here.

$10 rush tickets (if tickets remain) available for all performances; see Groundling tickets info here.

 

Meet Me at Dawn – Radial Theater Project @ 18th & Union (Seattle – Central District)
Mar 30 @ 7:30 pm

After a boating accident, two women wash up on a distant shore. They look for a path home, but discover that this unfamiliar land is not what it seems. Loosely inspired by the myth of Orpheus and Eurydice, Zinnie Harris’ Meet Me at Dawn is a tenderly lyrical and utterly modern fable exploring the mystery of grief and the triumph of everyday love. Featuring Jennifer Faulkner and Jordi Montes.

Live stream option available.

Tickets ($17-$37, sliding scale available to all) here.

 

Noveltease Theatre: The Count of Monte Cristo @ Theatre Off Jackson (Seattle – International District)
Mar 30 @ 7:30 pm

Wrongfully imprisoned, Edmee Dantes seeks vengeance on those who have wronged her in this literary burlesque adaptation of Alexandre Dumas’s The Count of Monte Cristo. Adapted by Mx. Pucks A’Plenty and directed and choreographed by Fosse Jack, join us at Theatre Off Jackson on March 30, March 31, and April 1 for an epic quest for justice.

Featuring Noveltease Company Members Onyx Asili, Cheeky Diamondz, Scarlett Folds, Lulu La Lune, Al Lykya, Trixie Paprika, Ramona Rhapsody, Miss Elaine Yes, and special guests Carson St. Clair and Ash Midnight.

Tickets ($27 suggested, and pay-what-you-choose offered to all) here.

 

Mar
31
Fri
A Lonely Realization (reading) @ Shattered Glass Project (Seattle – Madison Valley)
Mar 31 @ 7:00 pm

Written in the aftermath of a very recent sexual assault, A Lonely Realization features two women actively detangling and processing the ways it affects survivors and their communities. Playing with the comic absurdity of trauma and everyone’s reactions to it, we hope to create a space where we can talk openly about a topic that is often ignored or avoided.

Part of the 2023 Script Development Festival. Created and performed by Darby Sherwood and Emily Stone.

Location: MLK Fame Community Center (3201 East Republican St) or online

Tickets (pay-what-you-choose available to all) here.

 

Paige in Full @ Seattle Children’s Theatre (Seattle Center)
Mar 31 @ 7:00 pm

Move yo’ body rhythms reverberate in this beat-filled visual mixtape that blends poetry, dance, media, and music. Equal parts comedy, pain, and retrospection, Paige Hernandez uses the stage to share her own story as a multicultural girl growing up in Baltimore who is desperate to fit in and find her voice. Paige’s journey through hip-hop leads to self-discovery to become a leading artist of this generation. Sibling-duo Paige Hernandez (writer and performer) and Nick tha 1da (musician) in collaboration with Danielle A. Drakes (director) and Bryan Joseph Lee (dramaturg) have developed a unique coming-of-age story that speaks to a dynamic hip-hop-influenced generation.

Run time (estimated): 60 minutes

Financially accessible ticketing options may be available; see info here.

Tickets ($20-$45, depending on date and seat location) here.

 

110 in the Shade – Reboot Theatre @ Seattle Public Theater (Seattle – Green Lake)
Mar 31 @ 7:30 pm

Reboot Theatre Company, known for its intriguing deep dives and fresh interpretations of theater, brings to life 110 in the Shade, a beautiful exploration of love, hope, and acceptance. From the creators of The Fantasticks, 110 in the Shade is a touching and intimate musical adaptation of the hit play The Rainmaker. Set in a small western town besieged by drought, Lizzie, intelligent and independent, struggles with the societal pressure to do as a “woman” should do. One blistering hot day, Lizzie’s family urges her to marry the recently widowed Sheriff File, while charismatic stranger Starbuck comes to town with promises of being able to make it rain. Immediately suspicious, Lizzie tries to pick apart Starbuck’s story, but realizes a deeper truth about herself along the way. While the source material was written in the 1950’s, director Scot Charles Anderson will take a closer look at the seemingly simplified gender roles in classic Reboot style.

Tickets $5-$50 (sliding scale available for all) here.

 

Building Madness @ Harlequin Productions (Olympia) (PWYC)
Mar 31 @ 7:30 pm

Max and Paul are just trying to keep their architecture company afloat, but they accidentally hired the mob to build a police retirement home. They may never get the project done in this screwball comedy, but they are most definitely building madness. If you love those great old comedies from Hollywood’s Golden Era of the 1930s, you will love this. By Kate Danley, directed by Scott Nolte.

Pay-what-you-choose rush tickets for performances on 3/23, 3/25, 3/31. See discount and rush ticket info here.

Tickets here.

 

Dacha Theatre: Dice Keeper – Twelfth Night @ Base (Seattle – Georgetown)
Mar 31 @ 7:30 pm

Viola washes up on the shores of the bewildering land of Illyria after losing her twin brother in a shipwreck. But what is Illyria exactly? In Dice Keeper: Twelfth Night’s 18-show run, no two Illyrias are the same — and no two Violas for that matter.

Dacha returns with the next iteration of our most audacious original format: Dice Keeper: Twelfth Night. In the Dice series, a small ensemble of actors memorizes the entire script of a Shakespeare show and the roles are randomized at the start of each performance. This year, we’ve added a brand new wrinkle – the Dice Keeper. The Dice Keeper changes the directorial concept for each performance with no warning to the cast. Has he set the show in the Wild West or has he replaced all the costumes with hospital scrubs?

Dice Keeper: Twelfth Night is a playful send-up of directors with over-imaginative interpretations of Shakespeare, and a love letter to all the actors, designers and audiences who have endured their whims. Most importantly, with each new concept the Dice Keeper is convinced that this is the best way to tell the story of Twelfth Night, and who knows, by the end of the show you may just agree with him. Directed by Mike Lion.

Tickets ($3-$55, pay-what-you-choose available for all) here.

 

Drum & Colours – Henry IV @ Seattle Shakespeare Company (Seattle Center)
Mar 31 @ 7:30 pm

By William Shakespeare
Adapted by Lamar Legend
Directed by S Franco

King Henry IV’s reign has been rife with conflict from the very beginning, which is not surprising given that he usurped the throne from Richard II. Now, even friends have become enemies as conflict between the King and his former supporters grows. To make matters worse, the King’s son seems disinclined to rule, frequenting the taverns and brothels of London with his friend Sir John Falstaff. Family drama and political intrigue intertwine to make way for a new ruler, and as unrest grows and conflict bubbles, England dares to ask: who has the right to wear the crown?An all-BIPOC company gathers for this epic tale of a polarized nation, a combined adaptation of both parts of Henry IV in a follow up to Drum and Colours from winter 2022.

Furthering the work of previous projects like the Shakespeare Equity Engagement program (SEE) and the Holding Space project, Drum and Colours aims to meet the community’s needs with an all-BIPOC company with 360-degree representation, including actors, directors, and production team. It explores BIPOC company members’ personal connections to the classics and sheds new light on familiar works. SSC believes that art that is open — to adaptation, interpretation, and the recognition of the wonderful vastness of the human experience — is stronger and more long-lasting than art which ignores that complexity.

Previews 3/14-16, opens 3/17

Tickets ($45-$62, depending on day) here.

$10 rush tickets (if tickets remain) available for all performances; see Groundling tickets info here.

 

Meet Me at Dawn – Radial Theater Project @ 18th & Union (Seattle – Central District)
Mar 31 @ 7:30 pm

After a boating accident, two women wash up on a distant shore. They look for a path home, but discover that this unfamiliar land is not what it seems. Loosely inspired by the myth of Orpheus and Eurydice, Zinnie Harris’ Meet Me at Dawn is a tenderly lyrical and utterly modern fable exploring the mystery of grief and the triumph of everyday love. Featuring Jennifer Faulkner and Jordi Montes.

Live stream option available.

Tickets ($17-$37, sliding scale available to all) here.

 

Noveltease Theatre: The Count of Monte Cristo @ Theatre Off Jackson (Seattle – International District)
Mar 31 @ 7:30 pm

Wrongfully imprisoned, Edmee Dantes seeks vengeance on those who have wronged her in this literary burlesque adaptation of Alexandre Dumas’s The Count of Monte Cristo. Adapted by Mx. Pucks A’Plenty and directed and choreographed by Fosse Jack, join us at Theatre Off Jackson on March 30, March 31, and April 1 for an epic quest for justice.

Featuring Noveltease Company Members Onyx Asili, Cheeky Diamondz, Scarlett Folds, Lulu La Lune, Al Lykya, Trixie Paprika, Ramona Rhapsody, Miss Elaine Yes, and special guests Carson St. Clair and Ash Midnight.

Tickets ($27 suggested, and pay-what-you-choose offered to all) here.

 

Refugees in the Garden City – Pratidhwani and ReAct Theatre @ Taproot Theatre (Seattle – Greenwood)
Mar 31 @ 7:30 pm

In this world premiere one-act play, Arjun and Rhiannon find themselves in a hotel room in Victoria, BC, excited to start a new chapter in their lives. As we watch them navigate their present moment — with a little help from Doctor Who — we learn about the struggles of their past and the uncertainty of the future that still awaits them. Written by Jim Moran, directed by David Hsieh, and performed by two different sets of actors throughout the run of the show. (See cast dates on ticketing page.)

Location Taproot studio theatre (212 N 85th St)

Tickets ($15-$30, sliding scale for all) here.

 

Apr
1
Sat
Drum & Colours – Henry IV @ Seattle Shakespeare Company (Seattle Center)
Apr 1 @ 2:00 pm

By William Shakespeare
Adapted by Lamar Legend
Directed by S Franco

King Henry IV’s reign has been rife with conflict from the very beginning, which is not surprising given that he usurped the throne from Richard II. Now, even friends have become enemies as conflict between the King and his former supporters grows. To make matters worse, the King’s son seems disinclined to rule, frequenting the taverns and brothels of London with his friend Sir John Falstaff. Family drama and political intrigue intertwine to make way for a new ruler, and as unrest grows and conflict bubbles, England dares to ask: who has the right to wear the crown?An all-BIPOC company gathers for this epic tale of a polarized nation, a combined adaptation of both parts of Henry IV in a follow up to Drum and Colours from winter 2022.

Furthering the work of previous projects like the Shakespeare Equity Engagement program (SEE) and the Holding Space project, Drum and Colours aims to meet the community’s needs with an all-BIPOC company with 360-degree representation, including actors, directors, and production team. It explores BIPOC company members’ personal connections to the classics and sheds new light on familiar works. SSC believes that art that is open — to adaptation, interpretation, and the recognition of the wonderful vastness of the human experience — is stronger and more long-lasting than art which ignores that complexity.

Previews 3/14-16, opens 3/17

Tickets ($45-$62, depending on day) here.

$10 rush tickets (if tickets remain) available for all performances; see Groundling tickets info here.

 

Refugees in the Garden City – Pratidhwani and ReAct Theatre @ Taproot Theatre (Seattle – Greenwood)
Apr 1 @ 2:00 pm

In this world premiere one-act play, Arjun and Rhiannon find themselves in a hotel room in Victoria, BC, excited to start a new chapter in their lives. As we watch them navigate their present moment — with a little help from Doctor Who — we learn about the struggles of their past and the uncertainty of the future that still awaits them. Written by Jim Moran, directed by David Hsieh, and performed by two different sets of actors throughout the run of the show. (See cast dates on ticketing page.)

Location Taproot studio theatre (212 N 85th St)

Tickets ($15-$30, sliding scale for all) here.

 

Paige in Full @ Seattle Children’s Theatre (Seattle Center) (ASL interpreted)
Apr 1 @ 5:00 pm

Move yo’ body rhythms reverberate in this beat-filled visual mixtape that blends poetry, dance, media, and music. Equal parts comedy, pain, and retrospection, Paige Hernandez uses the stage to share her own story as a multicultural girl growing up in Baltimore who is desperate to fit in and find her voice. Paige’s journey through hip-hop leads to self-discovery to become a leading artist of this generation. Sibling-duo Paige Hernandez (writer and performer) and Nick tha 1da (musician) in collaboration with Danielle A. Drakes (director) and Bryan Joseph Lee (dramaturg) have developed a unique coming-of-age story that speaks to a dynamic hip-hop-influenced generation.

This performance listed as ASL interpreted and audio described — as always, please confirm date and best seating location with the theatre. See accessibility info here.

Run time (estimated): 60 minutes

Financially accessible ticketing options may be available; see info here.

Tickets ($20-$45, depending on date and seat location) here.

 

110 in the Shade – Reboot Theatre @ Seattle Public Theater (Seattle – Green Lake)
Apr 1 @ 7:30 pm

Reboot Theatre Company, known for its intriguing deep dives and fresh interpretations of theater, brings to life 110 in the Shade, a beautiful exploration of love, hope, and acceptance. From the creators of The Fantasticks, 110 in the Shade is a touching and intimate musical adaptation of the hit play The Rainmaker. Set in a small western town besieged by drought, Lizzie, intelligent and independent, struggles with the societal pressure to do as a “woman” should do. One blistering hot day, Lizzie’s family urges her to marry the recently widowed Sheriff File, while charismatic stranger Starbuck comes to town with promises of being able to make it rain. Immediately suspicious, Lizzie tries to pick apart Starbuck’s story, but realizes a deeper truth about herself along the way. While the source material was written in the 1950’s, director Scot Charles Anderson will take a closer look at the seemingly simplified gender roles in classic Reboot style.

Tickets $5-$50 (sliding scale available for all) here.

 

Dacha Theatre: Dice Keeper – Twelfth Night @ Base (Seattle – Georgetown)
Apr 1 @ 7:30 pm

Viola washes up on the shores of the bewildering land of Illyria after losing her twin brother in a shipwreck. But what is Illyria exactly? In Dice Keeper: Twelfth Night’s 18-show run, no two Illyrias are the same — and no two Violas for that matter.

Dacha returns with the next iteration of our most audacious original format: Dice Keeper: Twelfth Night. In the Dice series, a small ensemble of actors memorizes the entire script of a Shakespeare show and the roles are randomized at the start of each performance. This year, we’ve added a brand new wrinkle – the Dice Keeper. The Dice Keeper changes the directorial concept for each performance with no warning to the cast. Has he set the show in the Wild West or has he replaced all the costumes with hospital scrubs?

Dice Keeper: Twelfth Night is a playful send-up of directors with over-imaginative interpretations of Shakespeare, and a love letter to all the actors, designers and audiences who have endured their whims. Most importantly, with each new concept the Dice Keeper is convinced that this is the best way to tell the story of Twelfth Night, and who knows, by the end of the show you may just agree with him. Directed by Mike Lion.

Tickets ($3-$55, pay-what-you-choose available for all) here.

 

Drum & Colours – Henry IV @ Seattle Shakespeare Company (Seattle Center)
Apr 1 @ 7:30 pm

By William Shakespeare
Adapted by Lamar Legend
Directed by S Franco

King Henry IV’s reign has been rife with conflict from the very beginning, which is not surprising given that he usurped the throne from Richard II. Now, even friends have become enemies as conflict between the King and his former supporters grows. To make matters worse, the King’s son seems disinclined to rule, frequenting the taverns and brothels of London with his friend Sir John Falstaff. Family drama and political intrigue intertwine to make way for a new ruler, and as unrest grows and conflict bubbles, England dares to ask: who has the right to wear the crown?An all-BIPOC company gathers for this epic tale of a polarized nation, a combined adaptation of both parts of Henry IV in a follow up to Drum and Colours from winter 2022.

Furthering the work of previous projects like the Shakespeare Equity Engagement program (SEE) and the Holding Space project, Drum and Colours aims to meet the community’s needs with an all-BIPOC company with 360-degree representation, including actors, directors, and production team. It explores BIPOC company members’ personal connections to the classics and sheds new light on familiar works. SSC believes that art that is open — to adaptation, interpretation, and the recognition of the wonderful vastness of the human experience — is stronger and more long-lasting than art which ignores that complexity.

Previews 3/14-16, opens 3/17

Tickets ($45-$62, depending on day) here.

$10 rush tickets (if tickets remain) available for all performances; see Groundling tickets info here.

 

Meet Me at Dawn – Radial Theater Project @ 18th & Union (Seattle – Central District)
Apr 1 @ 7:30 pm

After a boating accident, two women wash up on a distant shore. They look for a path home, but discover that this unfamiliar land is not what it seems. Loosely inspired by the myth of Orpheus and Eurydice, Zinnie Harris’ Meet Me at Dawn is a tenderly lyrical and utterly modern fable exploring the mystery of grief and the triumph of everyday love. Featuring Jennifer Faulkner and Jordi Montes.

Live stream option available.

Tickets ($17-$37, sliding scale available to all) here.

 

Noveltease Theatre: The Count of Monte Cristo @ Theatre Off Jackson (Seattle – International District)
Apr 1 @ 7:30 pm

Wrongfully imprisoned, Edmee Dantes seeks vengeance on those who have wronged her in this literary burlesque adaptation of Alexandre Dumas’s The Count of Monte Cristo. Adapted by Mx. Pucks A’Plenty and directed and choreographed by Fosse Jack, join us at Theatre Off Jackson on March 30, March 31, and April 1 for an epic quest for justice.

Featuring Noveltease Company Members Onyx Asili, Cheeky Diamondz, Scarlett Folds, Lulu La Lune, Al Lykya, Trixie Paprika, Ramona Rhapsody, Miss Elaine Yes, and special guests Carson St. Clair and Ash Midnight.

Tickets ($27 suggested, and pay-what-you-choose offered to all) here.

 

Refugees in the Garden City – Pratidhwani and ReAct Theatre @ Taproot Theatre (Seattle – Greenwood)
Apr 1 @ 7:30 pm

In this world premiere one-act play, Arjun and Rhiannon find themselves in a hotel room in Victoria, BC, excited to start a new chapter in their lives. As we watch them navigate their present moment — with a little help from Doctor Who — we learn about the struggles of their past and the uncertainty of the future that still awaits them. Written by Jim Moran, directed by David Hsieh, and performed by two different sets of actors throughout the run of the show. (See cast dates on ticketing page.)

Location Taproot studio theatre (212 N 85th St)

Tickets ($15-$30, sliding scale for all) here.

 

Apr
2
Sun
110 in the Shade – Reboot Theatre @ Seattle Public Theater (Seattle – Green Lake)
Apr 2 @ 2:00 pm

Reboot Theatre Company, known for its intriguing deep dives and fresh interpretations of theater, brings to life 110 in the Shade, a beautiful exploration of love, hope, and acceptance. From the creators of The Fantasticks, 110 in the Shade is a touching and intimate musical adaptation of the hit play The Rainmaker. Set in a small western town besieged by drought, Lizzie, intelligent and independent, struggles with the societal pressure to do as a “woman” should do. One blistering hot day, Lizzie’s family urges her to marry the recently widowed Sheriff File, while charismatic stranger Starbuck comes to town with promises of being able to make it rain. Immediately suspicious, Lizzie tries to pick apart Starbuck’s story, but realizes a deeper truth about herself along the way. While the source material was written in the 1950’s, director Scot Charles Anderson will take a closer look at the seemingly simplified gender roles in classic Reboot style.

Tickets $5-$50 (sliding scale available for all) here.

 

Dacha Theatre: Dice Keeper – Twelfth Night @ Base (Seattle – Georgetown)
Apr 2 @ 2:00 pm

Viola washes up on the shores of the bewildering land of Illyria after losing her twin brother in a shipwreck. But what is Illyria exactly? In Dice Keeper: Twelfth Night’s 18-show run, no two Illyrias are the same — and no two Violas for that matter.

Dacha returns with the next iteration of our most audacious original format: Dice Keeper: Twelfth Night. In the Dice series, a small ensemble of actors memorizes the entire script of a Shakespeare show and the roles are randomized at the start of each performance. This year, we’ve added a brand new wrinkle – the Dice Keeper. The Dice Keeper changes the directorial concept for each performance with no warning to the cast. Has he set the show in the Wild West or has he replaced all the costumes with hospital scrubs?

Dice Keeper: Twelfth Night is a playful send-up of directors with over-imaginative interpretations of Shakespeare, and a love letter to all the actors, designers and audiences who have endured their whims. Most importantly, with each new concept the Dice Keeper is convinced that this is the best way to tell the story of Twelfth Night, and who knows, by the end of the show you may just agree with him. Directed by Mike Lion.

Tickets ($3-$55, pay-what-you-choose available for all) here.

 

Drum & Colours – Henry IV @ Seattle Shakespeare Company (Seattle Center)
Apr 2 @ 2:00 pm

By William Shakespeare
Adapted by Lamar Legend
Directed by S Franco

King Henry IV’s reign has been rife with conflict from the very beginning, which is not surprising given that he usurped the throne from Richard II. Now, even friends have become enemies as conflict between the King and his former supporters grows. To make matters worse, the King’s son seems disinclined to rule, frequenting the taverns and brothels of London with his friend Sir John Falstaff. Family drama and political intrigue intertwine to make way for a new ruler, and as unrest grows and conflict bubbles, England dares to ask: who has the right to wear the crown?An all-BIPOC company gathers for this epic tale of a polarized nation, a combined adaptation of both parts of Henry IV in a follow up to Drum and Colours from winter 2022.

Furthering the work of previous projects like the Shakespeare Equity Engagement program (SEE) and the Holding Space project, Drum and Colours aims to meet the community’s needs with an all-BIPOC company with 360-degree representation, including actors, directors, and production team. It explores BIPOC company members’ personal connections to the classics and sheds new light on familiar works. SSC believes that art that is open — to adaptation, interpretation, and the recognition of the wonderful vastness of the human experience — is stronger and more long-lasting than art which ignores that complexity.

Previews 3/14-16, opens 3/17

Tickets ($45-$62, depending on day) here.

$10 rush tickets (if tickets remain) available for all performances; see Groundling tickets info here.

 

Refugees in the Garden City – Pratidhwani and ReAct Theatre @ Taproot Theatre (Seattle – Greenwood)
Apr 2 @ 2:00 pm

In this world premiere one-act play, Arjun and Rhiannon find themselves in a hotel room in Victoria, BC, excited to start a new chapter in their lives. As we watch them navigate their present moment — with a little help from Doctor Who — we learn about the struggles of their past and the uncertainty of the future that still awaits them. Written by Jim Moran, directed by David Hsieh, and performed by two different sets of actors throughout the run of the show. (See cast dates on ticketing page.)

Location Taproot studio theatre (212 N 85th St)

Tickets ($15-$30, sliding scale for all) here.

 

Meet Me at Dawn – Radial Theater Project @ 18th & Union (Seattle – Central District)
Apr 2 @ 3:00 pm – 4:30 pm

After a boating accident, two women wash up on a distant shore. They look for a path home, but discover that this unfamiliar land is not what it seems. Loosely inspired by the myth of Orpheus and Eurydice, Zinnie Harris’ Meet Me at Dawn is a tenderly lyrical and utterly modern fable exploring the mystery of grief and the triumph of everyday love. Featuring Jennifer Faulkner and Jordi Montes.

Live stream option available.

Tickets ($17-$37, sliding scale available to all) here.

 

Paige in Full @ Seattle Children’s Theatre (Seattle Center) (sensory friendly)
Apr 2 @ 4:00 pm

Move yo’ body rhythms reverberate in this beat-filled visual mixtape that blends poetry, dance, media, and music. Equal parts comedy, pain, and retrospection, Paige Hernandez uses the stage to share her own story as a multicultural girl growing up in Baltimore who is desperate to fit in and find her voice. Paige’s journey through hip-hop leads to self-discovery to become a leading artist of this generation. Sibling-duo Paige Hernandez (writer and performer) and Nick tha 1da (musician) in collaboration with Danielle A. Drakes (director) and Bryan Joseph Lee (dramaturg) have developed a unique coming-of-age story that speaks to a dynamic hip-hop-influenced generation.

This performance listed as sensory friendly — as always, please confirm date and additional information with the theatre. See accessibility info here.

Run time (estimated): 60 minutes

Financially accessible ticketing options may be available; see info here.

Tickets ($20-$45, depending on date and seat location) here.

 

Dacha Theatre: Dice Keeper – Twelfth Night @ Base (Seattle – Georgetown)
Apr 2 @ 7:00 pm

Viola washes up on the shores of the bewildering land of Illyria after losing her twin brother in a shipwreck. But what is Illyria exactly? In Dice Keeper: Twelfth Night’s 18-show run, no two Illyrias are the same — and no two Violas for that matter.

Dacha returns with the next iteration of our most audacious original format: Dice Keeper: Twelfth Night. In the Dice series, a small ensemble of actors memorizes the entire script of a Shakespeare show and the roles are randomized at the start of each performance. This year, we’ve added a brand new wrinkle – the Dice Keeper. The Dice Keeper changes the directorial concept for each performance with no warning to the cast. Has he set the show in the Wild West or has he replaced all the costumes with hospital scrubs?

Dice Keeper: Twelfth Night is a playful send-up of directors with over-imaginative interpretations of Shakespeare, and a love letter to all the actors, designers and audiences who have endured their whims. Most importantly, with each new concept the Dice Keeper is convinced that this is the best way to tell the story of Twelfth Night, and who knows, by the end of the show you may just agree with him. Directed by Mike Lion.

Tickets ($3-$55, pay-what-you-choose available for all) here.

 

Apr
3
Mon
Broho Takes Flight @ The Brotherhood Lounge (Olympia)
Apr 3 @ 5:00 pm

Trapeze, fabric, and more, with local and guest performers. Every 1st Sunday except during summer. Doors at 4, show at 5. 21+ event.

Location: inside the Brotherhood Lounge bar (119 Capitol Way N)

$15 donation requested at the door; no one turned away for lack of funds

Show info here.

 

Meet Me at Dawn – Radial Theater Project @ 18th & Union (Seattle – Central District)
Apr 3 @ 7:30 pm

After a boating accident, two women wash up on a distant shore. They look for a path home, but discover that this unfamiliar land is not what it seems. Loosely inspired by the myth of Orpheus and Eurydice, Zinnie Harris’ Meet Me at Dawn is a tenderly lyrical and utterly modern fable exploring the mystery of grief and the triumph of everyday love. Featuring Jennifer Faulkner and Jordi Montes.

Live stream option available.

Tickets ($17-$37, sliding scale available to all) here.

 

Apr
5
Wed
Drum & Colours – Henry IV @ Seattle Shakespeare Company (Seattle Center)
Apr 5 @ 7:30 pm

By William Shakespeare
Adapted by Lamar Legend
Directed by S Franco

King Henry IV’s reign has been rife with conflict from the very beginning, which is not surprising given that he usurped the throne from Richard II. Now, even friends have become enemies as conflict between the King and his former supporters grows. To make matters worse, the King’s son seems disinclined to rule, frequenting the taverns and brothels of London with his friend Sir John Falstaff. Family drama and political intrigue intertwine to make way for a new ruler, and as unrest grows and conflict bubbles, England dares to ask: who has the right to wear the crown?An all-BIPOC company gathers for this epic tale of a polarized nation, a combined adaptation of both parts of Henry IV in a follow up to Drum and Colours from winter 2022.

Furthering the work of previous projects like the Shakespeare Equity Engagement program (SEE) and the Holding Space project, Drum and Colours aims to meet the community’s needs with an all-BIPOC company with 360-degree representation, including actors, directors, and production team. It explores BIPOC company members’ personal connections to the classics and sheds new light on familiar works. SSC believes that art that is open — to adaptation, interpretation, and the recognition of the wonderful vastness of the human experience — is stronger and more long-lasting than art which ignores that complexity.

Previews 3/14-16, opens 3/17

Tickets ($45-$62, depending on day) here.

$10 rush tickets (if tickets remain) available for all performances; see Groundling tickets info here.

 

Redd @ Key City Public Theatre (Port Townsend)
Apr 5 @ 7:30 pm

Redd is a magical retelling of Little Red Riding Hood, inspired and set within Spanish-Colonial Philippines. Rue, a mysterious orphan, a trapped Princess betrothed to a Spanish Viceroyal Huntsman in the sheltered town of Intramuros, Manila. Accompanied by a spirit guide, Rin, they journey to Grandmother’s house. What follows is a fantastical battle fueled by the sacrifice of Rue’s ancestors and a chance for liberation of her people.

Redd celebrates the Philippines’ rich culture, female empowerment, and the diverse community of KCPT resident artists in this World Premiere commissioned play.

Tickets (sliding-scale available to all) here.

 

Sense and Sensibility @ Village Theatre (Everett) (PWYC)
Apr 5 @ 7:30 pm

In a classic-modern mashup of the beloved Jane Austen novel, Sense and Sensibility revisits the 18th-century England of the iconic characters through a contemporary lens. Layered with smart comedy and zany antics, this playful new adaption comes to life in a delightfully indulgent production directed by Jes Spencer.

Sensible Elinor and sensitive Marianne’s fortunes become misfortunes after their father’s sudden death leaves them financially destitute and socially vulnerable. Navigating societal pressures and relatable modern gossip, the two sisters learn to love while expressing their own sensibilities. Cheekily underscored by a contemporary mix of your favorite pop songs, Sense and Sensibility’s simple beauty and timelessness is a breath of fresh countryside air.

Play by Kate Hamill, based on the novel by Jane Austen
Directed by Jes Spencer

Tickets ($54-$91) here.

Pay-what-you-choose rush tickets available (by phone or in-person) for this performance; see info here.

$20 Section B rush tickets available for all performances; see discount ticket info here.

ASL-interpreted performance on 3/25 (matinee), and captioned performance 4/8 (matinee). See accessibility info here.

 

Apr
6
Thu
110 in the Shade – Reboot Theatre @ Seattle Public Theater (Seattle – Green Lake)
Apr 6 @ 7:30 pm

Reboot Theatre Company, known for its intriguing deep dives and fresh interpretations of theater, brings to life 110 in the Shade, a beautiful exploration of love, hope, and acceptance. From the creators of The Fantasticks, 110 in the Shade is a touching and intimate musical adaptation of the hit play The Rainmaker. Set in a small western town besieged by drought, Lizzie, intelligent and independent, struggles with the societal pressure to do as a “woman” should do. One blistering hot day, Lizzie’s family urges her to marry the recently widowed Sheriff File, while charismatic stranger Starbuck comes to town with promises of being able to make it rain. Immediately suspicious, Lizzie tries to pick apart Starbuck’s story, but realizes a deeper truth about herself along the way. While the source material was written in the 1950’s, director Scot Charles Anderson will take a closer look at the seemingly simplified gender roles in classic Reboot style.

Tickets $5-$50 (sliding scale available for all) here.

 

Drum & Colours – Henry IV @ Seattle Shakespeare Company (Seattle Center)
Apr 6 @ 7:30 pm

By William Shakespeare
Adapted by Lamar Legend
Directed by S Franco

King Henry IV’s reign has been rife with conflict from the very beginning, which is not surprising given that he usurped the throne from Richard II. Now, even friends have become enemies as conflict between the King and his former supporters grows. To make matters worse, the King’s son seems disinclined to rule, frequenting the taverns and brothels of London with his friend Sir John Falstaff. Family drama and political intrigue intertwine to make way for a new ruler, and as unrest grows and conflict bubbles, England dares to ask: who has the right to wear the crown?An all-BIPOC company gathers for this epic tale of a polarized nation, a combined adaptation of both parts of Henry IV in a follow up to Drum and Colours from winter 2022.

Furthering the work of previous projects like the Shakespeare Equity Engagement program (SEE) and the Holding Space project, Drum and Colours aims to meet the community’s needs with an all-BIPOC company with 360-degree representation, including actors, directors, and production team. It explores BIPOC company members’ personal connections to the classics and sheds new light on familiar works. SSC believes that art that is open — to adaptation, interpretation, and the recognition of the wonderful vastness of the human experience — is stronger and more long-lasting than art which ignores that complexity.

Previews 3/14-16, opens 3/17

Tickets ($45-$62, depending on day) here.

$10 rush tickets (if tickets remain) available for all performances; see Groundling tickets info here.

 

Meet Me at Dawn – Radial Theater Project @ 18th & Union (Seattle – Central District)
Apr 6 @ 7:30 pm

After a boating accident, two women wash up on a distant shore. They look for a path home, but discover that this unfamiliar land is not what it seems. Loosely inspired by the myth of Orpheus and Eurydice, Zinnie Harris’ Meet Me at Dawn is a tenderly lyrical and utterly modern fable exploring the mystery of grief and the triumph of everyday love. Featuring Jennifer Faulkner and Jordi Montes.

Live stream option available.

Tickets ($17-$37, sliding scale available to all) here.

 

Redd @ Key City Public Theatre (Port Townsend)
Apr 6 @ 7:30 pm

Redd is a magical retelling of Little Red Riding Hood, inspired and set within Spanish-Colonial Philippines. Rue, a mysterious orphan, a trapped Princess betrothed to a Spanish Viceroyal Huntsman in the sheltered town of Intramuros, Manila. Accompanied by a spirit guide, Rin, they journey to Grandmother’s house. What follows is a fantastical battle fueled by the sacrifice of Rue’s ancestors and a chance for liberation of her people.

Redd celebrates the Philippines’ rich culture, female empowerment, and the diverse community of KCPT resident artists in this World Premiere commissioned play.

Tickets (sliding-scale available to all) here.

 

Refugees in the Garden City – Pratidhwani and ReAct Theatre @ Taproot Theatre (Seattle – Greenwood)
Apr 6 @ 7:30 pm

In this world premiere one-act play, Arjun and Rhiannon find themselves in a hotel room in Victoria, BC, excited to start a new chapter in their lives. As we watch them navigate their present moment — with a little help from Doctor Who — we learn about the struggles of their past and the uncertainty of the future that still awaits them. Written by Jim Moran, directed by David Hsieh, and performed by two different sets of actors throughout the run of the show. (See cast dates on ticketing page.)

Location Taproot studio theatre (212 N 85th St)

Tickets ($15-$30, sliding scale for all) here.

 

Apr
7
Fri
110 in the Shade – Reboot Theatre @ Seattle Public Theater (Seattle – Green Lake)
Apr 7 @ 7:30 pm

Reboot Theatre Company, known for its intriguing deep dives and fresh interpretations of theater, brings to life 110 in the Shade, a beautiful exploration of love, hope, and acceptance. From the creators of The Fantasticks, 110 in the Shade is a touching and intimate musical adaptation of the hit play The Rainmaker. Set in a small western town besieged by drought, Lizzie, intelligent and independent, struggles with the societal pressure to do as a “woman” should do. One blistering hot day, Lizzie’s family urges her to marry the recently widowed Sheriff File, while charismatic stranger Starbuck comes to town with promises of being able to make it rain. Immediately suspicious, Lizzie tries to pick apart Starbuck’s story, but realizes a deeper truth about herself along the way. While the source material was written in the 1950’s, director Scot Charles Anderson will take a closer look at the seemingly simplified gender roles in classic Reboot style.

Tickets $5-$50 (sliding scale available for all) here.

 

Dacha Theatre: Dice Keeper – Twelfth Night @ Base (Seattle – Georgetown)
Apr 7 @ 7:30 pm

Viola washes up on the shores of the bewildering land of Illyria after losing her twin brother in a shipwreck. But what is Illyria exactly? In Dice Keeper: Twelfth Night’s 18-show run, no two Illyrias are the same — and no two Violas for that matter.

Dacha returns with the next iteration of our most audacious original format: Dice Keeper: Twelfth Night. In the Dice series, a small ensemble of actors memorizes the entire script of a Shakespeare show and the roles are randomized at the start of each performance. This year, we’ve added a brand new wrinkle – the Dice Keeper. The Dice Keeper changes the directorial concept for each performance with no warning to the cast. Has he set the show in the Wild West or has he replaced all the costumes with hospital scrubs?

Dice Keeper: Twelfth Night is a playful send-up of directors with over-imaginative interpretations of Shakespeare, and a love letter to all the actors, designers and audiences who have endured their whims. Most importantly, with each new concept the Dice Keeper is convinced that this is the best way to tell the story of Twelfth Night, and who knows, by the end of the show you may just agree with him. Directed by Mike Lion.

Tickets ($3-$55, pay-what-you-choose available for all) here.

 

Drum & Colours – Henry IV @ Seattle Shakespeare Company (Seattle Center)
Apr 7 @ 7:30 pm

By William Shakespeare
Adapted by Lamar Legend
Directed by S Franco

King Henry IV’s reign has been rife with conflict from the very beginning, which is not surprising given that he usurped the throne from Richard II. Now, even friends have become enemies as conflict between the King and his former supporters grows. To make matters worse, the King’s son seems disinclined to rule, frequenting the taverns and brothels of London with his friend Sir John Falstaff. Family drama and political intrigue intertwine to make way for a new ruler, and as unrest grows and conflict bubbles, England dares to ask: who has the right to wear the crown?An all-BIPOC company gathers for this epic tale of a polarized nation, a combined adaptation of both parts of Henry IV in a follow up to Drum and Colours from winter 2022.

Furthering the work of previous projects like the Shakespeare Equity Engagement program (SEE) and the Holding Space project, Drum and Colours aims to meet the community’s needs with an all-BIPOC company with 360-degree representation, including actors, directors, and production team. It explores BIPOC company members’ personal connections to the classics and sheds new light on familiar works. SSC believes that art that is open — to adaptation, interpretation, and the recognition of the wonderful vastness of the human experience — is stronger and more long-lasting than art which ignores that complexity.

Previews 3/14-16, opens 3/17

Tickets ($45-$62, depending on day) here.

$10 rush tickets (if tickets remain) available for all performances; see Groundling tickets info here.

 

Meet Me at Dawn – Radial Theater Project @ 18th & Union (Seattle – Central District)
Apr 7 @ 7:30 pm

After a boating accident, two women wash up on a distant shore. They look for a path home, but discover that this unfamiliar land is not what it seems. Loosely inspired by the myth of Orpheus and Eurydice, Zinnie Harris’ Meet Me at Dawn is a tenderly lyrical and utterly modern fable exploring the mystery of grief and the triumph of everyday love. Featuring Jennifer Faulkner and Jordi Montes.

Live stream option available.

Tickets ($17-$37, sliding scale available to all) here.

 

Redd @ Key City Public Theatre (Port Townsend)
Apr 7 @ 7:30 pm

Redd is a magical retelling of Little Red Riding Hood, inspired and set within Spanish-Colonial Philippines. Rue, a mysterious orphan, a trapped Princess betrothed to a Spanish Viceroyal Huntsman in the sheltered town of Intramuros, Manila. Accompanied by a spirit guide, Rin, they journey to Grandmother’s house. What follows is a fantastical battle fueled by the sacrifice of Rue’s ancestors and a chance for liberation of her people.

Redd celebrates the Philippines’ rich culture, female empowerment, and the diverse community of KCPT resident artists in this World Premiere commissioned play.

Tickets (sliding-scale available to all) here.

 

Refugees in the Garden City – Pratidhwani and ReAct Theatre @ Taproot Theatre (Seattle – Greenwood)
Apr 7 @ 7:30 pm

In this world premiere one-act play, Arjun and Rhiannon find themselves in a hotel room in Victoria, BC, excited to start a new chapter in their lives. As we watch them navigate their present moment — with a little help from Doctor Who — we learn about the struggles of their past and the uncertainty of the future that still awaits them. Written by Jim Moran, directed by David Hsieh, and performed by two different sets of actors throughout the run of the show. (See cast dates on ticketing page.)

Location Taproot studio theatre (212 N 85th St)

Tickets ($15-$30, sliding scale for all) here.

 

Senior Theatre Festival: Eurydice @ University of Puget Sound (Tacoma)
Apr 7 @ 7:30 pm

Eurydice by Sarah Ruhl is a magical, meaningful, and melodic adaptation of the Ancient Greek Myth of Orpheus. It reckons with love, grief, and remembrance. When Eurydice dies on her wedding day, we follow her reunion with her late father in a vibrant underworld. When Eurydice’s husband, Orpheus, journeys down from the living world desperate to find the woman he has loved for centuries Eurydice is left to make a decision: will she stay in the afterlife with her father, or will she rejoin Orpheus on Earth?

Excerpts from plays selected, directed and performed by students

Show info here.

 

Apr
8
Sat
Dacha Theatre: Dice Keeper – Twelfth Night @ Base (Seattle – Georgetown)
Apr 8 @ 2:00 pm

Viola washes up on the shores of the bewildering land of Illyria after losing her twin brother in a shipwreck. But what is Illyria exactly? In Dice Keeper: Twelfth Night’s 18-show run, no two Illyrias are the same — and no two Violas for that matter.

Dacha returns with the next iteration of our most audacious original format: Dice Keeper: Twelfth Night. In the Dice series, a small ensemble of actors memorizes the entire script of a Shakespeare show and the roles are randomized at the start of each performance. This year, we’ve added a brand new wrinkle – the Dice Keeper. The Dice Keeper changes the directorial concept for each performance with no warning to the cast. Has he set the show in the Wild West or has he replaced all the costumes with hospital scrubs?

Dice Keeper: Twelfth Night is a playful send-up of directors with over-imaginative interpretations of Shakespeare, and a love letter to all the actors, designers and audiences who have endured their whims. Most importantly, with each new concept the Dice Keeper is convinced that this is the best way to tell the story of Twelfth Night, and who knows, by the end of the show you may just agree with him. Directed by Mike Lion.

Tickets ($3-$55, pay-what-you-choose available for all) here.

 

Drum & Colours – Henry IV @ Seattle Shakespeare Company (Seattle Center)
Apr 8 @ 2:00 pm

By William Shakespeare
Adapted by Lamar Legend
Directed by S Franco

King Henry IV’s reign has been rife with conflict from the very beginning, which is not surprising given that he usurped the throne from Richard II. Now, even friends have become enemies as conflict between the King and his former supporters grows. To make matters worse, the King’s son seems disinclined to rule, frequenting the taverns and brothels of London with his friend Sir John Falstaff. Family drama and political intrigue intertwine to make way for a new ruler, and as unrest grows and conflict bubbles, England dares to ask: who has the right to wear the crown?An all-BIPOC company gathers for this epic tale of a polarized nation, a combined adaptation of both parts of Henry IV in a follow up to Drum and Colours from winter 2022.

Furthering the work of previous projects like the Shakespeare Equity Engagement program (SEE) and the Holding Space project, Drum and Colours aims to meet the community’s needs with an all-BIPOC company with 360-degree representation, including actors, directors, and production team. It explores BIPOC company members’ personal connections to the classics and sheds new light on familiar works. SSC believes that art that is open — to adaptation, interpretation, and the recognition of the wonderful vastness of the human experience — is stronger and more long-lasting than art which ignores that complexity.

Previews 3/14-16, opens 3/17

Tickets ($45-$62, depending on day) here.

$10 rush tickets (if tickets remain) available for all performances; see Groundling tickets info here.

 

Refugees in the Garden City – Pratidhwani and ReAct Theatre @ Taproot Theatre (Seattle – Greenwood)
Apr 8 @ 2:00 pm

In this world premiere one-act play, Arjun and Rhiannon find themselves in a hotel room in Victoria, BC, excited to start a new chapter in their lives. As we watch them navigate their present moment — with a little help from Doctor Who — we learn about the struggles of their past and the uncertainty of the future that still awaits them. Written by Jim Moran, directed by David Hsieh, and performed by two different sets of actors throughout the run of the show. (See cast dates on ticketing page.)

Location Taproot studio theatre (212 N 85th St)

Tickets ($15-$30, sliding scale for all) here.

 

Senior Theatre Festival: Eurydice @ University of Puget Sound (Tacoma)
Apr 8 @ 2:00 pm

Eurydice by Sarah Ruhl is a magical, meaningful, and melodic adaptation of the Ancient Greek Myth of Orpheus. It reckons with love, grief, and remembrance. When Eurydice dies on her wedding day, we follow her reunion with her late father in a vibrant underworld. When Eurydice’s husband, Orpheus, journeys down from the living world desperate to find the woman he has loved for centuries Eurydice is left to make a decision: will she stay in the afterlife with her father, or will she rejoin Orpheus on Earth?

Excerpts from plays selected, directed and performed by students

Show info here.

 

110 in the Shade – Reboot Theatre @ Seattle Public Theater (Seattle – Green Lake)
Apr 8 @ 7:30 pm

Reboot Theatre Company, known for its intriguing deep dives and fresh interpretations of theater, brings to life 110 in the Shade, a beautiful exploration of love, hope, and acceptance. From the creators of The Fantasticks, 110 in the Shade is a touching and intimate musical adaptation of the hit play The Rainmaker. Set in a small western town besieged by drought, Lizzie, intelligent and independent, struggles with the societal pressure to do as a “woman” should do. One blistering hot day, Lizzie’s family urges her to marry the recently widowed Sheriff File, while charismatic stranger Starbuck comes to town with promises of being able to make it rain. Immediately suspicious, Lizzie tries to pick apart Starbuck’s story, but realizes a deeper truth about herself along the way. While the source material was written in the 1950’s, director Scot Charles Anderson will take a closer look at the seemingly simplified gender roles in classic Reboot style.

Tickets $5-$50 (sliding scale available for all) here.

 

Dacha Theatre: Dice Keeper – Twelfth Night @ Base (Seattle – Georgetown)
Apr 8 @ 7:30 pm

Viola washes up on the shores of the bewildering land of Illyria after losing her twin brother in a shipwreck. But what is Illyria exactly? In Dice Keeper: Twelfth Night’s 18-show run, no two Illyrias are the same — and no two Violas for that matter.

Dacha returns with the next iteration of our most audacious original format: Dice Keeper: Twelfth Night. In the Dice series, a small ensemble of actors memorizes the entire script of a Shakespeare show and the roles are randomized at the start of each performance. This year, we’ve added a brand new wrinkle – the Dice Keeper. The Dice Keeper changes the directorial concept for each performance with no warning to the cast. Has he set the show in the Wild West or has he replaced all the costumes with hospital scrubs?

Dice Keeper: Twelfth Night is a playful send-up of directors with over-imaginative interpretations of Shakespeare, and a love letter to all the actors, designers and audiences who have endured their whims. Most importantly, with each new concept the Dice Keeper is convinced that this is the best way to tell the story of Twelfth Night, and who knows, by the end of the show you may just agree with him. Directed by Mike Lion.

Tickets ($3-$55, pay-what-you-choose available for all) here.

 

Drum & Colours – Henry IV @ Seattle Shakespeare Company (Seattle Center)
Apr 8 @ 7:30 pm

By William Shakespeare
Adapted by Lamar Legend
Directed by S Franco

King Henry IV’s reign has been rife with conflict from the very beginning, which is not surprising given that he usurped the throne from Richard II. Now, even friends have become enemies as conflict between the King and his former supporters grows. To make matters worse, the King’s son seems disinclined to rule, frequenting the taverns and brothels of London with his friend Sir John Falstaff. Family drama and political intrigue intertwine to make way for a new ruler, and as unrest grows and conflict bubbles, England dares to ask: who has the right to wear the crown?An all-BIPOC company gathers for this epic tale of a polarized nation, a combined adaptation of both parts of Henry IV in a follow up to Drum and Colours from winter 2022.

Furthering the work of previous projects like the Shakespeare Equity Engagement program (SEE) and the Holding Space project, Drum and Colours aims to meet the community’s needs with an all-BIPOC company with 360-degree representation, including actors, directors, and production team. It explores BIPOC company members’ personal connections to the classics and sheds new light on familiar works. SSC believes that art that is open — to adaptation, interpretation, and the recognition of the wonderful vastness of the human experience — is stronger and more long-lasting than art which ignores that complexity.

Previews 3/14-16, opens 3/17

Tickets ($45-$62, depending on day) here.

$10 rush tickets (if tickets remain) available for all performances; see Groundling tickets info here.

 

Meet Me at Dawn – Radial Theater Project @ 18th & Union (Seattle – Central District)
Apr 8 @ 7:30 pm

After a boating accident, two women wash up on a distant shore. They look for a path home, but discover that this unfamiliar land is not what it seems. Loosely inspired by the myth of Orpheus and Eurydice, Zinnie Harris’ Meet Me at Dawn is a tenderly lyrical and utterly modern fable exploring the mystery of grief and the triumph of everyday love. Featuring Jennifer Faulkner and Jordi Montes.

Live stream option available.

Tickets ($17-$37, sliding scale available to all) here.

 

Redd @ Key City Public Theatre (Port Townsend)
Apr 8 @ 7:30 pm

Redd is a magical retelling of Little Red Riding Hood, inspired and set within Spanish-Colonial Philippines. Rue, a mysterious orphan, a trapped Princess betrothed to a Spanish Viceroyal Huntsman in the sheltered town of Intramuros, Manila. Accompanied by a spirit guide, Rin, they journey to Grandmother’s house. What follows is a fantastical battle fueled by the sacrifice of Rue’s ancestors and a chance for liberation of her people.

Redd celebrates the Philippines’ rich culture, female empowerment, and the diverse community of KCPT resident artists in this World Premiere commissioned play.

Tickets (sliding-scale available to all) here.

 

Refugees in the Garden City – Pratidhwani and ReAct Theatre @ Taproot Theatre (Seattle – Greenwood)
Apr 8 @ 7:30 pm

In this world premiere one-act play, Arjun and Rhiannon find themselves in a hotel room in Victoria, BC, excited to start a new chapter in their lives. As we watch them navigate their present moment — with a little help from Doctor Who — we learn about the struggles of their past and the uncertainty of the future that still awaits them. Written by Jim Moran, directed by David Hsieh, and performed by two different sets of actors throughout the run of the show. (See cast dates on ticketing page.)

Location Taproot studio theatre (212 N 85th St)

Tickets ($15-$30, sliding scale for all) here.

 

Senior Theatre Festival: Eurydice @ University of Puget Sound (Tacoma)
Apr 8 @ 7:30 pm

Eurydice by Sarah Ruhl is a magical, meaningful, and melodic adaptation of the Ancient Greek Myth of Orpheus. It reckons with love, grief, and remembrance. When Eurydice dies on her wedding day, we follow her reunion with her late father in a vibrant underworld. When Eurydice’s husband, Orpheus, journeys down from the living world desperate to find the woman he has loved for centuries Eurydice is left to make a decision: will she stay in the afterlife with her father, or will she rejoin Orpheus on Earth?

Excerpts from plays selected, directed and performed by students

Show info here.

 

Sense and Sensibility @ Village Theatre (Everett) (PWYC)
Apr 8 @ 8:00 pm

In a classic-modern mashup of the beloved Jane Austen novel, Sense and Sensibility revisits the 18th-century England of the iconic characters through a contemporary lens. Layered with smart comedy and zany antics, this playful new adaption comes to life in a delightfully indulgent production directed by Jes Spencer.

Sensible Elinor and sensitive Marianne’s fortunes become misfortunes after their father’s sudden death leaves them financially destitute and socially vulnerable. Navigating societal pressures and relatable modern gossip, the two sisters learn to love while expressing their own sensibilities. Cheekily underscored by a contemporary mix of your favorite pop songs, Sense and Sensibility’s simple beauty and timelessness is a breath of fresh countryside air.

Play by Kate Hamill, based on the novel by Jane Austen
Directed by Jes Spencer

Tickets ($54-$91) here.

Pay-what-you-choose rush tickets available (by phone or in-person) for this performance; see info here.

$20 Section B rush tickets available for all performances; see discount ticket info here.

ASL-interpreted performance on 3/25 (matinee), and captioned performance 4/8 (matinee). See accessibility info here.

 

Apr
9
Sun
Redd @ Key City Public Theatre (Port Townsend)
Apr 9 @ 1:30 pm

Redd is a magical retelling of Little Red Riding Hood, inspired and set within Spanish-Colonial Philippines. Rue, a mysterious orphan, a trapped Princess betrothed to a Spanish Viceroyal Huntsman in the sheltered town of Intramuros, Manila. Accompanied by a spirit guide, Rin, they journey to Grandmother’s house. What follows is a fantastical battle fueled by the sacrifice of Rue’s ancestors and a chance for liberation of her people.

Redd celebrates the Philippines’ rich culture, female empowerment, and the diverse community of KCPT resident artists in this World Premiere commissioned play.

Tickets (sliding-scale available to all) here.

 

110 in the Shade – Reboot Theatre @ Seattle Public Theater (Seattle – Green Lake)
Apr 9 @ 2:00 pm

Reboot Theatre Company, known for its intriguing deep dives and fresh interpretations of theater, brings to life 110 in the Shade, a beautiful exploration of love, hope, and acceptance. From the creators of The Fantasticks, 110 in the Shade is a touching and intimate musical adaptation of the hit play The Rainmaker. Set in a small western town besieged by drought, Lizzie, intelligent and independent, struggles with the societal pressure to do as a “woman” should do. One blistering hot day, Lizzie’s family urges her to marry the recently widowed Sheriff File, while charismatic stranger Starbuck comes to town with promises of being able to make it rain. Immediately suspicious, Lizzie tries to pick apart Starbuck’s story, but realizes a deeper truth about herself along the way. While the source material was written in the 1950’s, director Scot Charles Anderson will take a closer look at the seemingly simplified gender roles in classic Reboot style.

Tickets $5-$50 (sliding scale available for all) here.

 

Drum & Colours – Henry IV @ Seattle Shakespeare Company (Seattle Center)
Apr 9 @ 2:00 pm

By William Shakespeare
Adapted by Lamar Legend
Directed by S Franco

King Henry IV’s reign has been rife with conflict from the very beginning, which is not surprising given that he usurped the throne from Richard II. Now, even friends have become enemies as conflict between the King and his former supporters grows. To make matters worse, the King’s son seems disinclined to rule, frequenting the taverns and brothels of London with his friend Sir John Falstaff. Family drama and political intrigue intertwine to make way for a new ruler, and as unrest grows and conflict bubbles, England dares to ask: who has the right to wear the crown?An all-BIPOC company gathers for this epic tale of a polarized nation, a combined adaptation of both parts of Henry IV in a follow up to Drum and Colours from winter 2022.

Furthering the work of previous projects like the Shakespeare Equity Engagement program (SEE) and the Holding Space project, Drum and Colours aims to meet the community’s needs with an all-BIPOC company with 360-degree representation, including actors, directors, and production team. It explores BIPOC company members’ personal connections to the classics and sheds new light on familiar works. SSC believes that art that is open — to adaptation, interpretation, and the recognition of the wonderful vastness of the human experience — is stronger and more long-lasting than art which ignores that complexity.

Previews 3/14-16, opens 3/17

Tickets ($45-$62, depending on day) here.

$10 rush tickets (if tickets remain) available for all performances; see Groundling tickets info here.

 

Refugees in the Garden City – Pratidhwani and ReAct Theatre @ Taproot Theatre (Seattle – Greenwood)
Apr 9 @ 2:00 pm

In this world premiere one-act play, Arjun and Rhiannon find themselves in a hotel room in Victoria, BC, excited to start a new chapter in their lives. As we watch them navigate their present moment — with a little help from Doctor Who — we learn about the struggles of their past and the uncertainty of the future that still awaits them. Written by Jim Moran, directed by David Hsieh, and performed by two different sets of actors throughout the run of the show. (See cast dates on ticketing page.)

Location Taproot studio theatre (212 N 85th St)

Tickets ($15-$30, sliding scale for all) here.

 

Dacha Theatre: Dice Keeper – Twelfth Night @ Base (Seattle – Georgetown)
Apr 9 @ 7:00 pm

Viola washes up on the shores of the bewildering land of Illyria after losing her twin brother in a shipwreck. But what is Illyria exactly? In Dice Keeper: Twelfth Night’s 18-show run, no two Illyrias are the same — and no two Violas for that matter.

Dacha returns with the next iteration of our most audacious original format: Dice Keeper: Twelfth Night. In the Dice series, a small ensemble of actors memorizes the entire script of a Shakespeare show and the roles are randomized at the start of each performance. This year, we’ve added a brand new wrinkle – the Dice Keeper. The Dice Keeper changes the directorial concept for each performance with no warning to the cast. Has he set the show in the Wild West or has he replaced all the costumes with hospital scrubs?

Dice Keeper: Twelfth Night is a playful send-up of directors with over-imaginative interpretations of Shakespeare, and a love letter to all the actors, designers and audiences who have endured their whims. Most importantly, with each new concept the Dice Keeper is convinced that this is the best way to tell the story of Twelfth Night, and who knows, by the end of the show you may just agree with him. Directed by Mike Lion.

Tickets ($3-$55, pay-what-you-choose available for all) here.

 

Apr
13
Thu
Dacha Theatre: Dice Keeper – Twelfth Night @ Base (Seattle – Georgetown)
Apr 13 @ 7:30 pm

Viola washes up on the shores of the bewildering land of Illyria after losing her twin brother in a shipwreck. But what is Illyria exactly? In Dice Keeper: Twelfth Night’s 18-show run, no two Illyrias are the same — and no two Violas for that matter.

Dacha returns with the next iteration of our most audacious original format: Dice Keeper: Twelfth Night. In the Dice series, a small ensemble of actors memorizes the entire script of a Shakespeare show and the roles are randomized at the start of each performance. This year, we’ve added a brand new wrinkle – the Dice Keeper. The Dice Keeper changes the directorial concept for each performance with no warning to the cast. Has he set the show in the Wild West or has he replaced all the costumes with hospital scrubs?

Dice Keeper: Twelfth Night is a playful send-up of directors with over-imaginative interpretations of Shakespeare, and a love letter to all the actors, designers and audiences who have endured their whims. Most importantly, with each new concept the Dice Keeper is convinced that this is the best way to tell the story of Twelfth Night, and who knows, by the end of the show you may just agree with him. Directed by Mike Lion.

Tickets ($3-$55, pay-what-you-choose available for all) here.

 

Redd @ Key City Public Theatre (Port Townsend)
Apr 13 @ 7:30 pm

Redd is a magical retelling of Little Red Riding Hood, inspired and set within Spanish-Colonial Philippines. Rue, a mysterious orphan, a trapped Princess betrothed to a Spanish Viceroyal Huntsman in the sheltered town of Intramuros, Manila. Accompanied by a spirit guide, Rin, they journey to Grandmother’s house. What follows is a fantastical battle fueled by the sacrifice of Rue’s ancestors and a chance for liberation of her people.

Redd celebrates the Philippines’ rich culture, female empowerment, and the diverse community of KCPT resident artists in this World Premiere commissioned play.

Tickets (sliding-scale available to all) here.

 

Refugees in the Garden City – Pratidhwani and ReAct Theatre @ Taproot Theatre (Seattle – Greenwood)
Apr 13 @ 7:30 pm

In this world premiere one-act play, Arjun and Rhiannon find themselves in a hotel room in Victoria, BC, excited to start a new chapter in their lives. As we watch them navigate their present moment — with a little help from Doctor Who — we learn about the struggles of their past and the uncertainty of the future that still awaits them. Written by Jim Moran, directed by David Hsieh, and performed by two different sets of actors throughout the run of the show. (See cast dates on ticketing page.)

Location Taproot studio theatre (212 N 85th St)

Tickets ($15-$30, sliding scale for all) here.

 

Apr
14
Fri
Redd @ Key City Public Theatre (Port Townsend)
Apr 14 @ 1:30 pm

Redd is a magical retelling of Little Red Riding Hood, inspired and set within Spanish-Colonial Philippines. Rue, a mysterious orphan, a trapped Princess betrothed to a Spanish Viceroyal Huntsman in the sheltered town of Intramuros, Manila. Accompanied by a spirit guide, Rin, they journey to Grandmother’s house. What follows is a fantastical battle fueled by the sacrifice of Rue’s ancestors and a chance for liberation of her people.

Redd celebrates the Philippines’ rich culture, female empowerment, and the diverse community of KCPT resident artists in this World Premiere commissioned play.

Tickets (sliding-scale available to all) here.

 

Dacha Theatre: Dice Keeper – Twelfth Night @ Base (Seattle – Georgetown)
Apr 14 @ 7:30 pm

Viola washes up on the shores of the bewildering land of Illyria after losing her twin brother in a shipwreck. But what is Illyria exactly? In Dice Keeper: Twelfth Night’s 18-show run, no two Illyrias are the same — and no two Violas for that matter.

Dacha returns with the next iteration of our most audacious original format: Dice Keeper: Twelfth Night. In the Dice series, a small ensemble of actors memorizes the entire script of a Shakespeare show and the roles are randomized at the start of each performance. This year, we’ve added a brand new wrinkle – the Dice Keeper. The Dice Keeper changes the directorial concept for each performance with no warning to the cast. Has he set the show in the Wild West or has he replaced all the costumes with hospital scrubs?

Dice Keeper: Twelfth Night is a playful send-up of directors with over-imaginative interpretations of Shakespeare, and a love letter to all the actors, designers and audiences who have endured their whims. Most importantly, with each new concept the Dice Keeper is convinced that this is the best way to tell the story of Twelfth Night, and who knows, by the end of the show you may just agree with him. Directed by Mike Lion.

Tickets ($3-$55, pay-what-you-choose available for all) here.

 

Redd @ Key City Public Theatre (Port Townsend)
Apr 14 @ 7:30 pm

Redd is a magical retelling of Little Red Riding Hood, inspired and set within Spanish-Colonial Philippines. Rue, a mysterious orphan, a trapped Princess betrothed to a Spanish Viceroyal Huntsman in the sheltered town of Intramuros, Manila. Accompanied by a spirit guide, Rin, they journey to Grandmother’s house. What follows is a fantastical battle fueled by the sacrifice of Rue’s ancestors and a chance for liberation of her people.

Redd celebrates the Philippines’ rich culture, female empowerment, and the diverse community of KCPT resident artists in this World Premiere commissioned play.

Tickets (sliding-scale available to all) here.

 

Refugees in the Garden City – Pratidhwani and ReAct Theatre @ Taproot Theatre (Seattle – Greenwood)
Apr 14 @ 7:30 pm

In this world premiere one-act play, Arjun and Rhiannon find themselves in a hotel room in Victoria, BC, excited to start a new chapter in their lives. As we watch them navigate their present moment — with a little help from Doctor Who — we learn about the struggles of their past and the uncertainty of the future that still awaits them. Written by Jim Moran, directed by David Hsieh, and performed by two different sets of actors throughout the run of the show. (See cast dates on ticketing page.)

Location Taproot studio theatre (212 N 85th St)

Tickets ($15-$30, sliding scale for all) here.

 

Apr
15
Sat
Dacha Theatre: Dice Keeper – Twelfth Night @ Base (Seattle – Georgetown)
Apr 15 @ 2:00 pm

Viola washes up on the shores of the bewildering land of Illyria after losing her twin brother in a shipwreck. But what is Illyria exactly? In Dice Keeper: Twelfth Night’s 18-show run, no two Illyrias are the same — and no two Violas for that matter.

Dacha returns with the next iteration of our most audacious original format: Dice Keeper: Twelfth Night. In the Dice series, a small ensemble of actors memorizes the entire script of a Shakespeare show and the roles are randomized at the start of each performance. This year, we’ve added a brand new wrinkle – the Dice Keeper. The Dice Keeper changes the directorial concept for each performance with no warning to the cast. Has he set the show in the Wild West or has he replaced all the costumes with hospital scrubs?

Dice Keeper: Twelfth Night is a playful send-up of directors with over-imaginative interpretations of Shakespeare, and a love letter to all the actors, designers and audiences who have endured their whims. Most importantly, with each new concept the Dice Keeper is convinced that this is the best way to tell the story of Twelfth Night, and who knows, by the end of the show you may just agree with him. Directed by Mike Lion.

Tickets ($3-$55, pay-what-you-choose available for all) here.

 

Refugees in the Garden City – Pratidhwani and ReAct Theatre @ Taproot Theatre (Seattle – Greenwood)
Apr 15 @ 2:00 pm

In this world premiere one-act play, Arjun and Rhiannon find themselves in a hotel room in Victoria, BC, excited to start a new chapter in their lives. As we watch them navigate their present moment — with a little help from Doctor Who — we learn about the struggles of their past and the uncertainty of the future that still awaits them. Written by Jim Moran, directed by David Hsieh, and performed by two different sets of actors throughout the run of the show. (See cast dates on ticketing page.)

Location Taproot studio theatre (212 N 85th St)

Tickets ($15-$30, sliding scale for all) here.

 

Dacha Theatre: Dice Keeper – Twelfth Night @ Base (Seattle – Georgetown)
Apr 15 @ 7:30 pm

Viola washes up on the shores of the bewildering land of Illyria after losing her twin brother in a shipwreck. But what is Illyria exactly? In Dice Keeper: Twelfth Night’s 18-show run, no two Illyrias are the same — and no two Violas for that matter.

Dacha returns with the next iteration of our most audacious original format: Dice Keeper: Twelfth Night. In the Dice series, a small ensemble of actors memorizes the entire script of a Shakespeare show and the roles are randomized at the start of each performance. This year, we’ve added a brand new wrinkle – the Dice Keeper. The Dice Keeper changes the directorial concept for each performance with no warning to the cast. Has he set the show in the Wild West or has he replaced all the costumes with hospital scrubs?

Dice Keeper: Twelfth Night is a playful send-up of directors with over-imaginative interpretations of Shakespeare, and a love letter to all the actors, designers and audiences who have endured their whims. Most importantly, with each new concept the Dice Keeper is convinced that this is the best way to tell the story of Twelfth Night, and who knows, by the end of the show you may just agree with him. Directed by Mike Lion.

Tickets ($3-$55, pay-what-you-choose available for all) here.

 

Redd @ Key City Public Theatre (Port Townsend)
Apr 15 @ 7:30 pm

Redd is a magical retelling of Little Red Riding Hood, inspired and set within Spanish-Colonial Philippines. Rue, a mysterious orphan, a trapped Princess betrothed to a Spanish Viceroyal Huntsman in the sheltered town of Intramuros, Manila. Accompanied by a spirit guide, Rin, they journey to Grandmother’s house. What follows is a fantastical battle fueled by the sacrifice of Rue’s ancestors and a chance for liberation of her people.

Redd celebrates the Philippines’ rich culture, female empowerment, and the diverse community of KCPT resident artists in this World Premiere commissioned play.

Tickets (sliding-scale available to all) here.

 

Refugees in the Garden City – Pratidhwani and ReAct Theatre @ Taproot Theatre (Seattle – Greenwood)
Apr 15 @ 7:30 pm

In this world premiere one-act play, Arjun and Rhiannon find themselves in a hotel room in Victoria, BC, excited to start a new chapter in their lives. As we watch them navigate their present moment — with a little help from Doctor Who — we learn about the struggles of their past and the uncertainty of the future that still awaits them. Written by Jim Moran, directed by David Hsieh, and performed by two different sets of actors throughout the run of the show. (See cast dates on ticketing page.)

Location Taproot studio theatre (212 N 85th St)

Tickets ($15-$30, sliding scale for all) here.