Reboot Theatre Company, known for its intriguing deep dives and fresh interpretations of theater, brings to life 110 in the Shade, a beautiful exploration of love, hope, and acceptance. From the creators of The Fantasticks, 110 in the Shade is a touching and intimate musical adaptation of the hit play The Rainmaker. Set in a small western town besieged by drought, Lizzie, intelligent and independent, struggles with the societal pressure to do as a “woman” should do. One blistering hot day, Lizzie’s family urges her to marry the recently widowed Sheriff File, while charismatic stranger Starbuck comes to town with promises of being able to make it rain. Immediately suspicious, Lizzie tries to pick apart Starbuck’s story, but realizes a deeper truth about herself along the way. While the source material was written in the 1950’s, director Scot Charles Anderson will take a closer look at the seemingly simplified gender roles in classic Reboot style.

Tickets $5-$50 (sliding scale available for all) here.

Viola washes up on the shores of the bewildering land of Illyria after losing her twin brother in a shipwreck. But what is Illyria exactly? In Dice Keeper: Twelfth Night’s 18-show run, no two Illyrias are the same — and no two Violas for that matter.

Dacha returns with the next iteration of our most audacious original format: Dice Keeper: Twelfth Night. In the Dice series, a small ensemble of actors memorizes the entire script of a Shakespeare show and the roles are randomized at the start of each performance. This year, we’ve added a brand new wrinkle – the Dice Keeper. The Dice Keeper changes the directorial concept for each performance with no warning to the cast. Has he set the show in the Wild West or has he replaced all the costumes with hospital scrubs?

Dice Keeper: Twelfth Night is a playful send-up of directors with over-imaginative interpretations of Shakespeare, and a love letter to all the actors, designers and audiences who have endured their whims. Most importantly, with each new concept the Dice Keeper is convinced that this is the best way to tell the story of Twelfth Night, and who knows, by the end of the show you may just agree with him. Directed by Mike Lion.

Tickets ($3-$55, pay-what-you-choose available for all) here.

The color yellow. Sunsets. Things with stripes. Wearing a cape. Ice cream! There are a million brilliant things. Can you name them all?

The hit play and international sensation Every Brilliant Thing by Duncan Macmillan with Jonny Donahoe is a one-of-a-kind storytelling experience blending comedy, improv, and audience interaction to tell the story of an adult growing up in the shadow of mental illness and learning to grapple with their own experiences of love, loss, and a finding a new way forward, one brilliant thing at a time.

Previews 3/17-22, opens 3/23

Tickets here.

Limited number of PWYC tickets offered for each performance. $20 rush (if tickets remain) available for all performances. See info here.

Viola washes up on the shores of the bewildering land of Illyria after losing her twin brother in a shipwreck. But what is Illyria exactly? In Dice Keeper: Twelfth Night’s 18-show run, no two Illyrias are the same — and no two Violas for that matter.

Dacha returns with the next iteration of our most audacious original format: Dice Keeper: Twelfth Night. In the Dice series, a small ensemble of actors memorizes the entire script of a Shakespeare show and the roles are randomized at the start of each performance. This year, we’ve added a brand new wrinkle – the Dice Keeper. The Dice Keeper changes the directorial concept for each performance with no warning to the cast. Has he set the show in the Wild West or has he replaced all the costumes with hospital scrubs?

Dice Keeper: Twelfth Night is a playful send-up of directors with over-imaginative interpretations of Shakespeare, and a love letter to all the actors, designers and audiences who have endured their whims. Most importantly, with each new concept the Dice Keeper is convinced that this is the best way to tell the story of Twelfth Night, and who knows, by the end of the show you may just agree with him. Directed by Mike Lion.

Tickets ($3-$55, pay-what-you-choose available for all) here.

In a classic-modern mashup of the beloved Jane Austen novel, Sense and Sensibility revisits the 18th-century England of the iconic characters through a contemporary lens. Layered with smart comedy and zany antics, this playful new adaption comes to life in a delightfully indulgent production directed by Jes Spencer.

Sensible Elinor and sensitive Marianne’s fortunes become misfortunes after their father’s sudden death leaves them financially destitute and socially vulnerable. Navigating societal pressures and relatable modern gossip, the two sisters learn to love while expressing their own sensibilities. Cheekily underscored by a contemporary mix of your favorite pop songs, Sense and Sensibility’s simple beauty and timelessness is a breath of fresh countryside air.

Play by Kate Hamill, based on the novel by Jane Austen
Directed by Jes Spencer

Tickets ($54-$91) here.

Pay-what-you-choose rush tickets available (by phone or in-person) for this performance; see info here.

$20 Section B rush tickets available for all performances; see discount ticket info here.

ASL-interpreted performance on 3/25 (matinee), and captioned performance 4/8 (matinee). See accessibility info here.

Reboot Theatre Company, known for its intriguing deep dives and fresh interpretations of theater, brings to life 110 in the Shade, a beautiful exploration of love, hope, and acceptance. From the creators of The Fantasticks, 110 in the Shade is a touching and intimate musical adaptation of the hit play The Rainmaker. Set in a small western town besieged by drought, Lizzie, intelligent and independent, struggles with the societal pressure to do as a “woman” should do. One blistering hot day, Lizzie’s family urges her to marry the recently widowed Sheriff File, while charismatic stranger Starbuck comes to town with promises of being able to make it rain. Immediately suspicious, Lizzie tries to pick apart Starbuck’s story, but realizes a deeper truth about herself along the way. While the source material was written in the 1950’s, director Scot Charles Anderson will take a closer look at the seemingly simplified gender roles in classic Reboot style.

Tickets $5-$50 (sliding scale available for all) here.

Reboot Theatre Company, known for its intriguing deep dives and fresh interpretations of theater, brings to life 110 in the Shade, a beautiful exploration of love, hope, and acceptance. From the creators of The Fantasticks, 110 in the Shade is a touching and intimate musical adaptation of the hit play The Rainmaker. Set in a small western town besieged by drought, Lizzie, intelligent and independent, struggles with the societal pressure to do as a “woman” should do. One blistering hot day, Lizzie’s family urges her to marry the recently widowed Sheriff File, while charismatic stranger Starbuck comes to town with promises of being able to make it rain. Immediately suspicious, Lizzie tries to pick apart Starbuck’s story, but realizes a deeper truth about herself along the way. While the source material was written in the 1950’s, director Scot Charles Anderson will take a closer look at the seemingly simplified gender roles in classic Reboot style.

Tickets $5-$50 (sliding scale available for all) here.

Viola washes up on the shores of the bewildering land of Illyria after losing her twin brother in a shipwreck. But what is Illyria exactly? In Dice Keeper: Twelfth Night’s 18-show run, no two Illyrias are the same — and no two Violas for that matter.

Dacha returns with the next iteration of our most audacious original format: Dice Keeper: Twelfth Night. In the Dice series, a small ensemble of actors memorizes the entire script of a Shakespeare show and the roles are randomized at the start of each performance. This year, we’ve added a brand new wrinkle – the Dice Keeper. The Dice Keeper changes the directorial concept for each performance with no warning to the cast. Has he set the show in the Wild West or has he replaced all the costumes with hospital scrubs?

Dice Keeper: Twelfth Night is a playful send-up of directors with over-imaginative interpretations of Shakespeare, and a love letter to all the actors, designers and audiences who have endured their whims. Most importantly, with each new concept the Dice Keeper is convinced that this is the best way to tell the story of Twelfth Night, and who knows, by the end of the show you may just agree with him. Directed by Mike Lion.

Tickets ($3-$55, pay-what-you-choose available for all) here.

At the Next Narrative Monologue Competition Seattle Regional Finals, watch 10 teen finalists perform new monologues by America’s leading Black playwrights on the Bagley Wright stage, plus a world premiere performance of State of the Students from the runners-up. The top two competitors will receive an all-expense-paid trip to New York City. Come cheer these talented actors on and enjoy a night of performances.

Tickets ($5) here.

Eurydice by Sarah Ruhl is a magical, meaningful, and melodic adaptation of the Ancient Greek Myth of Orpheus. It reckons with love, grief, and remembrance. When Eurydice dies on her wedding day, we follow her reunion with her late father in a vibrant underworld. When Eurydice’s husband, Orpheus, journeys down from the living world desperate to find the woman he has loved for centuries Eurydice is left to make a decision: will she stay in the afterlife with her father, or will she rejoin Orpheus on Earth?

Excerpts from plays selected, directed and performed by students

Show info here.

Featuring performances by Kuu Sakuragi, Maya Tacon, Tariq Mitri, Rodrick Barnes, and Arinze Okammor, and visual art showcase by Elisa Dore, Kenya Shakoor, Nicole Vilamil, and Shirene Rafie.

Art / Break is a community celebration and fundraiser for The Seattle Project’s new original full-length performance work “Chapters” by Amanda Morgan to debut at the Northwest Film Forum on May 5 & 6 2023. Chapters will explore the lives of four black femmes; Akoiya Harris, Ashton Edwards, Amanda Morgan, and Nia-Amina Minor – highlighting ancestry and upbringing along with the intersections of Blackness and femininity. This new work will feature live dance, dance film, home video, poetry, music, and photographic portraits by Kenya Shakoor. A short documentary by Barry Johnson will accompany the piece showcasing the creative process from start to finish.

Location: Love City Love (1422 Seneca St)

Tickets (sliding scale available to all) here.

An electrifyingly innovative world-debut Mainstage production of new work developed by Village Theatre! Featuring a dynamic kaleidoscope of music, poetry, breakdancing, and beatboxing, How To Break follows two hospitalized teenage hip-hop dancers and how they navigate their adolescence in the confines of a hospital room, finding ways to love and learn amidst IV bags and chemotherapy as inspired by real-life events in writer Aaron Jafferis’ time as an artist in residence at a children’s hospital. Part commentary on the American health care system, part moving autobiography, and part profound journey through the joy and pain of growing up, How To Break reveals just how resilient the human spirit is in the face of change and transformation.

Music by Jacinth Greywoode, Rebecca Hart and Yako 440
Book and lyrics by Aaron Jafferis
Conceived by the Mixing Texts Collective:
Aaron Jafferis, Adam Matta, Christopher Edwards, Kwikstep, & Rokafella

Tickets ($54-$91) here.

Pay-what-you-choose rush tickets available (by phone or in-person) for this performance; see info here.

ASL-interpreted and open captioned performances on certain dates; see accessibility info here.

$20 Section B same-day, in-person rush tickets offered for all dates (subject to availability). Pay-what-you-choose tickets available same-day for select performances; see discount ticket info here and PWYC info here.

Viola washes up on the shores of the bewildering land of Illyria after losing her twin brother in a shipwreck. But what is Illyria exactly? In Dice Keeper: Twelfth Night’s 18-show run, no two Illyrias are the same — and no two Violas for that matter.

Dacha returns with the next iteration of our most audacious original format: Dice Keeper: Twelfth Night. In the Dice series, a small ensemble of actors memorizes the entire script of a Shakespeare show and the roles are randomized at the start of each performance. This year, we’ve added a brand new wrinkle – the Dice Keeper. The Dice Keeper changes the directorial concept for each performance with no warning to the cast. Has he set the show in the Wild West or has he replaced all the costumes with hospital scrubs?

Dice Keeper: Twelfth Night is a playful send-up of directors with over-imaginative interpretations of Shakespeare, and a love letter to all the actors, designers and audiences who have endured their whims. Most importantly, with each new concept the Dice Keeper is convinced that this is the best way to tell the story of Twelfth Night, and who knows, by the end of the show you may just agree with him. Directed by Mike Lion.

Tickets ($3-$55, pay-what-you-choose available for all) here.

Eurydice by Sarah Ruhl is a magical, meaningful, and melodic adaptation of the Ancient Greek Myth of Orpheus. It reckons with love, grief, and remembrance. When Eurydice dies on her wedding day, we follow her reunion with her late father in a vibrant underworld. When Eurydice’s husband, Orpheus, journeys down from the living world desperate to find the woman he has loved for centuries Eurydice is left to make a decision: will she stay in the afterlife with her father, or will she rejoin Orpheus on Earth?

Excerpts from plays selected, directed and performed by students

Show info here.

Go Behind the Curtain for a sneak peek of an entertaining informative and free preview presentation prior to each of the six TMP Mainstage productions! Get a behind-the-scenes look at how our costumes, makeup, set, music and rehearsal hours all come together to make up one of our TMP Mainstage productions. Hosted by TMP’s Managing Artistic Director Jon Douglas Rake and cast members.

This is a preview event, not the show itself. Free; see info here.

About the show: The musical play Titanic examines the causes, the conditions and the characters involved in this ever-fascinating drama. This is the factual story of that ship — of her officers, crew and passengers, to be sure — but she will not, as has happened so many times before, serve as merely the background against which fictional, melodramatic narratives are recounted. The central character of our Titanic is the Titanic herself. Winner of five 1997 Tony Awards, including Best Musical, Book and Score. Story and book by Peter Stone, music and lyrics by Maury Yeston.

Reboot Theatre Company, known for its intriguing deep dives and fresh interpretations of theater, brings to life 110 in the Shade, a beautiful exploration of love, hope, and acceptance. From the creators of The Fantasticks, 110 in the Shade is a touching and intimate musical adaptation of the hit play The Rainmaker. Set in a small western town besieged by drought, Lizzie, intelligent and independent, struggles with the societal pressure to do as a “woman” should do. One blistering hot day, Lizzie’s family urges her to marry the recently widowed Sheriff File, while charismatic stranger Starbuck comes to town with promises of being able to make it rain. Immediately suspicious, Lizzie tries to pick apart Starbuck’s story, but realizes a deeper truth about herself along the way. While the source material was written in the 1950’s, director Scot Charles Anderson will take a closer look at the seemingly simplified gender roles in classic Reboot style.

Tickets $5-$50 (sliding scale available for all) here.

Viola washes up on the shores of the bewildering land of Illyria after losing her twin brother in a shipwreck. But what is Illyria exactly? In Dice Keeper: Twelfth Night’s 18-show run, no two Illyrias are the same — and no two Violas for that matter.

Dacha returns with the next iteration of our most audacious original format: Dice Keeper: Twelfth Night. In the Dice series, a small ensemble of actors memorizes the entire script of a Shakespeare show and the roles are randomized at the start of each performance. This year, we’ve added a brand new wrinkle – the Dice Keeper. The Dice Keeper changes the directorial concept for each performance with no warning to the cast. Has he set the show in the Wild West or has he replaced all the costumes with hospital scrubs?

Dice Keeper: Twelfth Night is a playful send-up of directors with over-imaginative interpretations of Shakespeare, and a love letter to all the actors, designers and audiences who have endured their whims. Most importantly, with each new concept the Dice Keeper is convinced that this is the best way to tell the story of Twelfth Night, and who knows, by the end of the show you may just agree with him. Directed by Mike Lion.

Tickets ($3-$55, pay-what-you-choose available for all) here.

Eurydice by Sarah Ruhl is a magical, meaningful, and melodic adaptation of the Ancient Greek Myth of Orpheus. It reckons with love, grief, and remembrance. When Eurydice dies on her wedding day, we follow her reunion with her late father in a vibrant underworld. When Eurydice’s husband, Orpheus, journeys down from the living world desperate to find the woman he has loved for centuries Eurydice is left to make a decision: will she stay in the afterlife with her father, or will she rejoin Orpheus on Earth?

Excerpts from plays selected, directed and performed by students

Show info here.

The renowned comic actor and author of Picasso at the Lapine Agile provides a wild satire adapted from the classic German play about Louise and Theo Markes, a couple whose conservative existence is shattered when Louise’s bloomers fall down in public. Though she pulls them up quickly, he thinks the incident will cost him his job as a government clerk. Louise’s momentary display does not result in the feared scandal but it does attract two infatuated men, each of whom wants to rent the spare room in the Markes’ home. Oblivious of their amorous objectives, Theo splits the room between them, happy to collect rent from both the foppish poet and the whiny hypochondriac. Written by Carl Sternheim and Steve Martin, directed by Melissa Carter.

Tickets (pay-what-you-choose) here.

In a classic-modern mashup of the beloved Jane Austen novel, Sense and Sensibility revisits the 18th-century England of the iconic characters through a contemporary lens. Layered with smart comedy and zany antics, this playful new adaption comes to life in a delightfully indulgent production directed by Jes Spencer.

Sensible Elinor and sensitive Marianne’s fortunes become misfortunes after their father’s sudden death leaves them financially destitute and socially vulnerable. Navigating societal pressures and relatable modern gossip, the two sisters learn to love while expressing their own sensibilities. Cheekily underscored by a contemporary mix of your favorite pop songs, Sense and Sensibility’s simple beauty and timelessness is a breath of fresh countryside air.

Play by Kate Hamill, based on the novel by Jane Austen
Directed by Jes Spencer

Tickets ($54-$91) here.

Pay-what-you-choose rush tickets available (by phone or in-person) for this performance; see info here.

$20 Section B rush tickets available for all performances; see discount ticket info here.

ASL-interpreted performance on 3/25 (matinee), and captioned performance 4/8 (matinee). See accessibility info here.

Reboot Theatre Company, known for its intriguing deep dives and fresh interpretations of theater, brings to life 110 in the Shade, a beautiful exploration of love, hope, and acceptance. From the creators of The Fantasticks, 110 in the Shade is a touching and intimate musical adaptation of the hit play The Rainmaker. Set in a small western town besieged by drought, Lizzie, intelligent and independent, struggles with the societal pressure to do as a “woman” should do. One blistering hot day, Lizzie’s family urges her to marry the recently widowed Sheriff File, while charismatic stranger Starbuck comes to town with promises of being able to make it rain. Immediately suspicious, Lizzie tries to pick apart Starbuck’s story, but realizes a deeper truth about herself along the way. While the source material was written in the 1950’s, director Scot Charles Anderson will take a closer look at the seemingly simplified gender roles in classic Reboot style.

Tickets $5-$50 (sliding scale available for all) here.

Viola washes up on the shores of the bewildering land of Illyria after losing her twin brother in a shipwreck. But what is Illyria exactly? In Dice Keeper: Twelfth Night’s 18-show run, no two Illyrias are the same — and no two Violas for that matter.

Dacha returns with the next iteration of our most audacious original format: Dice Keeper: Twelfth Night. In the Dice series, a small ensemble of actors memorizes the entire script of a Shakespeare show and the roles are randomized at the start of each performance. This year, we’ve added a brand new wrinkle – the Dice Keeper. The Dice Keeper changes the directorial concept for each performance with no warning to the cast. Has he set the show in the Wild West or has he replaced all the costumes with hospital scrubs?

Dice Keeper: Twelfth Night is a playful send-up of directors with over-imaginative interpretations of Shakespeare, and a love letter to all the actors, designers and audiences who have endured their whims. Most importantly, with each new concept the Dice Keeper is convinced that this is the best way to tell the story of Twelfth Night, and who knows, by the end of the show you may just agree with him. Directed by Mike Lion.

Tickets ($3-$55, pay-what-you-choose available for all) here.

An electrifyingly innovative world-debut Mainstage production of new work developed by Village Theatre! Featuring a dynamic kaleidoscope of music, poetry, breakdancing, and beatboxing, How To Break follows two hospitalized teenage hip-hop dancers and how they navigate their adolescence in the confines of a hospital room, finding ways to love and learn amidst IV bags and chemotherapy as inspired by real-life events in writer Aaron Jafferis’ time as an artist in residence at a children’s hospital. Part commentary on the American health care system, part moving autobiography, and part profound journey through the joy and pain of growing up, How To Break reveals just how resilient the human spirit is in the face of change and transformation.

Music by Jacinth Greywoode, Rebecca Hart and Yako 440
Book and lyrics by Aaron Jafferis
Conceived by the Mixing Texts Collective:
Aaron Jafferis, Adam Matta, Christopher Edwards, Kwikstep, & Rokafella

Tickets ($54-$91) here.

Pay-what-you-choose rush tickets available (by phone or in-person) for this performance; see info here.

ASL-interpreted and open captioned performances on certain dates; see accessibility info here.

$20 Section B same-day, in-person rush tickets offered for all dates (subject to availability). Pay-what-you-choose tickets available same-day for select performances; see discount ticket info here and PWYC info here.

Viola washes up on the shores of the bewildering land of Illyria after losing her twin brother in a shipwreck. But what is Illyria exactly? In Dice Keeper: Twelfth Night’s 18-show run, no two Illyrias are the same — and no two Violas for that matter.

Dacha returns with the next iteration of our most audacious original format: Dice Keeper: Twelfth Night. In the Dice series, a small ensemble of actors memorizes the entire script of a Shakespeare show and the roles are randomized at the start of each performance. This year, we’ve added a brand new wrinkle – the Dice Keeper. The Dice Keeper changes the directorial concept for each performance with no warning to the cast. Has he set the show in the Wild West or has he replaced all the costumes with hospital scrubs?

Dice Keeper: Twelfth Night is a playful send-up of directors with over-imaginative interpretations of Shakespeare, and a love letter to all the actors, designers and audiences who have endured their whims. Most importantly, with each new concept the Dice Keeper is convinced that this is the best way to tell the story of Twelfth Night, and who knows, by the end of the show you may just agree with him. Directed by Mike Lion.

Tickets ($3-$55, pay-what-you-choose available for all) here.

Viola washes up on the shores of the bewildering land of Illyria after losing her twin brother in a shipwreck. But what is Illyria exactly? In Dice Keeper: Twelfth Night’s 18-show run, no two Illyrias are the same — and no two Violas for that matter.

Dacha returns with the next iteration of our most audacious original format: Dice Keeper: Twelfth Night. In the Dice series, a small ensemble of actors memorizes the entire script of a Shakespeare show and the roles are randomized at the start of each performance. This year, we’ve added a brand new wrinkle – the Dice Keeper. The Dice Keeper changes the directorial concept for each performance with no warning to the cast. Has he set the show in the Wild West or has he replaced all the costumes with hospital scrubs?

Dice Keeper: Twelfth Night is a playful send-up of directors with over-imaginative interpretations of Shakespeare, and a love letter to all the actors, designers and audiences who have endured their whims. Most importantly, with each new concept the Dice Keeper is convinced that this is the best way to tell the story of Twelfth Night, and who knows, by the end of the show you may just agree with him. Directed by Mike Lion.

Tickets ($3-$55, pay-what-you-choose available for all) here.

Viola washes up on the shores of the bewildering land of Illyria after losing her twin brother in a shipwreck. But what is Illyria exactly? In Dice Keeper: Twelfth Night’s 18-show run, no two Illyrias are the same — and no two Violas for that matter.

Dacha returns with the next iteration of our most audacious original format: Dice Keeper: Twelfth Night. In the Dice series, a small ensemble of actors memorizes the entire script of a Shakespeare show and the roles are randomized at the start of each performance. This year, we’ve added a brand new wrinkle – the Dice Keeper. The Dice Keeper changes the directorial concept for each performance with no warning to the cast. Has he set the show in the Wild West or has he replaced all the costumes with hospital scrubs?

Dice Keeper: Twelfth Night is a playful send-up of directors with over-imaginative interpretations of Shakespeare, and a love letter to all the actors, designers and audiences who have endured their whims. Most importantly, with each new concept the Dice Keeper is convinced that this is the best way to tell the story of Twelfth Night, and who knows, by the end of the show you may just agree with him. Directed by Mike Lion.

Tickets ($3-$55, pay-what-you-choose available for all) here.

Viola washes up on the shores of the bewildering land of Illyria after losing her twin brother in a shipwreck. But what is Illyria exactly? In Dice Keeper: Twelfth Night’s 18-show run, no two Illyrias are the same — and no two Violas for that matter.

Dacha returns with the next iteration of our most audacious original format: Dice Keeper: Twelfth Night. In the Dice series, a small ensemble of actors memorizes the entire script of a Shakespeare show and the roles are randomized at the start of each performance. This year, we’ve added a brand new wrinkle – the Dice Keeper. The Dice Keeper changes the directorial concept for each performance with no warning to the cast. Has he set the show in the Wild West or has he replaced all the costumes with hospital scrubs?

Dice Keeper: Twelfth Night is a playful send-up of directors with over-imaginative interpretations of Shakespeare, and a love letter to all the actors, designers and audiences who have endured their whims. Most importantly, with each new concept the Dice Keeper is convinced that this is the best way to tell the story of Twelfth Night, and who knows, by the end of the show you may just agree with him. Directed by Mike Lion.

Tickets ($3-$55, pay-what-you-choose available for all) here.

Viola washes up on the shores of the bewildering land of Illyria after losing her twin brother in a shipwreck. But what is Illyria exactly? In Dice Keeper: Twelfth Night’s 18-show run, no two Illyrias are the same — and no two Violas for that matter.

Dacha returns with the next iteration of our most audacious original format: Dice Keeper: Twelfth Night. In the Dice series, a small ensemble of actors memorizes the entire script of a Shakespeare show and the roles are randomized at the start of each performance. This year, we’ve added a brand new wrinkle – the Dice Keeper. The Dice Keeper changes the directorial concept for each performance with no warning to the cast. Has he set the show in the Wild West or has he replaced all the costumes with hospital scrubs?

Dice Keeper: Twelfth Night is a playful send-up of directors with over-imaginative interpretations of Shakespeare, and a love letter to all the actors, designers and audiences who have endured their whims. Most importantly, with each new concept the Dice Keeper is convinced that this is the best way to tell the story of Twelfth Night, and who knows, by the end of the show you may just agree with him. Directed by Mike Lion.

Tickets ($3-$55, pay-what-you-choose available for all) here.

A pair of progressive women — a white baby boomer and a Black millennial — are pitted against each other at an elite university as a tenured history professor argues with her student about the effects of slavery on the American Revolution. What begins as a polite clash in perspectives explodes into a dramatic fight that will alter both their lives forever.

The campus is torn apart as their polite clash in perspectives explodes into a dramatic fight, forcing us to choose a side as it asks: how much are you willing to sacrifice for the sake of progress?

Written by Eleanor Burgess, directed by Sheila Daniels, performed by Amy Thone and Varinique “V” Davis. Staged in the round at the Erickson Theatre.

Tickets ($50-$80) here.

Intiman guarantees a minimum of 10 Free for Everyone tickets available at the box office on the day of the show on a first come, first served basis, beginning 60 minutes before the show. See info here.

Viola washes up on the shores of the bewildering land of Illyria after losing her twin brother in a shipwreck. But what is Illyria exactly? In Dice Keeper: Twelfth Night’s 18-show run, no two Illyrias are the same — and no two Violas for that matter.

Dacha returns with the next iteration of our most audacious original format: Dice Keeper: Twelfth Night. In the Dice series, a small ensemble of actors memorizes the entire script of a Shakespeare show and the roles are randomized at the start of each performance. This year, we’ve added a brand new wrinkle – the Dice Keeper. The Dice Keeper changes the directorial concept for each performance with no warning to the cast. Has he set the show in the Wild West or has he replaced all the costumes with hospital scrubs?

Dice Keeper: Twelfth Night is a playful send-up of directors with over-imaginative interpretations of Shakespeare, and a love letter to all the actors, designers and audiences who have endured their whims. Most importantly, with each new concept the Dice Keeper is convinced that this is the best way to tell the story of Twelfth Night, and who knows, by the end of the show you may just agree with him. Directed by Mike Lion.

Tickets ($3-$55, pay-what-you-choose available for all) here.

An electrifyingly innovative world-debut Mainstage production of new work developed by Village Theatre! Featuring a dynamic kaleidoscope of music, poetry, breakdancing, and beatboxing, How To Break follows two hospitalized teenage hip-hop dancers and how they navigate their adolescence in the confines of a hospital room, finding ways to love and learn amidst IV bags and chemotherapy as inspired by real-life events in writer Aaron Jafferis’ time as an artist in residence at a children’s hospital. Part commentary on the American health care system, part moving autobiography, and part profound journey through the joy and pain of growing up, How To Break reveals just how resilient the human spirit is in the face of change and transformation.

Music by Jacinth Greywoode, Rebecca Hart and Yako 440
Book and lyrics by Aaron Jafferis
Conceived by the Mixing Texts Collective:
Aaron Jafferis, Adam Matta, Christopher Edwards, Kwikstep, & Rokafella

Tickets ($54-$91) here.

Pay-what-you-choose rush tickets available (by phone or in-person) for this performance; see info here.

ASL-interpreted and open captioned performances on certain dates; see accessibility info here.

$20 Section B same-day, in-person rush tickets offered for all dates (subject to availability). Pay-what-you-choose tickets available same-day for select performances; see discount ticket info here and PWYC info here.

A pair of progressive women — a white baby boomer and a Black millennial — are pitted against each other at an elite university as a tenured history professor argues with her student about the effects of slavery on the American Revolution. What begins as a polite clash in perspectives explodes into a dramatic fight that will alter both their lives forever.

The campus is torn apart as their polite clash in perspectives explodes into a dramatic fight, forcing us to choose a side as it asks: how much are you willing to sacrifice for the sake of progress?

Written by Eleanor Burgess, directed by Sheila Daniels, performed by Amy Thone and Varinique “V” Davis. Staged in the round at the Erickson Theatre.

Tickets ($50-$80) here.

Intiman guarantees a minimum of 10 Free for Everyone tickets available at the box office on the day of the show on a first come, first served basis, beginning 60 minutes before the show. See info here.

In George Balanchine’s witty adaptation of A Midsummer Night’s Dream, joy reigns supreme (no disrespect to Oberon). Add Felix Mendelssohn’s glorious score, lavish sets, and dazzling costumes and it’s no wonder this exuberant production has been captivating PNB audiences for over 25 years.

Pay-what-you-choose same-day rush tickets available for this performance. See info here.

Tickets ($44-$202) here.

Viola washes up on the shores of the bewildering land of Illyria after losing her twin brother in a shipwreck. But what is Illyria exactly? In Dice Keeper: Twelfth Night’s 18-show run, no two Illyrias are the same — and no two Violas for that matter.

Dacha returns with the next iteration of our most audacious original format: Dice Keeper: Twelfth Night. In the Dice series, a small ensemble of actors memorizes the entire script of a Shakespeare show and the roles are randomized at the start of each performance. This year, we’ve added a brand new wrinkle – the Dice Keeper. The Dice Keeper changes the directorial concept for each performance with no warning to the cast. Has he set the show in the Wild West or has he replaced all the costumes with hospital scrubs?

Dice Keeper: Twelfth Night is a playful send-up of directors with over-imaginative interpretations of Shakespeare, and a love letter to all the actors, designers and audiences who have endured their whims. Most importantly, with each new concept the Dice Keeper is convinced that this is the best way to tell the story of Twelfth Night, and who knows, by the end of the show you may just agree with him. Directed by Mike Lion.

Tickets ($3-$55, pay-what-you-choose available for all) here.

Albert Einstein and Pablo Picasso, meet at a bar called the Lapin Agile (French: “Nimble Rabbit”) in Montmartre, Paris. Both men are on the verge of disclosing amazing ideas: Einstein will publish his special theory of relativity and Picasso will paint Les Demoiselles d’Avignon. At the Lapin Agile, they have a lengthy debate about the value of genius and talent, while interacting with a host of other characters.

The play attempts to explain, in a light-hearted way, the similarity of the creative process involved in great leaps of imagination in art and science. Written by Steve Martin, directed by Wynter Elwood.

Thursday performances are pay-what-you-choose.

Tickets ($22) here.

A pair of progressive women — a white baby boomer and a Black millennial — are pitted against each other at an elite university as a tenured history professor argues with her student about the effects of slavery on the American Revolution. What begins as a polite clash in perspectives explodes into a dramatic fight that will alter both their lives forever.

The campus is torn apart as their polite clash in perspectives explodes into a dramatic fight, forcing us to choose a side as it asks: how much are you willing to sacrifice for the sake of progress?

Written by Eleanor Burgess, directed by Sheila Daniels, performed by Amy Thone and Varinique “V” Davis. Staged in the round at the Erickson Theatre.

Tickets ($50-$80) here.

Intiman guarantees a minimum of 10 Free for Everyone tickets available at the box office on the day of the show on a first come, first served basis, beginning 60 minutes before the show. See info here.

Viola washes up on the shores of the bewildering land of Illyria after losing her twin brother in a shipwreck. But what is Illyria exactly? In Dice Keeper: Twelfth Night’s 18-show run, no two Illyrias are the same — and no two Violas for that matter.

Dacha returns with the next iteration of our most audacious original format: Dice Keeper: Twelfth Night. In the Dice series, a small ensemble of actors memorizes the entire script of a Shakespeare show and the roles are randomized at the start of each performance. This year, we’ve added a brand new wrinkle – the Dice Keeper. The Dice Keeper changes the directorial concept for each performance with no warning to the cast. Has he set the show in the Wild West or has he replaced all the costumes with hospital scrubs?

Dice Keeper: Twelfth Night is a playful send-up of directors with over-imaginative interpretations of Shakespeare, and a love letter to all the actors, designers and audiences who have endured their whims. Most importantly, with each new concept the Dice Keeper is convinced that this is the best way to tell the story of Twelfth Night, and who knows, by the end of the show you may just agree with him. Directed by Mike Lion.

Tickets ($3-$55, pay-what-you-choose available for all) here.

Originally performed by August Wilson himself, How I Learned What I Learned is a heartfelt theatrical memoir charting one man’s journey of self-discovery through adversity and what it means to be a Black artist in America. Helmed by celebrated Wilson director Tim Bond, this beautiful solo work brings Wilson’s necessary voice and gorgeous poetry back to Seattle Rep.

Seattle Rep presents the Oregon Shakespeare Festival Production, co-conceived by Todd Kreidler, directed by Tim Bond.

Previews 4/12-25, opens 4/26

Pay-what-you-choose tickets available for all performances by phone or in person; see info here.

Tickets here.

Crave by Sarah Kane is a poetic exploration into the intersection of trauma and love. Rather than following named characters or even a linear plot, Crave features four fragmented characters that represent equal parts of a whole human psyche. We watch as the characters hauntingly retell their stories to one another, while also desperately and hopelessly attempting to communicate their love with words we can understand. This avant-garde piece is thematic of what it means to love after a life of trauma.

Excerpts from plays selected, directed and performed by students

Show info here.

A pair of progressive women — a white baby boomer and a Black millennial — are pitted against each other at an elite university as a tenured history professor argues with her student about the effects of slavery on the American Revolution. What begins as a polite clash in perspectives explodes into a dramatic fight that will alter both their lives forever.

The campus is torn apart as their polite clash in perspectives explodes into a dramatic fight, forcing us to choose a side as it asks: how much are you willing to sacrifice for the sake of progress?

Written by Eleanor Burgess, directed by Sheila Daniels, performed by Amy Thone and Varinique “V” Davis. Staged in the round at the Erickson Theatre.

Tickets ($50-$80) here.

Intiman guarantees a minimum of 10 Free for Everyone tickets available at the box office on the day of the show on a first come, first served basis, beginning 60 minutes before the show. See info here.

Viola washes up on the shores of the bewildering land of Illyria after losing her twin brother in a shipwreck. But what is Illyria exactly? In Dice Keeper: Twelfth Night’s 18-show run, no two Illyrias are the same — and no two Violas for that matter.

Dacha returns with the next iteration of our most audacious original format: Dice Keeper: Twelfth Night. In the Dice series, a small ensemble of actors memorizes the entire script of a Shakespeare show and the roles are randomized at the start of each performance. This year, we’ve added a brand new wrinkle – the Dice Keeper. The Dice Keeper changes the directorial concept for each performance with no warning to the cast. Has he set the show in the Wild West or has he replaced all the costumes with hospital scrubs?

Dice Keeper: Twelfth Night is a playful send-up of directors with over-imaginative interpretations of Shakespeare, and a love letter to all the actors, designers and audiences who have endured their whims. Most importantly, with each new concept the Dice Keeper is convinced that this is the best way to tell the story of Twelfth Night, and who knows, by the end of the show you may just agree with him. Directed by Mike Lion.

Tickets ($3-$55, pay-what-you-choose available for all) here.

Crave by Sarah Kane is a poetic exploration into the intersection of trauma and love. Rather than following named characters or even a linear plot, Crave features four fragmented characters that represent equal parts of a whole human psyche. We watch as the characters hauntingly retell their stories to one another, while also desperately and hopelessly attempting to communicate their love with words we can understand. This avant-garde piece is thematic of what it means to love after a life of trauma.

Excerpts from plays selected, directed and performed by students

Show info here.

Viola washes up on the shores of the bewildering land of Illyria after losing her twin brother in a shipwreck. But what is Illyria exactly? In Dice Keeper: Twelfth Night’s 18-show run, no two Illyrias are the same — and no two Violas for that matter.

Dacha returns with the next iteration of our most audacious original format: Dice Keeper: Twelfth Night. In the Dice series, a small ensemble of actors memorizes the entire script of a Shakespeare show and the roles are randomized at the start of each performance. This year, we’ve added a brand new wrinkle – the Dice Keeper. The Dice Keeper changes the directorial concept for each performance with no warning to the cast. Has he set the show in the Wild West or has he replaced all the costumes with hospital scrubs?

Dice Keeper: Twelfth Night is a playful send-up of directors with over-imaginative interpretations of Shakespeare, and a love letter to all the actors, designers and audiences who have endured their whims. Most importantly, with each new concept the Dice Keeper is convinced that this is the best way to tell the story of Twelfth Night, and who knows, by the end of the show you may just agree with him. Directed by Mike Lion.

Tickets ($3-$55, pay-what-you-choose available for all) here.

Originally performed by August Wilson himself, How I Learned What I Learned is a heartfelt theatrical memoir charting one man’s journey of self-discovery through adversity and what it means to be a Black artist in America. Helmed by celebrated Wilson director Tim Bond, this beautiful solo work brings Wilson’s necessary voice and gorgeous poetry back to Seattle Rep.

Seattle Rep presents the Oregon Shakespeare Festival Production, co-conceived by Todd Kreidler, directed by Tim Bond.

Previews 4/12-25, opens 4/26

Pay-what-you-choose tickets available for all performances by phone or in person; see info here.

Tickets here.

Crave by Sarah Kane is a poetic exploration into the intersection of trauma and love. Rather than following named characters or even a linear plot, Crave features four fragmented characters that represent equal parts of a whole human psyche. We watch as the characters hauntingly retell their stories to one another, while also desperately and hopelessly attempting to communicate their love with words we can understand. This avant-garde piece is thematic of what it means to love after a life of trauma.

Excerpts from plays selected, directed and performed by students

Show info here.

A pair of progressive women — a white baby boomer and a Black millennial — are pitted against each other at an elite university as a tenured history professor argues with her student about the effects of slavery on the American Revolution. What begins as a polite clash in perspectives explodes into a dramatic fight that will alter both their lives forever.

The campus is torn apart as their polite clash in perspectives explodes into a dramatic fight, forcing us to choose a side as it asks: how much are you willing to sacrifice for the sake of progress?

Written by Eleanor Burgess, directed by Sheila Daniels, performed by Amy Thone and Varinique “V” Davis. Staged in the round at the Erickson Theatre.

Tickets ($50-$80) here.

Intiman guarantees a minimum of 10 Free for Everyone tickets available at the box office on the day of the show on a first come, first served basis, beginning 60 minutes before the show. See info here.

An electrifyingly innovative world-debut Mainstage production of new work developed by Village Theatre! Featuring a dynamic kaleidoscope of music, poetry, breakdancing, and beatboxing, How To Break follows two hospitalized teenage hip-hop dancers and how they navigate their adolescence in the confines of a hospital room, finding ways to love and learn amidst IV bags and chemotherapy as inspired by real-life events in writer Aaron Jafferis’ time as an artist in residence at a children’s hospital. Part commentary on the American health care system, part moving autobiography, and part profound journey through the joy and pain of growing up, How To Break reveals just how resilient the human spirit is in the face of change and transformation.

Music by Jacinth Greywoode, Rebecca Hart and Yako 440
Book and lyrics by Aaron Jafferis
Conceived by the Mixing Texts Collective:
Aaron Jafferis, Adam Matta, Christopher Edwards, Kwikstep, & Rokafella

Tickets ($54-$91) here.

Pay-what-you-choose rush tickets available (by phone or in-person) for this performance; see info here.

ASL-interpreted and open captioned performances on certain dates; see accessibility info here.

$20 Section B same-day, in-person rush tickets offered for all dates (subject to availability). Pay-what-you-choose tickets available same-day for select performances; see discount ticket info here and PWYC info here.

A pair of progressive women — a white baby boomer and a Black millennial — are pitted against each other at an elite university as a tenured history professor argues with her student about the effects of slavery on the American Revolution. What begins as a polite clash in perspectives explodes into a dramatic fight that will alter both their lives forever.

The campus is torn apart as their polite clash in perspectives explodes into a dramatic fight, forcing us to choose a side as it asks: how much are you willing to sacrifice for the sake of progress?

Written by Eleanor Burgess, directed by Sheila Daniels, performed by Amy Thone and Varinique “V” Davis. Staged in the round at the Erickson Theatre.

Tickets ($50-$80) here.

Intiman guarantees a minimum of 10 Free for Everyone tickets available at the box office on the day of the show on a first come, first served basis, beginning 60 minutes before the show. See info here.

Originally performed by August Wilson himself, How I Learned What I Learned is a heartfelt theatrical memoir charting one man’s journey of self-discovery through adversity and what it means to be a Black artist in America. Helmed by celebrated Wilson director Tim Bond, this beautiful solo work brings Wilson’s necessary voice and gorgeous poetry back to Seattle Rep.

Seattle Rep presents the Oregon Shakespeare Festival Production, co-conceived by Todd Kreidler, directed by Tim Bond.

Previews 4/12-25, opens 4/26

Pay-what-you-choose tickets available for all performances by phone or in person; see info here.

Tickets here.

Originally performed by August Wilson himself, How I Learned What I Learned is a heartfelt theatrical memoir charting one man’s journey of self-discovery through adversity and what it means to be a Black artist in America. Helmed by celebrated Wilson director Tim Bond, this beautiful solo work brings Wilson’s necessary voice and gorgeous poetry back to Seattle Rep.

Seattle Rep presents the Oregon Shakespeare Festival Production, co-conceived by Todd Kreidler, directed by Tim Bond.

Previews 4/12-25, opens 4/26

Pay-what-you-choose tickets available for all performances by phone or in person; see info here.

Tickets here.

A pair of progressive women — a white baby boomer and a Black millennial — are pitted against each other at an elite university as a tenured history professor argues with her student about the effects of slavery on the American Revolution. What begins as a polite clash in perspectives explodes into a dramatic fight that will alter both their lives forever.

The campus is torn apart as their polite clash in perspectives explodes into a dramatic fight, forcing us to choose a side as it asks: how much are you willing to sacrifice for the sake of progress?

Written by Eleanor Burgess, directed by Sheila Daniels, performed by Amy Thone and Varinique “V” Davis. Staged in the round at the Erickson Theatre.

Tickets ($50-$80) here.

Intiman guarantees a minimum of 10 Free for Everyone tickets available at the box office on the day of the show on a first come, first served basis, beginning 60 minutes before the show. See info here.

Originally performed by August Wilson himself, How I Learned What I Learned is a heartfelt theatrical memoir charting one man’s journey of self-discovery through adversity and what it means to be a Black artist in America. Helmed by celebrated Wilson director Tim Bond, this beautiful solo work brings Wilson’s necessary voice and gorgeous poetry back to Seattle Rep.

Seattle Rep presents the Oregon Shakespeare Festival Production, co-conceived by Todd Kreidler, directed by Tim Bond.

Previews 4/12-25, opens 4/26

Pay-what-you-choose tickets available for all performances by phone or in person; see info here.

Tickets here.

A pair of progressive women — a white baby boomer and a Black millennial — are pitted against each other at an elite university as a tenured history professor argues with her student about the effects of slavery on the American Revolution. What begins as a polite clash in perspectives explodes into a dramatic fight that will alter both their lives forever.

The campus is torn apart as their polite clash in perspectives explodes into a dramatic fight, forcing us to choose a side as it asks: how much are you willing to sacrifice for the sake of progress?

Written by Eleanor Burgess, directed by Sheila Daniels, performed by Amy Thone and Varinique “V” Davis. Staged in the round at the Erickson Theatre.

Tickets ($50-$80) here.

Intiman guarantees a minimum of 10 Free for Everyone tickets available at the box office on the day of the show on a first come, first served basis, beginning 60 minutes before the show. See info here.

Albert Einstein and Pablo Picasso, meet at a bar called the Lapin Agile (French: “Nimble Rabbit”) in Montmartre, Paris. Both men are on the verge of disclosing amazing ideas: Einstein will publish his special theory of relativity and Picasso will paint Les Demoiselles d’Avignon. At the Lapin Agile, they have a lengthy debate about the value of genius and talent, while interacting with a host of other characters.

The play attempts to explain, in a light-hearted way, the similarity of the creative process involved in great leaps of imagination in art and science. Written by Steve Martin, directed by Wynter Elwood.

Thursday performances are pay-what-you-choose.

Tickets ($22) here.

A pair of progressive women — a white baby boomer and a Black millennial — are pitted against each other at an elite university as a tenured history professor argues with her student about the effects of slavery on the American Revolution. What begins as a polite clash in perspectives explodes into a dramatic fight that will alter both their lives forever.

The campus is torn apart as their polite clash in perspectives explodes into a dramatic fight, forcing us to choose a side as it asks: how much are you willing to sacrifice for the sake of progress?

Written by Eleanor Burgess, directed by Sheila Daniels, performed by Amy Thone and Varinique “V” Davis. Staged in the round at the Erickson Theatre.

Tickets ($50-$80) here.

Intiman guarantees a minimum of 10 Free for Everyone tickets available at the box office on the day of the show on a first come, first served basis, beginning 60 minutes before the show. See info here.

A dark comedy about choice(s) and consequences, The Squirrel Plays is a cycle of three short plays: Infestation, Compensation, and Eradication.

Tom and Sarah finally find the suburban house of their dreams with probably the nicest garden on the market. Everything is blissful, until an unwanted squirrel gets trapped in the attic, interrupting their lives and causing a rift in their marriage. Once an exterminator, the neighborhood association, and animal control all get involved, violence and turmoil unsettle the entire subdivision.

Mirror Stage is thrilled to present the U.S. premiere of The Squirrel Plays — our first fully-staged production in more than 10 years. Written by Mia McCullough, directed by Suzanne M. Cohen, The Squirrel Plays features Kiki Abba, Angie Bolton, Caitlin Frances Branston, Emily Hoffman, and Serin Ngai.

Tickets (sliding scale available to all) here.

Mirror Stage’s radical hospitality pricing model offers 20 free tickets plus 10 Pay-What-You-Can ($1 minimum) tickets to every performance. Tickets are also available at “Select Your Own Price” of $15, $30, or $45, with general seating for all.

Originally performed by August Wilson himself, How I Learned What I Learned is a heartfelt theatrical memoir charting one man’s journey of self-discovery through adversity and what it means to be a Black artist in America. Helmed by celebrated Wilson director Tim Bond, this beautiful solo work brings Wilson’s necessary voice and gorgeous poetry back to Seattle Rep.

Seattle Rep presents the Oregon Shakespeare Festival Production, co-conceived by Todd Kreidler, directed by Tim Bond.

Previews 4/12-25, opens 4/26

Pay-what-you-choose tickets available for all performances by phone or in person; see info here.

Tickets here.

A pair of progressive women — a white baby boomer and a Black millennial — are pitted against each other at an elite university as a tenured history professor argues with her student about the effects of slavery on the American Revolution. What begins as a polite clash in perspectives explodes into a dramatic fight that will alter both their lives forever.

The campus is torn apart as their polite clash in perspectives explodes into a dramatic fight, forcing us to choose a side as it asks: how much are you willing to sacrifice for the sake of progress?

Written by Eleanor Burgess, directed by Sheila Daniels, performed by Amy Thone and Varinique “V” Davis. Staged in the round at the Erickson Theatre.

This performance is listed as ASL interpreted. As always, please check with the theatre to confirm date and best seating location.

Tickets ($50-$80) here.

Intiman guarantees a minimum of 10 Free for Everyone tickets available at the box office on the day of the show on a first come, first served basis, beginning 60 minutes before the show. See info here.

A dark comedy about choice(s) and consequences, The Squirrel Plays is a cycle of three short plays: Infestation, Compensation, and Eradication.

Tom and Sarah finally find the suburban house of their dreams with probably the nicest garden on the market. Everything is blissful, until an unwanted squirrel gets trapped in the attic, interrupting their lives and causing a rift in their marriage. Once an exterminator, the neighborhood association, and animal control all get involved, violence and turmoil unsettle the entire subdivision.

Mirror Stage is thrilled to present the U.S. premiere of The Squirrel Plays — our first fully-staged production in more than 10 years. Written by Mia McCullough, directed by Suzanne M. Cohen, The Squirrel Plays features Kiki Abba, Angie Bolton, Caitlin Frances Branston, Emily Hoffman, and Serin Ngai.

Tickets (sliding scale available to all) here.

Mirror Stage’s radical hospitality pricing model offers 20 free tickets plus 10 Pay-What-You-Can ($1 minimum) tickets to every performance. Tickets are also available at “Select Your Own Price” of $15, $30, or $45, with general seating for all.

Originally performed by August Wilson himself, How I Learned What I Learned is a heartfelt theatrical memoir charting one man’s journey of self-discovery through adversity and what it means to be a Black artist in America. Helmed by celebrated Wilson director Tim Bond, this beautiful solo work brings Wilson’s necessary voice and gorgeous poetry back to Seattle Rep.

Seattle Rep presents the Oregon Shakespeare Festival Production, co-conceived by Todd Kreidler, directed by Tim Bond.

Previews 4/12-25, opens 4/26

Pay-what-you-choose tickets available for all performances by phone or in person; see info here.

Tickets here.

A pair of progressive women — a white baby boomer and a Black millennial — are pitted against each other at an elite university as a tenured history professor argues with her student about the effects of slavery on the American Revolution. What begins as a polite clash in perspectives explodes into a dramatic fight that will alter both their lives forever.

The campus is torn apart as their polite clash in perspectives explodes into a dramatic fight, forcing us to choose a side as it asks: how much are you willing to sacrifice for the sake of progress?

Written by Eleanor Burgess, directed by Sheila Daniels, performed by Amy Thone and Varinique “V” Davis. Staged in the round at the Erickson Theatre.

Tickets ($50-$80) here.

Intiman guarantees a minimum of 10 Free for Everyone tickets available at the box office on the day of the show on a first come, first served basis, beginning 60 minutes before the show. See info here.

Originally performed by August Wilson himself, How I Learned What I Learned is a heartfelt theatrical memoir charting one man’s journey of self-discovery through adversity and what it means to be a Black artist in America. Helmed by celebrated Wilson director Tim Bond, this beautiful solo work brings Wilson’s necessary voice and gorgeous poetry back to Seattle Rep.

Seattle Rep presents the Oregon Shakespeare Festival Production, co-conceived by Todd Kreidler, directed by Tim Bond.

Previews 4/12-25, opens 4/26

Pay-what-you-choose tickets available for all performances by phone or in person; see info here.

Tickets here.

A pair of progressive women — a white baby boomer and a Black millennial — are pitted against each other at an elite university as a tenured history professor argues with her student about the effects of slavery on the American Revolution. What begins as a polite clash in perspectives explodes into a dramatic fight that will alter both their lives forever.

The campus is torn apart as their polite clash in perspectives explodes into a dramatic fight, forcing us to choose a side as it asks: how much are you willing to sacrifice for the sake of progress?

Written by Eleanor Burgess, directed by Sheila Daniels, performed by Amy Thone and Varinique “V” Davis. Staged in the round at the Erickson Theatre.

Tickets ($50-$80) here.

Intiman guarantees a minimum of 10 Free for Everyone tickets available at the box office on the day of the show on a first come, first served basis, beginning 60 minutes before the show. See info here.

A dark comedy about choice(s) and consequences, The Squirrel Plays is a cycle of three short plays: Infestation, Compensation, and Eradication.

Tom and Sarah finally find the suburban house of their dreams with probably the nicest garden on the market. Everything is blissful, until an unwanted squirrel gets trapped in the attic, interrupting their lives and causing a rift in their marriage. Once an exterminator, the neighborhood association, and animal control all get involved, violence and turmoil unsettle the entire subdivision.

Mirror Stage is thrilled to present the U.S. premiere of The Squirrel Plays — our first fully-staged production in more than 10 years. Written by Mia McCullough, directed by Suzanne M. Cohen, The Squirrel Plays features Kiki Abba, Angie Bolton, Caitlin Frances Branston, Emily Hoffman, and Serin Ngai.

Tickets (sliding scale available to all) here.

Mirror Stage’s radical hospitality pricing model offers 20 free tickets plus 10 Pay-What-You-Can ($1 minimum) tickets to every performance. Tickets are also available at “Select Your Own Price” of $15, $30, or $45, with general seating for all.

Originally performed by August Wilson himself, How I Learned What I Learned is a heartfelt theatrical memoir charting one man’s journey of self-discovery through adversity and what it means to be a Black artist in America. Helmed by celebrated Wilson director Tim Bond, this beautiful solo work brings Wilson’s necessary voice and gorgeous poetry back to Seattle Rep.

Seattle Rep presents the Oregon Shakespeare Festival Production, co-conceived by Todd Kreidler, directed by Tim Bond.

Previews 4/12-25, opens 4/26

Pay-what-you-choose tickets available for all performances by phone or in person; see info here.

Tickets here.

A dark comedy about choice(s) and consequences, The Squirrel Plays is a cycle of three short plays: Infestation, Compensation, and Eradication.

Tom and Sarah finally find the suburban house of their dreams with probably the nicest garden on the market. Everything is blissful, until an unwanted squirrel gets trapped in the attic, interrupting their lives and causing a rift in their marriage. Once an exterminator, the neighborhood association, and animal control all get involved, violence and turmoil unsettle the entire subdivision.

Mirror Stage is thrilled to present the U.S. premiere of The Squirrel Plays — our first fully-staged production in more than 10 years. Written by Mia McCullough, directed by Suzanne M. Cohen, The Squirrel Plays features Kiki Abba, Angie Bolton, Caitlin Frances Branston, Emily Hoffman, and Serin Ngai.

Tickets (sliding scale available to all) here.

Mirror Stage’s radical hospitality pricing model offers 20 free tickets plus 10 Pay-What-You-Can ($1 minimum) tickets to every performance. Tickets are also available at “Select Your Own Price” of $15, $30, or $45, with general seating for all.

Originally performed by August Wilson himself, How I Learned What I Learned is a heartfelt theatrical memoir charting one man’s journey of self-discovery through adversity and what it means to be a Black artist in America. Helmed by celebrated Wilson director Tim Bond, this beautiful solo work brings Wilson’s necessary voice and gorgeous poetry back to Seattle Rep.

Seattle Rep presents the Oregon Shakespeare Festival Production, co-conceived by Todd Kreidler, directed by Tim Bond.

Previews 4/12-25, opens 4/26

Pay-what-you-choose tickets available for all performances by phone or in person; see info here.

Tickets here.

Set in the face of the 2008 presidential election, the Dead Leaders Club meets in an abandoned treehouse to summon the ghost of Pablo Escobar. Are these teenage girls actually summoning the leader of the Medellín Cartel? Or are they just playing tricks on one another? This roller coaster ride through the trials and terrors of girlhood dabbles in blood sacrifice, the uncertainty of growing up, and a journey to unleash their personal power. Written by Alexis Scheer, directed by Sophie Franco.

Location: 12th Avenue Arts

Tickets pay-what-you-choose for this performance, here.

Originally performed by August Wilson himself, How I Learned What I Learned is a heartfelt theatrical memoir charting one man’s journey of self-discovery through adversity and what it means to be a Black artist in America. Helmed by celebrated Wilson director Tim Bond, this beautiful solo work brings Wilson’s necessary voice and gorgeous poetry back to Seattle Rep.

Seattle Rep presents the Oregon Shakespeare Festival Production, co-conceived by Todd Kreidler, directed by Tim Bond.

Previews 4/12-25, opens 4/26

Pay-what-you-choose tickets available for all performances by phone or in person; see info here.

Tickets here.

Originally performed by August Wilson himself, How I Learned What I Learned is a heartfelt theatrical memoir charting one man’s journey of self-discovery through adversity and what it means to be a Black artist in America. Helmed by celebrated Wilson director Tim Bond, this beautiful solo work brings Wilson’s necessary voice and gorgeous poetry back to Seattle Rep.

Seattle Rep presents the Oregon Shakespeare Festival Production, co-conceived by Todd Kreidler, directed by Tim Bond.

This performance is listed as open captioned (not ASL interpreted). As always, please check with the theatre to confirm that has not changed. ASL interpreted performance on 5/13 (matinee). See info here.

Pay-what-you-choose tickets available for all performances by phone or in person; see info here.

Tickets here.

Welcome to Joy Market! Where dating, fate and traditions are the key commodities and products. Joy Market is an Asian Comedy Show that dives into the lives of vendors. With the home setting a Market, players will use sketch and improv to create portals centered around AAPI voices and stories.

Pay-what-you-choose tickets ($0-$30) offered for 5/4 and 5/11 shows, here.

Significant Other is an unorthodox romantic comedy that celebrates the highs and lows of 20-something urban life, wedding after wedding after wedding.

Jordan Berman would love to be in love, but that’s easier said than done. So until he meets Mr. Right, he wards off lonely nights with his trio of close girlfriends. But as singles’ nights turn into bachelorette parties, Jordan discovers that the only thing harder than finding love is supporting the loved ones around you when they do. But, as they get married one by one, he is left to wonder why life won’t give him the same fairytale ending.

Tickets ($27) here.

Pay-what-you-choose tickets are available for this performance, in person or by phone. See info here.

A dark comedy about choice(s) and consequences, The Squirrel Plays is a cycle of three short plays: Infestation, Compensation, and Eradication.

Tom and Sarah finally find the suburban house of their dreams with probably the nicest garden on the market. Everything is blissful, until an unwanted squirrel gets trapped in the attic, interrupting their lives and causing a rift in their marriage. Once an exterminator, the neighborhood association, and animal control all get involved, violence and turmoil unsettle the entire subdivision.

Mirror Stage is thrilled to present the U.S. premiere of The Squirrel Plays — our first fully-staged production in more than 10 years. Written by Mia McCullough, directed by Suzanne M. Cohen, The Squirrel Plays features Kiki Abba, Angie Bolton, Caitlin Frances Branston, Emily Hoffman, and Serin Ngai.

Tickets (sliding scale available to all) here.

Mirror Stage’s radical hospitality pricing model offers 20 free tickets plus 10 Pay-What-You-Can ($1 minimum) tickets to every performance. Tickets are also available at “Select Your Own Price” of $15, $30, or $45, with general seating for all.

Originally performed by August Wilson himself, How I Learned What I Learned is a heartfelt theatrical memoir charting one man’s journey of self-discovery through adversity and what it means to be a Black artist in America. Helmed by celebrated Wilson director Tim Bond, this beautiful solo work brings Wilson’s necessary voice and gorgeous poetry back to Seattle Rep.

Seattle Rep presents the Oregon Shakespeare Festival Production, co-conceived by Todd Kreidler, directed by Tim Bond.

Previews 4/12-25, opens 4/26

Pay-what-you-choose tickets available for all performances by phone or in person; see info here.

Tickets here.

A dark comedy about choice(s) and consequences, The Squirrel Plays is a cycle of three short plays: Infestation, Compensation, and Eradication.

Tom and Sarah finally find the suburban house of their dreams with probably the nicest garden on the market. Everything is blissful, until an unwanted squirrel gets trapped in the attic, interrupting their lives and causing a rift in their marriage. Once an exterminator, the neighborhood association, and animal control all get involved, violence and turmoil unsettle the entire subdivision.

Mirror Stage is thrilled to present the U.S. premiere of The Squirrel Plays — our first fully-staged production in more than 10 years. Written by Mia McCullough, directed by Suzanne M. Cohen, The Squirrel Plays features Kiki Abba, Angie Bolton, Caitlin Frances Branston, Emily Hoffman, and Serin Ngai.

Tickets (sliding scale available to all) here.

Mirror Stage’s radical hospitality pricing model offers 20 free tickets plus 10 Pay-What-You-Can ($1 minimum) tickets to every performance. Tickets are also available at “Select Your Own Price” of $15, $30, or $45, with general seating for all.