Looking for what’s happening around town? — We’ve got you covered, with locally sourced plays, touring musicals, dance, comedy, and more, all around the Sound.

Welcome to the area’s best theatre calendar. 

 

Use Categories to view only Theatre, Comedy, Dance, Outdoor Shows, Free Events, and more.

Use Tags to filter by location/region, representation, ASL interpreted shows, sliding scale tickets, and more.

Click the Calendar icon (MONTH YEAR) to start the view from a future date.

☀️ = outdoor show


We try hard to provide updated information, but these showtimes are not official. Please confirm dates/times with the individual theatres via their ticketing pages.

Listings are currently limited to those based in King, Pierce, Snohomish, and Thurston Counties; and slowly expanding west and north (Kitsap, Jefferson, Skagit, and Whatcom counties). The below show listings will be updated as new information is received. If you have a professional, community theatre, dance, or fringe show coming up in Western Washington that’s not listed, please tell us about it.

 

Sep
26
Tue
Last Drive to Dodge @ Taproot Theatre (Seattle – Greenwood)
Sep 26 @ 2:00 pm

Prophet and Ro are chasing dreams faintly whispered on the wind that sweeps the dusty Texas plain, where ranching is brutal work and change is on the horizon. Set at the end of the Cowboy Golden Age, Last Drive to Dodge examines race, love, and legacy in a time when everyone is scrambling for their piece of the American Dream.

A world premiere, produced in partnership with The Hansberry Project. Written by Andrew Lee Creech. Directed by Valerie Curtis-Newton.

Previews 9/20-21, opening 9/22. Pay-what-you-choose rush tickets available for 9/27 performance.

Tickets ($28-$59) here.

 

Sep
27
Wed
Last Drive to Dodge @ Taproot Theatre (Seattle – Greenwood) (PWYC)
Sep 27 @ 7:30 pm

Prophet and Ro are chasing dreams faintly whispered on the wind that sweeps the dusty Texas plain, where ranching is brutal work and change is on the horizon. Set at the end of the Cowboy Golden Age, Last Drive to Dodge examines race, love, and legacy in a time when everyone is scrambling for their piece of the American Dream.

A world premiere, produced in partnership with The Hansberry Project. Written by Andrew Lee Creech. Directed by Valerie Curtis-Newton.

Pay-what-you-choose rush tickets available for this (9/27) performance. See info here.

Tickets ($28-$59) here.

 

Sep
28
Thu
Last Drive to Dodge @ Taproot Theatre (Seattle – Greenwood)
Sep 28 @ 7:30 pm

Prophet and Ro are chasing dreams faintly whispered on the wind that sweeps the dusty Texas plain, where ranching is brutal work and change is on the horizon. Set at the end of the Cowboy Golden Age, Last Drive to Dodge examines race, love, and legacy in a time when everyone is scrambling for their piece of the American Dream.

A world premiere, produced in partnership with The Hansberry Project. Written by Andrew Lee Creech. Directed by Valerie Curtis-Newton.

Previews 9/20-21, opening 9/22. Pay-what-you-choose rush tickets available for 9/27 performance.

Tickets ($28-$59) here.

 

Will Rawls: [siccer] @ On the Boards (Seattle – Lower Queen Anne)
Sep 28 @ 8:00 pm

Through a dance performance and accompanying video installation, Will Rawls invites us to consider the ways in which Black bodies are relentlessly documented, distorted, and circulated in the media.

In [siccer], Will Rawls experiments with stop-motion, a filmmaking technique in which still photographs are strung together to produce a moving image. Through a dance performance and accompanying video installation, Will Rawls invites us to consider the ways in which Black bodies are relentlessly documented, distorted, and circulated in the media. Throughout [siccer]’s live performance, five dancers are suspended in an uncanny reenactment of an iconic American film. When the camera’s shutter closes momentarily between photographs, a gap in surveillance occurs that allows Rawls and collaborators to play within these intervals.

The project’s title is driven by the usage of “[sic],” a Latin adverb which indicates incorrect spelling within a quotation. [sic] is often employed to contrast Black vernacular with standard English. Upturning this perceived conflict, [siccer] illuminates the verbal, physical play that marks how Black performance actively eludes capture and speculates on the potential for collective strategies of narrating the world, uncorrected.

Tickets ($33) here.

 

Sep
29
Fri
Last Drive to Dodge @ Taproot Theatre (Seattle – Greenwood)
Sep 29 @ 8:00 pm

Prophet and Ro are chasing dreams faintly whispered on the wind that sweeps the dusty Texas plain, where ranching is brutal work and change is on the horizon. Set at the end of the Cowboy Golden Age, Last Drive to Dodge examines race, love, and legacy in a time when everyone is scrambling for their piece of the American Dream.

A world premiere, produced in partnership with The Hansberry Project. Written by Andrew Lee Creech. Directed by Valerie Curtis-Newton.

Previews 9/20-21, opening 9/22. Pay-what-you-choose rush tickets available for 9/27 performance.

Tickets ($28-$59) here.

 

Will Rawls: [siccer] @ On the Boards (Seattle – Lower Queen Anne)
Sep 29 @ 8:00 pm

Through a dance performance and accompanying video installation, Will Rawls invites us to consider the ways in which Black bodies are relentlessly documented, distorted, and circulated in the media.

In [siccer], Will Rawls experiments with stop-motion, a filmmaking technique in which still photographs are strung together to produce a moving image. Through a dance performance and accompanying video installation, Will Rawls invites us to consider the ways in which Black bodies are relentlessly documented, distorted, and circulated in the media. Throughout [siccer]’s live performance, five dancers are suspended in an uncanny reenactment of an iconic American film. When the camera’s shutter closes momentarily between photographs, a gap in surveillance occurs that allows Rawls and collaborators to play within these intervals.

The project’s title is driven by the usage of “[sic],” a Latin adverb which indicates incorrect spelling within a quotation. [sic] is often employed to contrast Black vernacular with standard English. Upturning this perceived conflict, [siccer] illuminates the verbal, physical play that marks how Black performance actively eludes capture and speculates on the potential for collective strategies of narrating the world, uncorrected.

Tickets ($33) here.

 

Sep
30
Sat
Last Drive to Dodge @ Taproot Theatre (Seattle – Greenwood)
Sep 30 @ 2:00 pm

Prophet and Ro are chasing dreams faintly whispered on the wind that sweeps the dusty Texas plain, where ranching is brutal work and change is on the horizon. Set at the end of the Cowboy Golden Age, Last Drive to Dodge examines race, love, and legacy in a time when everyone is scrambling for their piece of the American Dream.

A world premiere, produced in partnership with The Hansberry Project. Written by Andrew Lee Creech. Directed by Valerie Curtis-Newton.

Previews 9/20-21, opening 9/22. Pay-what-you-choose rush tickets available for 9/27 performance.

Tickets ($28-$59) here.

 

Last Drive to Dodge @ Taproot Theatre (Seattle – Greenwood)
Sep 30 @ 8:00 pm

Prophet and Ro are chasing dreams faintly whispered on the wind that sweeps the dusty Texas plain, where ranching is brutal work and change is on the horizon. Set at the end of the Cowboy Golden Age, Last Drive to Dodge examines race, love, and legacy in a time when everyone is scrambling for their piece of the American Dream.

A world premiere, produced in partnership with The Hansberry Project. Written by Andrew Lee Creech. Directed by Valerie Curtis-Newton.

Previews 9/20-21, opening 9/22. Pay-what-you-choose rush tickets available for 9/27 performance.

Tickets ($28-$59) here.

 

Will Rawls: [siccer] @ On the Boards (Seattle – Lower Queen Anne)
Sep 30 @ 8:00 pm

Through a dance performance and accompanying video installation, Will Rawls invites us to consider the ways in which Black bodies are relentlessly documented, distorted, and circulated in the media.

In [siccer], Will Rawls experiments with stop-motion, a filmmaking technique in which still photographs are strung together to produce a moving image. Through a dance performance and accompanying video installation, Will Rawls invites us to consider the ways in which Black bodies are relentlessly documented, distorted, and circulated in the media. Throughout [siccer]’s live performance, five dancers are suspended in an uncanny reenactment of an iconic American film. When the camera’s shutter closes momentarily between photographs, a gap in surveillance occurs that allows Rawls and collaborators to play within these intervals.

The project’s title is driven by the usage of “[sic],” a Latin adverb which indicates incorrect spelling within a quotation. [sic] is often employed to contrast Black vernacular with standard English. Upturning this perceived conflict, [siccer] illuminates the verbal, physical play that marks how Black performance actively eludes capture and speculates on the potential for collective strategies of narrating the world, uncorrected.

Tickets ($33) here.

 

Oct
4
Wed
Last Drive to Dodge @ Taproot Theatre (Seattle – Greenwood)
Oct 4 @ 7:30 pm

Prophet and Ro are chasing dreams faintly whispered on the wind that sweeps the dusty Texas plain, where ranching is brutal work and change is on the horizon. Set at the end of the Cowboy Golden Age, Last Drive to Dodge examines race, love, and legacy in a time when everyone is scrambling for their piece of the American Dream.

A world premiere, produced in partnership with The Hansberry Project. Written by Andrew Lee Creech. Directed by Valerie Curtis-Newton.

Previews 9/20-21, opening 9/22. Pay-what-you-choose rush tickets available for 9/27 performance.

Tickets ($28-$59) here.

 

Oct
5
Thu
Last Drive to Dodge @ Taproot Theatre (Seattle – Greenwood)
Oct 5 @ 7:30 pm

Prophet and Ro are chasing dreams faintly whispered on the wind that sweeps the dusty Texas plain, where ranching is brutal work and change is on the horizon. Set at the end of the Cowboy Golden Age, Last Drive to Dodge examines race, love, and legacy in a time when everyone is scrambling for their piece of the American Dream.

A world premiere, produced in partnership with The Hansberry Project. Written by Andrew Lee Creech. Directed by Valerie Curtis-Newton.

Previews 9/20-21, opening 9/22. Pay-what-you-choose rush tickets available for 9/27 performance.

Tickets ($28-$59) here.

 

Oct
6
Fri
Last Drive to Dodge @ Taproot Theatre (Seattle – Greenwood)
Oct 6 @ 8:00 pm

Prophet and Ro are chasing dreams faintly whispered on the wind that sweeps the dusty Texas plain, where ranching is brutal work and change is on the horizon. Set at the end of the Cowboy Golden Age, Last Drive to Dodge examines race, love, and legacy in a time when everyone is scrambling for their piece of the American Dream.

A world premiere, produced in partnership with The Hansberry Project. Written by Andrew Lee Creech. Directed by Valerie Curtis-Newton.

Previews 9/20-21, opening 9/22. Pay-what-you-choose rush tickets available for 9/27 performance.

Tickets ($28-$59) here.

 

Oct
7
Sat
Last Drive to Dodge @ Taproot Theatre (Seattle – Greenwood)
Oct 7 @ 2:00 pm

Prophet and Ro are chasing dreams faintly whispered on the wind that sweeps the dusty Texas plain, where ranching is brutal work and change is on the horizon. Set at the end of the Cowboy Golden Age, Last Drive to Dodge examines race, love, and legacy in a time when everyone is scrambling for their piece of the American Dream.

A world premiere, produced in partnership with The Hansberry Project. Written by Andrew Lee Creech. Directed by Valerie Curtis-Newton.

Previews 9/20-21, opening 9/22. Pay-what-you-choose rush tickets available for 9/27 performance.

Tickets ($28-$59) here.

 

Last Drive to Dodge @ Taproot Theatre (Seattle – Greenwood)
Oct 7 @ 8:00 pm

Prophet and Ro are chasing dreams faintly whispered on the wind that sweeps the dusty Texas plain, where ranching is brutal work and change is on the horizon. Set at the end of the Cowboy Golden Age, Last Drive to Dodge examines race, love, and legacy in a time when everyone is scrambling for their piece of the American Dream.

A world premiere, produced in partnership with The Hansberry Project. Written by Andrew Lee Creech. Directed by Valerie Curtis-Newton.

Previews 9/20-21, opening 9/22. Pay-what-you-choose rush tickets available for 9/27 performance.

Tickets ($28-$59) here.

 

Oct
11
Wed
Last Drive to Dodge @ Taproot Theatre (Seattle – Greenwood)
Oct 11 @ 2:00 pm

Prophet and Ro are chasing dreams faintly whispered on the wind that sweeps the dusty Texas plain, where ranching is brutal work and change is on the horizon. Set at the end of the Cowboy Golden Age, Last Drive to Dodge examines race, love, and legacy in a time when everyone is scrambling for their piece of the American Dream.

A world premiere, produced in partnership with The Hansberry Project. Written by Andrew Lee Creech. Directed by Valerie Curtis-Newton.

Previews 9/20-21, opening 9/22. Pay-what-you-choose rush tickets available for 9/27 performance.

Tickets ($28-$59) here.

 

Last Drive to Dodge @ Taproot Theatre (Seattle – Greenwood)
Oct 11 @ 7:30 pm

Prophet and Ro are chasing dreams faintly whispered on the wind that sweeps the dusty Texas plain, where ranching is brutal work and change is on the horizon. Set at the end of the Cowboy Golden Age, Last Drive to Dodge examines race, love, and legacy in a time when everyone is scrambling for their piece of the American Dream.

A world premiere, produced in partnership with The Hansberry Project. Written by Andrew Lee Creech. Directed by Valerie Curtis-Newton.

Previews 9/20-21, opening 9/22. Pay-what-you-choose rush tickets available for 9/27 performance.

Tickets ($28-$59) here.

 

Oct
12
Thu
Last Drive to Dodge @ Taproot Theatre (Seattle – Greenwood)
Oct 12 @ 7:30 pm

Prophet and Ro are chasing dreams faintly whispered on the wind that sweeps the dusty Texas plain, where ranching is brutal work and change is on the horizon. Set at the end of the Cowboy Golden Age, Last Drive to Dodge examines race, love, and legacy in a time when everyone is scrambling for their piece of the American Dream.

A world premiere, produced in partnership with The Hansberry Project. Written by Andrew Lee Creech. Directed by Valerie Curtis-Newton.

Previews 9/20-21, opening 9/22. Pay-what-you-choose rush tickets available for 9/27 performance.

Tickets ($28-$59) here.

 

Oct
13
Fri
Last Drive to Dodge @ Taproot Theatre (Seattle – Greenwood)
Oct 13 @ 8:00 pm

Prophet and Ro are chasing dreams faintly whispered on the wind that sweeps the dusty Texas plain, where ranching is brutal work and change is on the horizon. Set at the end of the Cowboy Golden Age, Last Drive to Dodge examines race, love, and legacy in a time when everyone is scrambling for their piece of the American Dream.

A world premiere, produced in partnership with The Hansberry Project. Written by Andrew Lee Creech. Directed by Valerie Curtis-Newton.

Previews 9/20-21, opening 9/22. Pay-what-you-choose rush tickets available for 9/27 performance.

Tickets ($28-$59) here.

 

Oct
14
Sat
Last Drive to Dodge @ Taproot Theatre (Seattle – Greenwood)
Oct 14 @ 2:00 pm

Prophet and Ro are chasing dreams faintly whispered on the wind that sweeps the dusty Texas plain, where ranching is brutal work and change is on the horizon. Set at the end of the Cowboy Golden Age, Last Drive to Dodge examines race, love, and legacy in a time when everyone is scrambling for their piece of the American Dream.

A world premiere, produced in partnership with The Hansberry Project. Written by Andrew Lee Creech. Directed by Valerie Curtis-Newton.

Previews 9/20-21, opening 9/22. Pay-what-you-choose rush tickets available for 9/27 performance.

Tickets ($28-$59) here.

 

Last Drive to Dodge @ Taproot Theatre (Seattle – Greenwood)
Oct 14 @ 8:00 pm

Prophet and Ro are chasing dreams faintly whispered on the wind that sweeps the dusty Texas plain, where ranching is brutal work and change is on the horizon. Set at the end of the Cowboy Golden Age, Last Drive to Dodge examines race, love, and legacy in a time when everyone is scrambling for their piece of the American Dream.

A world premiere, produced in partnership with The Hansberry Project. Written by Andrew Lee Creech. Directed by Valerie Curtis-Newton.

Previews 9/20-21, opening 9/22. Pay-what-you-choose rush tickets available for 9/27 performance.

Tickets ($28-$59) here.

 

Oct
18
Wed
Last Drive to Dodge @ Taproot Theatre (Seattle – Greenwood)
Oct 18 @ 7:30 pm

Prophet and Ro are chasing dreams faintly whispered on the wind that sweeps the dusty Texas plain, where ranching is brutal work and change is on the horizon. Set at the end of the Cowboy Golden Age, Last Drive to Dodge examines race, love, and legacy in a time when everyone is scrambling for their piece of the American Dream.

A world premiere, produced in partnership with The Hansberry Project. Written by Andrew Lee Creech. Directed by Valerie Curtis-Newton.

Previews 9/20-21, opening 9/22. Pay-what-you-choose rush tickets available for 9/27 performance.

Tickets ($28-$59) here.

 

Oct
19
Thu
Last Drive to Dodge @ Taproot Theatre (Seattle – Greenwood)
Oct 19 @ 7:30 pm

Prophet and Ro are chasing dreams faintly whispered on the wind that sweeps the dusty Texas plain, where ranching is brutal work and change is on the horizon. Set at the end of the Cowboy Golden Age, Last Drive to Dodge examines race, love, and legacy in a time when everyone is scrambling for their piece of the American Dream.

A world premiere, produced in partnership with The Hansberry Project. Written by Andrew Lee Creech. Directed by Valerie Curtis-Newton.

Previews 9/20-21, opening 9/22. Pay-what-you-choose rush tickets available for 9/27 performance.

Tickets ($28-$59) here.

 

Oct
20
Fri
Last Drive to Dodge @ Taproot Theatre (Seattle – Greenwood)
Oct 20 @ 8:00 pm

Prophet and Ro are chasing dreams faintly whispered on the wind that sweeps the dusty Texas plain, where ranching is brutal work and change is on the horizon. Set at the end of the Cowboy Golden Age, Last Drive to Dodge examines race, love, and legacy in a time when everyone is scrambling for their piece of the American Dream.

A world premiere, produced in partnership with The Hansberry Project. Written by Andrew Lee Creech. Directed by Valerie Curtis-Newton.

Previews 9/20-21, opening 9/22. Pay-what-you-choose rush tickets available for 9/27 performance.

Tickets ($28-$59) here.

 

Oct
21
Sat
Last Drive to Dodge @ Taproot Theatre (Seattle – Greenwood)
Oct 21 @ 2:00 pm

Prophet and Ro are chasing dreams faintly whispered on the wind that sweeps the dusty Texas plain, where ranching is brutal work and change is on the horizon. Set at the end of the Cowboy Golden Age, Last Drive to Dodge examines race, love, and legacy in a time when everyone is scrambling for their piece of the American Dream.

A world premiere, produced in partnership with The Hansberry Project. Written by Andrew Lee Creech. Directed by Valerie Curtis-Newton.

Previews 9/20-21, opening 9/22. Pay-what-you-choose rush tickets available for 9/27 performance.

Tickets ($28-$59) here.

 

Last Drive to Dodge @ Taproot Theatre (Seattle – Greenwood)
Oct 21 @ 8:00 pm

Prophet and Ro are chasing dreams faintly whispered on the wind that sweeps the dusty Texas plain, where ranching is brutal work and change is on the horizon. Set at the end of the Cowboy Golden Age, Last Drive to Dodge examines race, love, and legacy in a time when everyone is scrambling for their piece of the American Dream.

A world premiere, produced in partnership with The Hansberry Project. Written by Andrew Lee Creech. Directed by Valerie Curtis-Newton.

Previews 9/20-21, opening 9/22. Pay-what-you-choose rush tickets available for 9/27 performance.

Tickets ($28-$59) here.