Looking for what’s happening around town? We’ve got you covered — with theatre, dance, and more.
We try hard to provide updated information, but these showtimes are not official. Please confirm dates/times with the individual theatres via their ticketing pages.
Use Categories or Tags to filter. Click the calendar (MONTH YEAR) to look at one date.
Hosting a show you don’t see listed? Send details, link, and production or rehearsal/promo photos to nwtheatre.org at gmail.com for consideration. Listings are currently limited to theatre, dance, and select comedy/variety shows at theatre companies in King, Pierce, Snohomish, and Thurston counties, with some expansion into Kitsap and up the peninsula.
As the 2018 Obie Award Winner for Playwriting, Dominique Morriseau tells the story of an inner-city public school teacher who is committed to her students but desperate to rescue her son from a system she knows isn’t meant for him to thrive. Meanwhile, the shadows of mismanaged relationships are hard to miss and impossible to ignore. 90 minutes of heart-pounding art reflecting life, this production tells the story of a family’s desperate crusade to escape systems designed to break them down while calling on the power of love to build them back up again.
Tickets ($33) here.
As the 2018 Obie Award Winner for Playwriting, Dominique Morriseau tells the story of an inner-city public school teacher who is committed to her students but desperate to rescue her son from a system she knows isn’t meant for him to thrive. Meanwhile, the shadows of mismanaged relationships are hard to miss and impossible to ignore. 90 minutes of heart-pounding art reflecting life, this production tells the story of a family’s desperate crusade to escape systems designed to break them down while calling on the power of love to build them back up again.
Tickets ($33) here.
The West Coast premiere of The Motherboard Suite brings to life a suite of music by musician, poet, actor Saul Williams. Directed by Bill T. Jones, this non-linear work is performed by Saul and his musical collaborators, and features seven choreographers — Maria Bauman, Kayla Farrish, Marjani Forté-Saunders, d. Sabela grimes, Jasmine Hearn, Shamel Pitts | TRIBE, and Seattle choreographer Jade Solomon Curtis. Each choreographer is invited into the world of Williams’ exploration at the intersection of technology and race, exploitation and mystical anarchy, where hackers are artists and activists.
Following the performance, join us for a conversation from the Meany stage, moderated by artist, curator and writer Berette S Macaulay, with Saul Williams and Bill T. Jones.
Tickets ($34) here.
As the 2018 Obie Award Winner for Playwriting, Dominique Morriseau tells the story of an inner-city public school teacher who is committed to her students but desperate to rescue her son from a system she knows isn’t meant for him to thrive. Meanwhile, the shadows of mismanaged relationships are hard to miss and impossible to ignore. 90 minutes of heart-pounding art reflecting life, this production tells the story of a family’s desperate crusade to escape systems designed to break them down while calling on the power of love to build them back up again.
Tickets ($33) here.
A Practice of Return is a celebratory archival practice conceptualized by the Black Collectivity Project. Through a series of offerings including workshops, film screenings, and performances, A Practice of Return weaves together embodied knowledge and research in pursuit of ‘return,’ a practice of looking back to see where you are. This programming is the result of a year-long research collaboration inspired by the ongoing legacy of Black dance artists in Seattle beginning with Syvilla Fort.
A Practice of Return will take place over the course of two weekends. Weekend 1 includes workshops and film screenings highlighting dance, storytelling, and the transmission of memory (individual and collective). Weekend 2 consists of three days of performances responding to Syvilla Fort’s 1940 solo concert originally presented at the Seattle Repertory Playhouse (now Jones Playhouse). Although few records of the original performance exist, dance allows us to access and imagine what was and what could be.
Black Collectivity is a collaborative project developed by Nia-Amina Minor, David Rue, marco farroni, and Akoiya Harris through the Made in Seattle Artist Residency Program at Velocity Dance Center.
Additional Collaborators: Jiamond Elizabeth (Performer), Chari Glogovac-Smith (Sound Design), Le’Ecia Farmer (costumes/set design), Brea Wilson (projection).
Location: 12th Avenue Arts
Tickets $22.50-$54.50 (sliding scale available for all) here.
A Practice of Return is a celebratory archival practice conceptualized by the Black Collectivity Project. Through a series of offerings including workshops, film screenings, and performances, A Practice of Return weaves together embodied knowledge and research in pursuit of ‘return,’ a practice of looking back to see where you are. This programming is the result of a year-long research collaboration inspired by the ongoing legacy of Black dance artists in Seattle beginning with Syvilla Fort.
A Practice of Return will take place over the course of two weekends. Weekend 1 includes workshops and film screenings highlighting dance, storytelling, and the transmission of memory (individual and collective). Weekend 2 consists of three days of performances responding to Syvilla Fort’s 1940 solo concert originally presented at the Seattle Repertory Playhouse (now Jones Playhouse). Although few records of the original performance exist, dance allows us to access and imagine what was and what could be.
Black Collectivity is a collaborative project developed by Nia-Amina Minor, David Rue, marco farroni, and Akoiya Harris through the Made in Seattle Artist Residency Program at Velocity Dance Center.
Additional Collaborators: Jiamond Elizabeth (Performer), Chari Glogovac-Smith (Sound Design), Le’Ecia Farmer (costumes/set design), Brea Wilson (projection).
Location: 12th Avenue Arts
Tickets $22.50-$54.50 (sliding scale available for all) here.
A Practice of Return is a celebratory archival practice conceptualized by the Black Collectivity Project. Through a series of offerings including workshops, film screenings, and performances, A Practice of Return weaves together embodied knowledge and research in pursuit of ‘return,’ a practice of looking back to see where you are. This programming is the result of a year-long research collaboration inspired by the ongoing legacy of Black dance artists in Seattle beginning with Syvilla Fort.
A Practice of Return will take place over the course of two weekends. Weekend 1 includes workshops and film screenings highlighting dance, storytelling, and the transmission of memory (individual and collective). Weekend 2 consists of three days of performances responding to Syvilla Fort’s 1940 solo concert originally presented at the Seattle Repertory Playhouse (now Jones Playhouse). Although few records of the original performance exist, dance allows us to access and imagine what was and what could be.
Black Collectivity is a collaborative project developed by Nia-Amina Minor, David Rue, marco farroni, and Akoiya Harris through the Made in Seattle Artist Residency Program at Velocity Dance Center.
Additional Collaborators: Jiamond Elizabeth (Performer), Chari Glogovac-Smith (Sound Design), Le’Ecia Farmer (costumes/set design), Brea Wilson (projection).
Location: 12th Avenue Arts
This performance is listed as ASL interpreted (4/7 @ 6pm). As always, please confirm date and best seating location with the company.
Tickets $22.50-$54.50 (sliding scale available for all) here.
As the 2018 Obie Award Winner for Playwriting, Dominique Morriseau tells the story of an inner-city public school teacher who is committed to her students but desperate to rescue her son from a system she knows isn’t meant for him to thrive. Meanwhile, the shadows of mismanaged relationships are hard to miss and impossible to ignore. 90 minutes of heart-pounding art reflecting life, this production tells the story of a family’s desperate crusade to escape systems designed to break them down while calling on the power of love to build them back up again.
Tickets ($33) here.
At the Next Narrative Monologue Competition Seattle Regional Finals, watch 10 teen finalists perform new monologues by America’s leading Black playwrights on the Bagley Wright stage, plus a world premiere performance of State of the Students from the runners-up. The top two competitors will receive an all-expense-paid trip to New York City. Come cheer these talented actors on and enjoy a night of performances.
Tickets ($5) here.
Featuring performances by Kuu Sakuragi, Maya Tacon, Tariq Mitri, Rodrick Barnes, and Arinze Okammor, and visual art showcase by Elisa Dore, Kenya Shakoor, Nicole Vilamil, and Shirene Rafie.
Art / Break is a community celebration and fundraiser for The Seattle Project’s new original full-length performance work “Chapters” by Amanda Morgan to debut at the Northwest Film Forum on May 5 & 6 2023. Chapters will explore the lives of four black femmes; Akoiya Harris, Ashton Edwards, Amanda Morgan, and Nia-Amina Minor – highlighting ancestry and upbringing along with the intersections of Blackness and femininity. This new work will feature live dance, dance film, home video, poetry, music, and photographic portraits by Kenya Shakoor. A short documentary by Barry Johnson will accompany the piece showcasing the creative process from start to finish.
Location: Love City Love (1422 Seneca St)
Tickets (sliding scale available to all) here.
A Practice of Return is a celebratory archival practice conceptualized by the Black Collectivity Project. Through a series of offerings including workshops, film screenings, and performances, A Practice of Return weaves together embodied knowledge and research in pursuit of ‘return,’ a practice of looking back to see where you are. This programming is the result of a year-long research collaboration inspired by the ongoing legacy of Black dance artists in Seattle beginning with Syvilla Fort.
A Practice of Return will take place over the course of two weekends. Weekend 1 includes workshops and film screenings highlighting dance, storytelling, and the transmission of memory (individual and collective). Weekend 2 consists of three days of performances responding to Syvilla Fort’s 1940 solo concert originally presented at the Seattle Repertory Playhouse (now Jones Playhouse). Although few records of the original performance exist, dance allows us to access and imagine what was and what could be.
Black Collectivity is a collaborative project developed by Nia-Amina Minor, David Rue, marco farroni, and Akoiya Harris through the Made in Seattle Artist Residency Program at Velocity Dance Center.
Additional Collaborators: Jiamond Elizabeth (Performer), Chari Glogovac-Smith (Sound Design), Le’Ecia Farmer (costumes/set design), Brea Wilson (projection).
Location: 12th Avenue Arts
Tickets $22.50-$54.50 (sliding scale available for all) here.
As the 2018 Obie Award Winner for Playwriting, Dominique Morriseau tells the story of an inner-city public school teacher who is committed to her students but desperate to rescue her son from a system she knows isn’t meant for him to thrive. Meanwhile, the shadows of mismanaged relationships are hard to miss and impossible to ignore. 90 minutes of heart-pounding art reflecting life, this production tells the story of a family’s desperate crusade to escape systems designed to break them down while calling on the power of love to build them back up again.
Tickets ($33) here.
A Practice of Return is a celebratory archival practice conceptualized by the Black Collectivity Project. Through a series of offerings including workshops, film screenings, and performances, A Practice of Return weaves together embodied knowledge and research in pursuit of ‘return,’ a practice of looking back to see where you are. This programming is the result of a year-long research collaboration inspired by the ongoing legacy of Black dance artists in Seattle beginning with Syvilla Fort.
A Practice of Return will take place over the course of two weekends. Weekend 1 includes workshops and film screenings highlighting dance, storytelling, and the transmission of memory (individual and collective). Weekend 2 consists of three days of performances responding to Syvilla Fort’s 1940 solo concert originally presented at the Seattle Repertory Playhouse (now Jones Playhouse). Although few records of the original performance exist, dance allows us to access and imagine what was and what could be.
Black Collectivity is a collaborative project developed by Nia-Amina Minor, David Rue, marco farroni, and Akoiya Harris through the Made in Seattle Artist Residency Program at Velocity Dance Center.
Additional Collaborators: Jiamond Elizabeth (Performer), Chari Glogovac-Smith (Sound Design), Le’Ecia Farmer (costumes/set design), Brea Wilson (projection).
Location: 12th Avenue Arts
Tickets $22.50-$54.50 (sliding scale available for all) here.
As the 2018 Obie Award Winner for Playwriting, Dominique Morriseau tells the story of an inner-city public school teacher who is committed to her students but desperate to rescue her son from a system she knows isn’t meant for him to thrive. Meanwhile, the shadows of mismanaged relationships are hard to miss and impossible to ignore. 90 minutes of heart-pounding art reflecting life, this production tells the story of a family’s desperate crusade to escape systems designed to break them down while calling on the power of love to build them back up again.
Tickets ($33) here.
A Practice of Return is a celebratory archival practice conceptualized by the Black Collectivity Project. Through a series of offerings including workshops, film screenings, and performances, A Practice of Return weaves together embodied knowledge and research in pursuit of ‘return,’ a practice of looking back to see where you are. This programming is the result of a year-long research collaboration inspired by the ongoing legacy of Black dance artists in Seattle beginning with Syvilla Fort.
A Practice of Return will take place over the course of two weekends. Weekend 1 includes workshops and film screenings highlighting dance, storytelling, and the transmission of memory (individual and collective). Weekend 2 consists of three days of performances responding to Syvilla Fort’s 1940 solo concert originally presented at the Seattle Repertory Playhouse (now Jones Playhouse). Although few records of the original performance exist, dance allows us to access and imagine what was and what could be.
Black Collectivity is a collaborative project developed by Nia-Amina Minor, David Rue, marco farroni, and Akoiya Harris through the Made in Seattle Artist Residency Program at Velocity Dance Center.
Additional Collaborators: Jiamond Elizabeth (Performer), Chari Glogovac-Smith (Sound Design), Le’Ecia Farmer (costumes/set design), Brea Wilson (projection).
Location: 12th Avenue Arts
Tickets $22.50-$54.50 (sliding scale available for all) here.
As the 2018 Obie Award Winner for Playwriting, Dominique Morriseau tells the story of an inner-city public school teacher who is committed to her students but desperate to rescue her son from a system she knows isn’t meant for him to thrive. Meanwhile, the shadows of mismanaged relationships are hard to miss and impossible to ignore. 90 minutes of heart-pounding art reflecting life, this production tells the story of a family’s desperate crusade to escape systems designed to break them down while calling on the power of love to build them back up again.
Tickets ($33) here.
The acclaimed Step Afrika! is the world’s first professional company dedicated to the tradition of stepping — a polyrhythmic, percussive dance form that uses the body as an instrument. The company presents its latest work, Drumfolk, a powerful piece inspired by the Stono Rebellion of 1739. Step Afrika! blends songs, storytelling and dance to explore a little-known event in American history that led to some of our country’s most distinct performance traditions. New percussive forms took root when the beats found their way into the body of the people, the Drumfolk, in a way that would forever transform African American life and culture. Co-commissioned by Meany Center.
Tickets ($59-$71) here.
Originally performed by August Wilson himself, How I Learned What I Learned is a heartfelt theatrical memoir charting one man’s journey of self-discovery through adversity and what it means to be a Black artist in America. Helmed by celebrated Wilson director Tim Bond, this beautiful solo work brings Wilson’s necessary voice and gorgeous poetry back to Seattle Rep.
Seattle Rep presents the Oregon Shakespeare Festival Production, co-conceived by Todd Kreidler, directed by Tim Bond.
Previews 4/12-25, opens 4/26
Pay-what-you-choose tickets available for all performances by phone or in person; see info here.
Tickets here.
The acclaimed Step Afrika! is the world’s first professional company dedicated to the tradition of stepping — a polyrhythmic, percussive dance form that uses the body as an instrument. The company presents its latest work, Drumfolk, a powerful piece inspired by the Stono Rebellion of 1739. Step Afrika! blends songs, storytelling and dance to explore a little-known event in American history that led to some of our country’s most distinct performance traditions. New percussive forms took root when the beats found their way into the body of the people, the Drumfolk, in a way that would forever transform African American life and culture. Co-commissioned by Meany Center.
Tickets ($59-$71) here.
Originally performed by August Wilson himself, How I Learned What I Learned is a heartfelt theatrical memoir charting one man’s journey of self-discovery through adversity and what it means to be a Black artist in America. Helmed by celebrated Wilson director Tim Bond, this beautiful solo work brings Wilson’s necessary voice and gorgeous poetry back to Seattle Rep.
Seattle Rep presents the Oregon Shakespeare Festival Production, co-conceived by Todd Kreidler, directed by Tim Bond.
Previews 4/12-25, opens 4/26
Pay-what-you-choose tickets available for all performances by phone or in person; see info here.
Tickets here.
The acclaimed Step Afrika! is the world’s first professional company dedicated to the tradition of stepping — a polyrhythmic, percussive dance form that uses the body as an instrument. The company presents its latest work, Drumfolk, a powerful piece inspired by the Stono Rebellion of 1739. Step Afrika! blends songs, storytelling and dance to explore a little-known event in American history that led to some of our country’s most distinct performance traditions. New percussive forms took root when the beats found their way into the body of the people, the Drumfolk, in a way that would forever transform African American life and culture. Co-commissioned by Meany Center.
Tickets ($59-$71) here.
Originally performed by August Wilson himself, How I Learned What I Learned is a heartfelt theatrical memoir charting one man’s journey of self-discovery through adversity and what it means to be a Black artist in America. Helmed by celebrated Wilson director Tim Bond, this beautiful solo work brings Wilson’s necessary voice and gorgeous poetry back to Seattle Rep.
Seattle Rep presents the Oregon Shakespeare Festival Production, co-conceived by Todd Kreidler, directed by Tim Bond.
Previews 4/12-25, opens 4/26
Pay-what-you-choose tickets available for all performances by phone or in person; see info here.
Tickets here.
Originally performed by August Wilson himself, How I Learned What I Learned is a heartfelt theatrical memoir charting one man’s journey of self-discovery through adversity and what it means to be a Black artist in America. Helmed by celebrated Wilson director Tim Bond, this beautiful solo work brings Wilson’s necessary voice and gorgeous poetry back to Seattle Rep.
Seattle Rep presents the Oregon Shakespeare Festival Production, co-conceived by Todd Kreidler, directed by Tim Bond.
Previews 4/12-25, opens 4/26
Pay-what-you-choose tickets available for all performances by phone or in person; see info here.
Tickets here.
Originally performed by August Wilson himself, How I Learned What I Learned is a heartfelt theatrical memoir charting one man’s journey of self-discovery through adversity and what it means to be a Black artist in America. Helmed by celebrated Wilson director Tim Bond, this beautiful solo work brings Wilson’s necessary voice and gorgeous poetry back to Seattle Rep.
Seattle Rep presents the Oregon Shakespeare Festival Production, co-conceived by Todd Kreidler, directed by Tim Bond.
Previews 4/12-25, opens 4/26
Pay-what-you-choose tickets available for all performances by phone or in person; see info here.
Tickets here.
Originally performed by August Wilson himself, How I Learned What I Learned is a heartfelt theatrical memoir charting one man’s journey of self-discovery through adversity and what it means to be a Black artist in America. Helmed by celebrated Wilson director Tim Bond, this beautiful solo work brings Wilson’s necessary voice and gorgeous poetry back to Seattle Rep.
Seattle Rep presents the Oregon Shakespeare Festival Production, co-conceived by Todd Kreidler, directed by Tim Bond.
Previews 4/12-25, opens 4/26
Pay-what-you-choose tickets available for all performances by phone or in person; see info here.
Tickets here.
Originally performed by August Wilson himself, How I Learned What I Learned is a heartfelt theatrical memoir charting one man’s journey of self-discovery through adversity and what it means to be a Black artist in America. Helmed by celebrated Wilson director Tim Bond, this beautiful solo work brings Wilson’s necessary voice and gorgeous poetry back to Seattle Rep.
Seattle Rep presents the Oregon Shakespeare Festival Production, co-conceived by Todd Kreidler, directed by Tim Bond.
Previews 4/12-25, opens 4/26
Pay-what-you-choose tickets available for all performances by phone or in person; see info here.
Tickets here.
Originally performed by August Wilson himself, How I Learned What I Learned is a heartfelt theatrical memoir charting one man’s journey of self-discovery through adversity and what it means to be a Black artist in America. Helmed by celebrated Wilson director Tim Bond, this beautiful solo work brings Wilson’s necessary voice and gorgeous poetry back to Seattle Rep.
Seattle Rep presents the Oregon Shakespeare Festival Production, co-conceived by Todd Kreidler, directed by Tim Bond.
Previews 4/12-25, opens 4/26
Pay-what-you-choose tickets available for all performances by phone or in person; see info here.
Tickets here.
Originally performed by August Wilson himself, How I Learned What I Learned is a heartfelt theatrical memoir charting one man’s journey of self-discovery through adversity and what it means to be a Black artist in America. Helmed by celebrated Wilson director Tim Bond, this beautiful solo work brings Wilson’s necessary voice and gorgeous poetry back to Seattle Rep.
Seattle Rep presents the Oregon Shakespeare Festival Production, co-conceived by Todd Kreidler, directed by Tim Bond.
Previews 4/12-25, opens 4/26
Pay-what-you-choose tickets available for all performances by phone or in person; see info here.
Tickets here.
Originally performed by August Wilson himself, How I Learned What I Learned is a heartfelt theatrical memoir charting one man’s journey of self-discovery through adversity and what it means to be a Black artist in America. Helmed by celebrated Wilson director Tim Bond, this beautiful solo work brings Wilson’s necessary voice and gorgeous poetry back to Seattle Rep.
Seattle Rep presents the Oregon Shakespeare Festival Production, co-conceived by Todd Kreidler, directed by Tim Bond.
Previews 4/12-25, opens 4/26
Pay-what-you-choose tickets available for all performances by phone or in person; see info here.
Tickets here.
Originally performed by August Wilson himself, How I Learned What I Learned is a heartfelt theatrical memoir charting one man’s journey of self-discovery through adversity and what it means to be a Black artist in America. Helmed by celebrated Wilson director Tim Bond, this beautiful solo work brings Wilson’s necessary voice and gorgeous poetry back to Seattle Rep.
Seattle Rep presents the Oregon Shakespeare Festival Production, co-conceived by Todd Kreidler, directed by Tim Bond.
Previews 4/12-25, opens 4/26
Pay-what-you-choose tickets available for all performances by phone or in person; see info here.
Tickets here.
Originally performed by August Wilson himself, How I Learned What I Learned is a heartfelt theatrical memoir charting one man’s journey of self-discovery through adversity and what it means to be a Black artist in America. Helmed by celebrated Wilson director Tim Bond, this beautiful solo work brings Wilson’s necessary voice and gorgeous poetry back to Seattle Rep.
Seattle Rep presents the Oregon Shakespeare Festival Production, co-conceived by Todd Kreidler, directed by Tim Bond.
This performance is listed as open captioned (not ASL interpreted). As always, please check with the theatre to confirm that has not changed. ASL interpreted performance on 5/13 (matinee). See info here.
Pay-what-you-choose tickets available for all performances by phone or in person; see info here.
Tickets here.
Originally performed by August Wilson himself, How I Learned What I Learned is a heartfelt theatrical memoir charting one man’s journey of self-discovery through adversity and what it means to be a Black artist in America. Helmed by celebrated Wilson director Tim Bond, this beautiful solo work brings Wilson’s necessary voice and gorgeous poetry back to Seattle Rep.
Seattle Rep presents the Oregon Shakespeare Festival Production, co-conceived by Todd Kreidler, directed by Tim Bond.
Previews 4/12-25, opens 4/26
Pay-what-you-choose tickets available for all performances by phone or in person; see info here.
Tickets here.
Originally performed by August Wilson himself, How I Learned What I Learned is a heartfelt theatrical memoir charting one man’s journey of self-discovery through adversity and what it means to be a Black artist in America. Helmed by celebrated Wilson director Tim Bond, this beautiful solo work brings Wilson’s necessary voice and gorgeous poetry back to Seattle Rep.
Seattle Rep presents the Oregon Shakespeare Festival Production, co-conceived by Todd Kreidler, directed by Tim Bond.
Previews 4/12-25, opens 4/26
Pay-what-you-choose tickets available for all performances by phone or in person; see info here.
Tickets here.
Originally performed by August Wilson himself, How I Learned What I Learned is a heartfelt theatrical memoir charting one man’s journey of self-discovery through adversity and what it means to be a Black artist in America. Helmed by celebrated Wilson director Tim Bond, this beautiful solo work brings Wilson’s necessary voice and gorgeous poetry back to Seattle Rep.
Seattle Rep presents the Oregon Shakespeare Festival Production, co-conceived by Todd Kreidler, directed by Tim Bond.
Previews 4/12-25, opens 4/26
Pay-what-you-choose tickets available for all performances by phone or in person; see info here.
Tickets here.
Originally performed by August Wilson himself, How I Learned What I Learned is a heartfelt theatrical memoir charting one man’s journey of self-discovery through adversity and what it means to be a Black artist in America. Helmed by celebrated Wilson director Tim Bond, this beautiful solo work brings Wilson’s necessary voice and gorgeous poetry back to Seattle Rep.
Seattle Rep presents the Oregon Shakespeare Festival Production, co-conceived by Todd Kreidler, directed by Tim Bond.
Previews 4/12-25, opens 4/26
Pay-what-you-choose tickets available for all performances by phone or in person; see info here.
Tickets here.
Originally performed by August Wilson himself, How I Learned What I Learned is a heartfelt theatrical memoir charting one man’s journey of self-discovery through adversity and what it means to be a Black artist in America. Helmed by celebrated Wilson director Tim Bond, this beautiful solo work brings Wilson’s necessary voice and gorgeous poetry back to Seattle Rep.
Seattle Rep presents the Oregon Shakespeare Festival Production, co-conceived by Todd Kreidler, directed by Tim Bond.
Previews 4/12-25, opens 4/26
Pay-what-you-choose tickets available for all performances by phone or in person; see info here.
Tickets here.
Originally performed by August Wilson himself, How I Learned What I Learned is a heartfelt theatrical memoir charting one man’s journey of self-discovery through adversity and what it means to be a Black artist in America. Helmed by celebrated Wilson director Tim Bond, this beautiful solo work brings Wilson’s necessary voice and gorgeous poetry back to Seattle Rep.
Seattle Rep presents the Oregon Shakespeare Festival Production, co-conceived by Todd Kreidler, directed by Tim Bond.
Previews 4/12-25, opens 4/26
Pay-what-you-choose tickets available for all performances by phone or in person; see info here.
Tickets here.
Originally performed by August Wilson himself, How I Learned What I Learned is a heartfelt theatrical memoir charting one man’s journey of self-discovery through adversity and what it means to be a Black artist in America. Helmed by celebrated Wilson director Tim Bond, this beautiful solo work brings Wilson’s necessary voice and gorgeous poetry back to Seattle Rep.
Seattle Rep presents the Oregon Shakespeare Festival Production, co-conceived by Todd Kreidler, directed by Tim Bond.
Previews 4/12-25, opens 4/26
Pay-what-you-choose tickets available for all performances by phone or in person; see info here.
Tickets here.
Originally performed by August Wilson himself, How I Learned What I Learned is a heartfelt theatrical memoir charting one man’s journey of self-discovery through adversity and what it means to be a Black artist in America. Helmed by celebrated Wilson director Tim Bond, this beautiful solo work brings Wilson’s necessary voice and gorgeous poetry back to Seattle Rep.
Seattle Rep presents the Oregon Shakespeare Festival Production, co-conceived by Todd Kreidler, directed by Tim Bond.
Previews 4/12-25, opens 4/26
Pay-what-you-choose tickets available for all performances by phone or in person; see info here.
Tickets here.
Originally performed by August Wilson himself, How I Learned What I Learned is a heartfelt theatrical memoir charting one man’s journey of self-discovery through adversity and what it means to be a Black artist in America. Helmed by celebrated Wilson director Tim Bond, this beautiful solo work brings Wilson’s necessary voice and gorgeous poetry back to Seattle Rep.
Seattle Rep presents the Oregon Shakespeare Festival Production, co-conceived by Todd Kreidler, directed by Tim Bond.
Previews 4/12-25, opens 4/26
Pay-what-you-choose tickets available for all performances by phone or in person; see info here.
Tickets here.
Originally performed by August Wilson himself, How I Learned What I Learned is a heartfelt theatrical memoir charting one man’s journey of self-discovery through adversity and what it means to be a Black artist in America. Helmed by celebrated Wilson director Tim Bond, this beautiful solo work brings Wilson’s necessary voice and gorgeous poetry back to Seattle Rep.
Seattle Rep presents the Oregon Shakespeare Festival Production, co-conceived by Todd Kreidler, directed by Tim Bond.
This performance is listed as ASL interpreted and audio described. As always, please check with the theatre to confirm that has not changed. See info here.
Pay-what-you-choose tickets available for all performances by phone or in person; see info here.
Tickets here.
Originally performed by August Wilson himself, How I Learned What I Learned is a heartfelt theatrical memoir charting one man’s journey of self-discovery through adversity and what it means to be a Black artist in America. Helmed by celebrated Wilson director Tim Bond, this beautiful solo work brings Wilson’s necessary voice and gorgeous poetry back to Seattle Rep.
Seattle Rep presents the Oregon Shakespeare Festival Production, co-conceived by Todd Kreidler, directed by Tim Bond.
Previews 4/12-25, opens 4/26
Pay-what-you-choose tickets available for all performances by phone or in person; see info here.
Tickets here.
Originally performed by August Wilson himself, How I Learned What I Learned is a heartfelt theatrical memoir charting one man’s journey of self-discovery through adversity and what it means to be a Black artist in America. Helmed by celebrated Wilson director Tim Bond, this beautiful solo work brings Wilson’s necessary voice and gorgeous poetry back to Seattle Rep.
Seattle Rep presents the Oregon Shakespeare Festival Production, co-conceived by Todd Kreidler, directed by Tim Bond.
Previews 4/12-25, opens 4/26
Pay-what-you-choose tickets available for all performances by phone or in person; see info here.
Tickets here.
Originally performed by August Wilson himself, How I Learned What I Learned is a heartfelt theatrical memoir charting one man’s journey of self-discovery through adversity and what it means to be a Black artist in America. Helmed by celebrated Wilson director Tim Bond, this beautiful solo work brings Wilson’s necessary voice and gorgeous poetry back to Seattle Rep.
Seattle Rep presents the Oregon Shakespeare Festival Production, co-conceived by Todd Kreidler, directed by Tim Bond.
Previews 4/12-25, opens 4/26
Pay-what-you-choose tickets available for all performances by phone or in person; see info here.
Tickets here.