Looking for what’s happening around town? — We’ve got you covered, with locally sourced plays, touring musicals, dance, comedy, and more, all around the Sound.
Welcome to the area’s best theatre calendar.
Use Categories to view only Theatre, Comedy, Dance, Outdoor Shows, Free Events, and more.
Use Tags to filter by location/region, representation, ASL interpreted shows, sliding scale tickets, and more.
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☀️ = outdoor show
We try hard to provide updated information, but these showtimes are not official. Please confirm dates/times with the individual theatres via their ticketing pages.
Listings are currently limited to those based in King, Pierce, Snohomish, and Thurston Counties; and slowly expanding west and north (Kitsap, Jefferson, Skagit, and Whatcom counties). The below show listings will be updated as new information is received. If you have a professional, community theatre, dance, or fringe show coming up in Western Washington that’s not listed, please tell us about it.
Prophet and Ro are chasing dreams faintly whispered on the wind that sweeps the dusty Texas plain, where ranching is brutal work and change is on the horizon. Set at the end of the Cowboy Golden Age, Last Drive to Dodge examines race, love, and legacy in a time when everyone is scrambling for their piece of the American Dream.
A world premiere, produced in partnership with The Hansberry Project. Written by Andrew Lee Creech. Directed by Valerie Curtis-Newton.
Previews 9/20-21, opening 9/22. Pay-what-you-choose rush tickets available for 9/27 performance.
Tickets ($28-$59) here.
Prophet and Ro are chasing dreams faintly whispered on the wind that sweeps the dusty Texas plain, where ranching is brutal work and change is on the horizon. Set at the end of the Cowboy Golden Age, Last Drive to Dodge examines race, love, and legacy in a time when everyone is scrambling for their piece of the American Dream.
A world premiere, produced in partnership with The Hansberry Project. Written by Andrew Lee Creech. Directed by Valerie Curtis-Newton.
Pay-what-you-choose rush tickets available for this (9/27) performance. See info here.
Tickets ($28-$59) here.
Prophet and Ro are chasing dreams faintly whispered on the wind that sweeps the dusty Texas plain, where ranching is brutal work and change is on the horizon. Set at the end of the Cowboy Golden Age, Last Drive to Dodge examines race, love, and legacy in a time when everyone is scrambling for their piece of the American Dream.
A world premiere, produced in partnership with The Hansberry Project. Written by Andrew Lee Creech. Directed by Valerie Curtis-Newton.
Previews 9/20-21, opening 9/22. Pay-what-you-choose rush tickets available for 9/27 performance.
Tickets ($28-$59) here.
Through a dance performance and accompanying video installation, Will Rawls invites us to consider the ways in which Black bodies are relentlessly documented, distorted, and circulated in the media.
In [siccer], Will Rawls experiments with stop-motion, a filmmaking technique in which still photographs are strung together to produce a moving image. Through a dance performance and accompanying video installation, Will Rawls invites us to consider the ways in which Black bodies are relentlessly documented, distorted, and circulated in the media. Throughout [siccer]’s live performance, five dancers are suspended in an uncanny reenactment of an iconic American film. When the camera’s shutter closes momentarily between photographs, a gap in surveillance occurs that allows Rawls and collaborators to play within these intervals.
The project’s title is driven by the usage of “[sic],” a Latin adverb which indicates incorrect spelling within a quotation. [sic] is often employed to contrast Black vernacular with standard English. Upturning this perceived conflict, [siccer] illuminates the verbal, physical play that marks how Black performance actively eludes capture and speculates on the potential for collective strategies of narrating the world, uncorrected.
Tickets ($33) here.
Prophet and Ro are chasing dreams faintly whispered on the wind that sweeps the dusty Texas plain, where ranching is brutal work and change is on the horizon. Set at the end of the Cowboy Golden Age, Last Drive to Dodge examines race, love, and legacy in a time when everyone is scrambling for their piece of the American Dream.
A world premiere, produced in partnership with The Hansberry Project. Written by Andrew Lee Creech. Directed by Valerie Curtis-Newton.
Previews 9/20-21, opening 9/22. Pay-what-you-choose rush tickets available for 9/27 performance.
Tickets ($28-$59) here.
Through a dance performance and accompanying video installation, Will Rawls invites us to consider the ways in which Black bodies are relentlessly documented, distorted, and circulated in the media.
In [siccer], Will Rawls experiments with stop-motion, a filmmaking technique in which still photographs are strung together to produce a moving image. Through a dance performance and accompanying video installation, Will Rawls invites us to consider the ways in which Black bodies are relentlessly documented, distorted, and circulated in the media. Throughout [siccer]’s live performance, five dancers are suspended in an uncanny reenactment of an iconic American film. When the camera’s shutter closes momentarily between photographs, a gap in surveillance occurs that allows Rawls and collaborators to play within these intervals.
The project’s title is driven by the usage of “[sic],” a Latin adverb which indicates incorrect spelling within a quotation. [sic] is often employed to contrast Black vernacular with standard English. Upturning this perceived conflict, [siccer] illuminates the verbal, physical play that marks how Black performance actively eludes capture and speculates on the potential for collective strategies of narrating the world, uncorrected.
Tickets ($33) here.
Prophet and Ro are chasing dreams faintly whispered on the wind that sweeps the dusty Texas plain, where ranching is brutal work and change is on the horizon. Set at the end of the Cowboy Golden Age, Last Drive to Dodge examines race, love, and legacy in a time when everyone is scrambling for their piece of the American Dream.
A world premiere, produced in partnership with The Hansberry Project. Written by Andrew Lee Creech. Directed by Valerie Curtis-Newton.
Previews 9/20-21, opening 9/22. Pay-what-you-choose rush tickets available for 9/27 performance.
Tickets ($28-$59) here.
Prophet and Ro are chasing dreams faintly whispered on the wind that sweeps the dusty Texas plain, where ranching is brutal work and change is on the horizon. Set at the end of the Cowboy Golden Age, Last Drive to Dodge examines race, love, and legacy in a time when everyone is scrambling for their piece of the American Dream.
A world premiere, produced in partnership with The Hansberry Project. Written by Andrew Lee Creech. Directed by Valerie Curtis-Newton.
Previews 9/20-21, opening 9/22. Pay-what-you-choose rush tickets available for 9/27 performance.
Tickets ($28-$59) here.
Through a dance performance and accompanying video installation, Will Rawls invites us to consider the ways in which Black bodies are relentlessly documented, distorted, and circulated in the media.
In [siccer], Will Rawls experiments with stop-motion, a filmmaking technique in which still photographs are strung together to produce a moving image. Through a dance performance and accompanying video installation, Will Rawls invites us to consider the ways in which Black bodies are relentlessly documented, distorted, and circulated in the media. Throughout [siccer]’s live performance, five dancers are suspended in an uncanny reenactment of an iconic American film. When the camera’s shutter closes momentarily between photographs, a gap in surveillance occurs that allows Rawls and collaborators to play within these intervals.
The project’s title is driven by the usage of “[sic],” a Latin adverb which indicates incorrect spelling within a quotation. [sic] is often employed to contrast Black vernacular with standard English. Upturning this perceived conflict, [siccer] illuminates the verbal, physical play that marks how Black performance actively eludes capture and speculates on the potential for collective strategies of narrating the world, uncorrected.
Tickets ($33) here.
Prophet and Ro are chasing dreams faintly whispered on the wind that sweeps the dusty Texas plain, where ranching is brutal work and change is on the horizon. Set at the end of the Cowboy Golden Age, Last Drive to Dodge examines race, love, and legacy in a time when everyone is scrambling for their piece of the American Dream.
A world premiere, produced in partnership with The Hansberry Project. Written by Andrew Lee Creech. Directed by Valerie Curtis-Newton.
Previews 9/20-21, opening 9/22. Pay-what-you-choose rush tickets available for 9/27 performance.
Tickets ($28-$59) here.
Prophet and Ro are chasing dreams faintly whispered on the wind that sweeps the dusty Texas plain, where ranching is brutal work and change is on the horizon. Set at the end of the Cowboy Golden Age, Last Drive to Dodge examines race, love, and legacy in a time when everyone is scrambling for their piece of the American Dream.
A world premiere, produced in partnership with The Hansberry Project. Written by Andrew Lee Creech. Directed by Valerie Curtis-Newton.
Previews 9/20-21, opening 9/22. Pay-what-you-choose rush tickets available for 9/27 performance.
Tickets ($28-$59) here.
Prophet and Ro are chasing dreams faintly whispered on the wind that sweeps the dusty Texas plain, where ranching is brutal work and change is on the horizon. Set at the end of the Cowboy Golden Age, Last Drive to Dodge examines race, love, and legacy in a time when everyone is scrambling for their piece of the American Dream.
A world premiere, produced in partnership with The Hansberry Project. Written by Andrew Lee Creech. Directed by Valerie Curtis-Newton.
Previews 9/20-21, opening 9/22. Pay-what-you-choose rush tickets available for 9/27 performance.
Tickets ($28-$59) here.
Prophet and Ro are chasing dreams faintly whispered on the wind that sweeps the dusty Texas plain, where ranching is brutal work and change is on the horizon. Set at the end of the Cowboy Golden Age, Last Drive to Dodge examines race, love, and legacy in a time when everyone is scrambling for their piece of the American Dream.
A world premiere, produced in partnership with The Hansberry Project. Written by Andrew Lee Creech. Directed by Valerie Curtis-Newton.
Previews 9/20-21, opening 9/22. Pay-what-you-choose rush tickets available for 9/27 performance.
Tickets ($28-$59) here.
Prophet and Ro are chasing dreams faintly whispered on the wind that sweeps the dusty Texas plain, where ranching is brutal work and change is on the horizon. Set at the end of the Cowboy Golden Age, Last Drive to Dodge examines race, love, and legacy in a time when everyone is scrambling for their piece of the American Dream.
A world premiere, produced in partnership with The Hansberry Project. Written by Andrew Lee Creech. Directed by Valerie Curtis-Newton.
Previews 9/20-21, opening 9/22. Pay-what-you-choose rush tickets available for 9/27 performance.
Tickets ($28-$59) here.
Prophet and Ro are chasing dreams faintly whispered on the wind that sweeps the dusty Texas plain, where ranching is brutal work and change is on the horizon. Set at the end of the Cowboy Golden Age, Last Drive to Dodge examines race, love, and legacy in a time when everyone is scrambling for their piece of the American Dream.
A world premiere, produced in partnership with The Hansberry Project. Written by Andrew Lee Creech. Directed by Valerie Curtis-Newton.
Previews 9/20-21, opening 9/22. Pay-what-you-choose rush tickets available for 9/27 performance.
Tickets ($28-$59) here.
Prophet and Ro are chasing dreams faintly whispered on the wind that sweeps the dusty Texas plain, where ranching is brutal work and change is on the horizon. Set at the end of the Cowboy Golden Age, Last Drive to Dodge examines race, love, and legacy in a time when everyone is scrambling for their piece of the American Dream.
A world premiere, produced in partnership with The Hansberry Project. Written by Andrew Lee Creech. Directed by Valerie Curtis-Newton.
Previews 9/20-21, opening 9/22. Pay-what-you-choose rush tickets available for 9/27 performance.
Tickets ($28-$59) here.
Prophet and Ro are chasing dreams faintly whispered on the wind that sweeps the dusty Texas plain, where ranching is brutal work and change is on the horizon. Set at the end of the Cowboy Golden Age, Last Drive to Dodge examines race, love, and legacy in a time when everyone is scrambling for their piece of the American Dream.
A world premiere, produced in partnership with The Hansberry Project. Written by Andrew Lee Creech. Directed by Valerie Curtis-Newton.
Previews 9/20-21, opening 9/22. Pay-what-you-choose rush tickets available for 9/27 performance.
Tickets ($28-$59) here.
Prophet and Ro are chasing dreams faintly whispered on the wind that sweeps the dusty Texas plain, where ranching is brutal work and change is on the horizon. Set at the end of the Cowboy Golden Age, Last Drive to Dodge examines race, love, and legacy in a time when everyone is scrambling for their piece of the American Dream.
A world premiere, produced in partnership with The Hansberry Project. Written by Andrew Lee Creech. Directed by Valerie Curtis-Newton.
Previews 9/20-21, opening 9/22. Pay-what-you-choose rush tickets available for 9/27 performance.
Tickets ($28-$59) here.
Prophet and Ro are chasing dreams faintly whispered on the wind that sweeps the dusty Texas plain, where ranching is brutal work and change is on the horizon. Set at the end of the Cowboy Golden Age, Last Drive to Dodge examines race, love, and legacy in a time when everyone is scrambling for their piece of the American Dream.
A world premiere, produced in partnership with The Hansberry Project. Written by Andrew Lee Creech. Directed by Valerie Curtis-Newton.
Previews 9/20-21, opening 9/22. Pay-what-you-choose rush tickets available for 9/27 performance.
Tickets ($28-$59) here.
Prophet and Ro are chasing dreams faintly whispered on the wind that sweeps the dusty Texas plain, where ranching is brutal work and change is on the horizon. Set at the end of the Cowboy Golden Age, Last Drive to Dodge examines race, love, and legacy in a time when everyone is scrambling for their piece of the American Dream.
A world premiere, produced in partnership with The Hansberry Project. Written by Andrew Lee Creech. Directed by Valerie Curtis-Newton.
Previews 9/20-21, opening 9/22. Pay-what-you-choose rush tickets available for 9/27 performance.
Tickets ($28-$59) here.
Prophet and Ro are chasing dreams faintly whispered on the wind that sweeps the dusty Texas plain, where ranching is brutal work and change is on the horizon. Set at the end of the Cowboy Golden Age, Last Drive to Dodge examines race, love, and legacy in a time when everyone is scrambling for their piece of the American Dream.
A world premiere, produced in partnership with The Hansberry Project. Written by Andrew Lee Creech. Directed by Valerie Curtis-Newton.
Previews 9/20-21, opening 9/22. Pay-what-you-choose rush tickets available for 9/27 performance.
Tickets ($28-$59) here.
Prophet and Ro are chasing dreams faintly whispered on the wind that sweeps the dusty Texas plain, where ranching is brutal work and change is on the horizon. Set at the end of the Cowboy Golden Age, Last Drive to Dodge examines race, love, and legacy in a time when everyone is scrambling for their piece of the American Dream.
A world premiere, produced in partnership with The Hansberry Project. Written by Andrew Lee Creech. Directed by Valerie Curtis-Newton.
Previews 9/20-21, opening 9/22. Pay-what-you-choose rush tickets available for 9/27 performance.
Tickets ($28-$59) here.
Prophet and Ro are chasing dreams faintly whispered on the wind that sweeps the dusty Texas plain, where ranching is brutal work and change is on the horizon. Set at the end of the Cowboy Golden Age, Last Drive to Dodge examines race, love, and legacy in a time when everyone is scrambling for their piece of the American Dream.
A world premiere, produced in partnership with The Hansberry Project. Written by Andrew Lee Creech. Directed by Valerie Curtis-Newton.
Previews 9/20-21, opening 9/22. Pay-what-you-choose rush tickets available for 9/27 performance.
Tickets ($28-$59) here.
Prophet and Ro are chasing dreams faintly whispered on the wind that sweeps the dusty Texas plain, where ranching is brutal work and change is on the horizon. Set at the end of the Cowboy Golden Age, Last Drive to Dodge examines race, love, and legacy in a time when everyone is scrambling for their piece of the American Dream.
A world premiere, produced in partnership with The Hansberry Project. Written by Andrew Lee Creech. Directed by Valerie Curtis-Newton.
Previews 9/20-21, opening 9/22. Pay-what-you-choose rush tickets available for 9/27 performance.
Tickets ($28-$59) here.
Prophet and Ro are chasing dreams faintly whispered on the wind that sweeps the dusty Texas plain, where ranching is brutal work and change is on the horizon. Set at the end of the Cowboy Golden Age, Last Drive to Dodge examines race, love, and legacy in a time when everyone is scrambling for their piece of the American Dream.
A world premiere, produced in partnership with The Hansberry Project. Written by Andrew Lee Creech. Directed by Valerie Curtis-Newton.
Previews 9/20-21, opening 9/22. Pay-what-you-choose rush tickets available for 9/27 performance.
Tickets ($28-$59) here.