Looking for what’s happening around town? We’ve got you covered — with theatre, dance, and more.
We try hard to provide updated information, but these showtimes are not official. Please confirm dates/times with the individual theatres via their ticketing pages.
Use Categories or Tags to filter. Click the calendar (MONTH YEAR) to look at one date.
Hosting a show you don’t see listed? Send details, link, and production or rehearsal/promo photos to nwtheatre.org at gmail.com for consideration. Listings are currently limited to theatre, dance, and select comedy/variety shows at theatre companies in King, Pierce, Snohomish, and Thurston counties, with some expansion into Kitsap and up the peninsula.
Set during America’s surge of Utopian communities, the play wrestles with belief and doubt in a swiftly changing world. As the young women in the community claim new spiritual gifts, Sister Hannah and the other elders must judge whether these gifts are real or rebellion. Written by Arlene Hutton, directed by Marianne Savell.
Previews 3/22-23, opening 3/24.
Pay-what-you-choose performance on 3/29; see info here.
Tickets ($28-$59) here.
The Comedy Nest is an inclusive comedy open mic with a focus on encouraging female and female-friendly comedians. Half of the open mic spots will be reserved for self-identifying women.
The Comedy Nest isn’t only an open mic show, it is also a place where you will get to see up and coming comics working on their longer sets. The night closes out with a featured comic doing a longer set. Come out, laugh, and support Seattle’s amazing stand up scene. Two hours of laughter for only 5 bucks, every Tuesday night.
Haven’t tried stand-up comedy before? Itching to get on stage? The Comedy Nest is a supportive, safe, heckle-free environment (except for special heckle training nights) where you can try new and innovative material. It’ll be intimate and cozy. Just bring three minutes of material, sign up the Sunday before the show (sign ups open at noon) by emailing comedynestseattle at gmail.com.
Location: The Grotto, in the Rendezvous basement (2322 2nd Ave)
Age 21+
Admission $5 (at the door); show info here.
The color yellow. Sunsets. Things with stripes. Wearing a cape. Ice cream! There are a million brilliant things. Can you name them all?
The hit play and international sensation Every Brilliant Thing by Duncan Macmillan with Jonny Donahoe is a one-of-a-kind storytelling experience blending comedy, improv, and audience interaction to tell the story of an adult growing up in the shadow of mental illness and learning to grapple with their own experiences of love, loss, and a finding a new way forward, one brilliant thing at a time.
Previews 3/17-22, opens 3/23
Tickets here.
Limited number of PWYC tickets offered for each performance. $20 rush (if tickets remain) available for all performances. See info here.
By William Shakespeare
Adapted by Lamar Legend
Directed by S Franco
King Henry IV’s reign has been rife with conflict from the very beginning, which is not surprising given that he usurped the throne from Richard II. Now, even friends have become enemies as conflict between the King and his former supporters grows. To make matters worse, the King’s son seems disinclined to rule, frequenting the taverns and brothels of London with his friend Sir John Falstaff. Family drama and political intrigue intertwine to make way for a new ruler, and as unrest grows and conflict bubbles, England dares to ask: who has the right to wear the crown?An all-BIPOC company gathers for this epic tale of a polarized nation, a combined adaptation of both parts of Henry IV in a follow up to Drum and Colours from winter 2022.
Furthering the work of previous projects like the Shakespeare Equity Engagement program (SEE) and the Holding Space project, Drum and Colours aims to meet the community’s needs with an all-BIPOC company with 360-degree representation, including actors, directors, and production team. It explores BIPOC company members’ personal connections to the classics and sheds new light on familiar works. SSC believes that art that is open — to adaptation, interpretation, and the recognition of the wonderful vastness of the human experience — is stronger and more long-lasting than art which ignores that complexity.
Previews 3/14-16, opens 3/17
Tickets ($45-$62, depending on day) here.
$10 rush tickets (if tickets remain) available for all performances; see Groundling tickets info here.
Havana Hop is a children’s tale of culture and confidence. Young Yeila dreams of being a superstar but her lack of confidence gives her awful stage fright. With advice from her mother and mentors, Yeila begins her journey to find her roots, get confidence and be amazing. Travel with Yeila who visits her grandmother in Cuba to add a salsa flavor to her own hip-hop style. The audience gets to dance along in this dynamic participation play where one actress creates three generations of lively women. Journey with Yeila as she discovers the fun of her multi-cultural heritage.
Run time (estimated): 60 minutes
Financially accessible ticketing options may be available; see info here.
Tickets ($35-$60, depending on date and seat location) here.
Set during America’s surge of Utopian communities, the play wrestles with belief and doubt in a swiftly changing world. As the young women in the community claim new spiritual gifts, Sister Hannah and the other elders must judge whether these gifts are real or rebellion. Written by Arlene Hutton, directed by Marianne Savell.
Pay-what-you-choose performance on 3/29. Tickets available same-day; see info here.
Show info here.
The color yellow. Sunsets. Things with stripes. Wearing a cape. Ice cream! There are a million brilliant things. Can you name them all?
The hit play and international sensation Every Brilliant Thing by Duncan Macmillan with Jonny Donahoe is a one-of-a-kind storytelling experience blending comedy, improv, and audience interaction to tell the story of an adult growing up in the shadow of mental illness and learning to grapple with their own experiences of love, loss, and a finding a new way forward, one brilliant thing at a time.
Previews 3/17-22, opens 3/23
Tickets here.
Limited number of PWYC tickets offered for each performance. $20 rush (if tickets remain) available for all performances. See info here.
Duo Comedy Showcase is Seattle’s only public open-mic for improv. Two-person teams doing what they do best: creating spontaneous scenes on the fly that are so hilarious, quick-witted, and perfectly constructed, it’s hard to believe they are made up on the spot. At Duos, newer improvisers have an opportunity to improve while professional improvisers practice and try new things. Who knows, you might even want to join them. Every Wednesday.
Location: Unexpected Productions, at the Gum Wall in the Market
Tickets ($11) here.
The color yellow. Sunsets. Things with stripes. Wearing a cape. Ice cream! There are a million brilliant things. Can you name them all?
The hit play and international sensation Every Brilliant Thing by Duncan Macmillan with Jonny Donahoe is a one-of-a-kind storytelling experience blending comedy, improv, and audience interaction to tell the story of an adult growing up in the shadow of mental illness and learning to grapple with their own experiences of love, loss, and a finding a new way forward, one brilliant thing at a time.
Previews 3/17-22, opens 3/23
Tickets here.
Limited number of PWYC tickets offered for each performance. $20 rush (if tickets remain) available for all performances. See info here.
Depart from the confines of normalcy and escape into psychedelic nocturnal revelry. Noir is a risqué revue featuring Can Can’s most mischievous provocateurs in a night of indulgent dining paired with world-class entertainment. With Jonathan Betchtel, Shadou Mintrone, Jasmine Jean Sim, Sasha Voyt, Travis Guerin, and Rey Rodriguez.
A music and dance odyssey set to Pink & Pezzner’s entrancing soundscape and adorned by the backdrop of an elaborate visual landscape, this onstage live cinematic experience is unrivaled.
Note new location (enter mid-block on Pine).
21+ event. View menu here.
Tickets ($83+, depending on day) here.
Reboot Theatre Company, known for its intriguing deep dives and fresh interpretations of theater, brings to life 110 in the Shade, a beautiful exploration of love, hope, and acceptance. From the creators of The Fantasticks, 110 in the Shade is a touching and intimate musical adaptation of the hit play The Rainmaker. Set in a small western town besieged by drought, Lizzie, intelligent and independent, struggles with the societal pressure to do as a “woman” should do. One blistering hot day, Lizzie’s family urges her to marry the recently widowed Sheriff File, while charismatic stranger Starbuck comes to town with promises of being able to make it rain. Immediately suspicious, Lizzie tries to pick apart Starbuck’s story, but realizes a deeper truth about herself along the way. While the source material was written in the 1950’s, director Scot Charles Anderson will take a closer look at the seemingly simplified gender roles in classic Reboot style.
Tickets $5-$50 (sliding scale available for all) here.
Set during America’s surge of Utopian communities, the play wrestles with belief and doubt in a swiftly changing world. As the young women in the community claim new spiritual gifts, Sister Hannah and the other elders must judge whether these gifts are real or rebellion. Written by Arlene Hutton, directed by Marianne Savell.
Previews 3/22-23, opening 3/24.
Pay-what-you-choose performance on 3/29; see info here.
Tickets ($28-$59) here.
By William Shakespeare
Adapted by Lamar Legend
Directed by S Franco
King Henry IV’s reign has been rife with conflict from the very beginning, which is not surprising given that he usurped the throne from Richard II. Now, even friends have become enemies as conflict between the King and his former supporters grows. To make matters worse, the King’s son seems disinclined to rule, frequenting the taverns and brothels of London with his friend Sir John Falstaff. Family drama and political intrigue intertwine to make way for a new ruler, and as unrest grows and conflict bubbles, England dares to ask: who has the right to wear the crown?An all-BIPOC company gathers for this epic tale of a polarized nation, a combined adaptation of both parts of Henry IV in a follow up to Drum and Colours from winter 2022.
Furthering the work of previous projects like the Shakespeare Equity Engagement program (SEE) and the Holding Space project, Drum and Colours aims to meet the community’s needs with an all-BIPOC company with 360-degree representation, including actors, directors, and production team. It explores BIPOC company members’ personal connections to the classics and sheds new light on familiar works. SSC believes that art that is open — to adaptation, interpretation, and the recognition of the wonderful vastness of the human experience — is stronger and more long-lasting than art which ignores that complexity.
Previews 3/14-16, opens 3/17
Tickets ($45-$62, depending on day) here.
$10 rush tickets (if tickets remain) available for all performances; see Groundling tickets info here.
The color yellow. Sunsets. Things with stripes. Wearing a cape. Ice cream! There are a million brilliant things. Can you name them all?
The hit play and international sensation Every Brilliant Thing by Duncan Macmillan with Jonny Donahoe is a one-of-a-kind storytelling experience blending comedy, improv, and audience interaction to tell the story of an adult growing up in the shadow of mental illness and learning to grapple with their own experiences of love, loss, and a finding a new way forward, one brilliant thing at a time.
Previews 3/17-22, opens 3/23
Tickets here.
Limited number of PWYC tickets offered for each performance. $20 rush (if tickets remain) available for all performances. See info here.
After a boating accident, two women wash up on a distant shore. They look for a path home, but discover that this unfamiliar land is not what it seems. Loosely inspired by the myth of Orpheus and Eurydice, Zinnie Harris’ Meet Me at Dawn is a tenderly lyrical and utterly modern fable exploring the mystery of grief and the triumph of everyday love. Featuring Jennifer Faulkner and Jordi Montes.
Live stream option available.
Tickets ($17-$37, sliding scale available to all) here.
Wrongfully imprisoned, Edmee Dantes seeks vengeance on those who have wronged her in this literary burlesque adaptation of Alexandre Dumas’s The Count of Monte Cristo. Adapted by Mx. Pucks A’Plenty and directed and choreographed by Fosse Jack, join us at Theatre Off Jackson on March 30, March 31, and April 1 for an epic quest for justice.
Featuring Noveltease Company Members Onyx Asili, Cheeky Diamondz, Scarlett Folds, Lulu La Lune, Al Lykya, Trixie Paprika, Ramona Rhapsody, Miss Elaine Yes, and special guests Carson St. Clair and Ash Midnight.
Tickets ($27 suggested, and pay-what-you-choose offered to all) here.
Augie is the understudy in a major production for one of the most demanding roles in the theatre, King Lear. He may have to go on tonight! His wife, Anna, is ready to help him rehearse. But she has got a secret (or two), and he’s got a problem …
Tickets ($44-$55) here.
Depart from the confines of normalcy and escape into psychedelic nocturnal revelry. Noir is a risqué revue featuring Can Can’s most mischievous provocateurs in a night of indulgent dining paired with world-class entertainment. With Jonathan Betchtel, Shadou Mintrone, Jasmine Jean Sim, Sasha Voyt, Travis Guerin, and Rey Rodriguez.
A music and dance odyssey set to Pink & Pezzner’s entrancing soundscape and adorned by the backdrop of an elaborate visual landscape, this onstage live cinematic experience is unrivaled.
Note new location (enter mid-block on Pine).
21+ event. View menu here.
Tickets ($83+, depending on day) here.
Move yo’ body rhythms reverberate in this beat-filled visual mixtape that blends poetry, dance, media, and music. Equal parts comedy, pain, and retrospection, Paige Hernandez uses the stage to share her own story as a multicultural girl growing up in Baltimore who is desperate to fit in and find her voice. Paige’s journey through hip-hop leads to self-discovery to become a leading artist of this generation. Sibling-duo Paige Hernandez (writer and performer) and Nick tha 1da (musician) in collaboration with Danielle A. Drakes (director) and Bryan Joseph Lee (dramaturg) have developed a unique coming-of-age story that speaks to a dynamic hip-hop-influenced generation.
Run time (estimated): 60 minutes
Financially accessible ticketing options may be available; see info here.
Tickets ($20-$45, depending on date and seat location) here.
Reboot Theatre Company, known for its intriguing deep dives and fresh interpretations of theater, brings to life 110 in the Shade, a beautiful exploration of love, hope, and acceptance. From the creators of The Fantasticks, 110 in the Shade is a touching and intimate musical adaptation of the hit play The Rainmaker. Set in a small western town besieged by drought, Lizzie, intelligent and independent, struggles with the societal pressure to do as a “woman” should do. One blistering hot day, Lizzie’s family urges her to marry the recently widowed Sheriff File, while charismatic stranger Starbuck comes to town with promises of being able to make it rain. Immediately suspicious, Lizzie tries to pick apart Starbuck’s story, but realizes a deeper truth about herself along the way. While the source material was written in the 1950’s, director Scot Charles Anderson will take a closer look at the seemingly simplified gender roles in classic Reboot style.
Tickets $5-$50 (sliding scale available for all) here.
Viola washes up on the shores of the bewildering land of Illyria after losing her twin brother in a shipwreck. But what is Illyria exactly? In Dice Keeper: Twelfth Night’s 18-show run, no two Illyrias are the same — and no two Violas for that matter.
Dacha returns with the next iteration of our most audacious original format: Dice Keeper: Twelfth Night. In the Dice series, a small ensemble of actors memorizes the entire script of a Shakespeare show and the roles are randomized at the start of each performance. This year, we’ve added a brand new wrinkle – the Dice Keeper. The Dice Keeper changes the directorial concept for each performance with no warning to the cast. Has he set the show in the Wild West or has he replaced all the costumes with hospital scrubs?
Dice Keeper: Twelfth Night is a playful send-up of directors with over-imaginative interpretations of Shakespeare, and a love letter to all the actors, designers and audiences who have endured their whims. Most importantly, with each new concept the Dice Keeper is convinced that this is the best way to tell the story of Twelfth Night, and who knows, by the end of the show you may just agree with him. Directed by Mike Lion.
Tickets ($3-$55, pay-what-you-choose available for all) here.
By William Shakespeare
Adapted by Lamar Legend
Directed by S Franco
King Henry IV’s reign has been rife with conflict from the very beginning, which is not surprising given that he usurped the throne from Richard II. Now, even friends have become enemies as conflict between the King and his former supporters grows. To make matters worse, the King’s son seems disinclined to rule, frequenting the taverns and brothels of London with his friend Sir John Falstaff. Family drama and political intrigue intertwine to make way for a new ruler, and as unrest grows and conflict bubbles, England dares to ask: who has the right to wear the crown?An all-BIPOC company gathers for this epic tale of a polarized nation, a combined adaptation of both parts of Henry IV in a follow up to Drum and Colours from winter 2022.
Furthering the work of previous projects like the Shakespeare Equity Engagement program (SEE) and the Holding Space project, Drum and Colours aims to meet the community’s needs with an all-BIPOC company with 360-degree representation, including actors, directors, and production team. It explores BIPOC company members’ personal connections to the classics and sheds new light on familiar works. SSC believes that art that is open — to adaptation, interpretation, and the recognition of the wonderful vastness of the human experience — is stronger and more long-lasting than art which ignores that complexity.
Previews 3/14-16, opens 3/17
Tickets ($45-$62, depending on day) here.
$10 rush tickets (if tickets remain) available for all performances; see Groundling tickets info here.
The color yellow. Sunsets. Things with stripes. Wearing a cape. Ice cream! There are a million brilliant things. Can you name them all?
The hit play and international sensation Every Brilliant Thing by Duncan Macmillan with Jonny Donahoe is a one-of-a-kind storytelling experience blending comedy, improv, and audience interaction to tell the story of an adult growing up in the shadow of mental illness and learning to grapple with their own experiences of love, loss, and a finding a new way forward, one brilliant thing at a time.
Previews 3/17-22, opens 3/23
Tickets here.
Limited number of PWYC tickets offered for each performance. $20 rush (if tickets remain) available for all performances. See info here.
After a boating accident, two women wash up on a distant shore. They look for a path home, but discover that this unfamiliar land is not what it seems. Loosely inspired by the myth of Orpheus and Eurydice, Zinnie Harris’ Meet Me at Dawn is a tenderly lyrical and utterly modern fable exploring the mystery of grief and the triumph of everyday love. Featuring Jennifer Faulkner and Jordi Montes.
Live stream option available.
Tickets ($17-$37, sliding scale available to all) here.
Wrongfully imprisoned, Edmee Dantes seeks vengeance on those who have wronged her in this literary burlesque adaptation of Alexandre Dumas’s The Count of Monte Cristo. Adapted by Mx. Pucks A’Plenty and directed and choreographed by Fosse Jack, join us at Theatre Off Jackson on March 30, March 31, and April 1 for an epic quest for justice.
Featuring Noveltease Company Members Onyx Asili, Cheeky Diamondz, Scarlett Folds, Lulu La Lune, Al Lykya, Trixie Paprika, Ramona Rhapsody, Miss Elaine Yes, and special guests Carson St. Clair and Ash Midnight.
Tickets ($27 suggested, and pay-what-you-choose offered to all) here.
In this world premiere one-act play, Arjun and Rhiannon find themselves in a hotel room in Victoria, BC, excited to start a new chapter in their lives. As we watch them navigate their present moment — with a little help from Doctor Who — we learn about the struggles of their past and the uncertainty of the future that still awaits them. Written by Jim Moran, directed by David Hsieh, and performed by two different sets of actors throughout the run of the show. (See cast dates on ticketing page.)
Location Taproot studio theatre (212 N 85th St)
Tickets ($15-$30, sliding scale for all) here.
Augie is the understudy in a major production for one of the most demanding roles in the theatre, King Lear. He may have to go on tonight! His wife, Anna, is ready to help him rehearse. But she has got a secret (or two), and he’s got a problem …
Tickets ($44-$55) here.
Set during America’s surge of Utopian communities, the play wrestles with belief and doubt in a swiftly changing world. As the young women in the community claim new spiritual gifts, Sister Hannah and the other elders must judge whether these gifts are real or rebellion. Written by Arlene Hutton, directed by Marianne Savell.
Previews 3/22-23, opening 3/24.
Pay-what-you-choose performance on 3/29; see info here.
Tickets ($28-$59) here.
Somewhere Between features FLOCK’s signature partnering, rich and complex movement, and heartfelt storytelling. This new dance show explores myths and childhood stories, unpacking how memory and imagination play into our reality and our definitions of self. Co-choreographers Alice Klock and Florian Lochner are joined by a stunning group of guest artists in a program that offers a vibrantly physical and multilayered look at the possibilities within human connection.
With artists Liane Aung, Kevin Shannon, Robert Rubama, Emily Krenik
Tickets ($36) here.
Theatresports at Unexpected Productions is Seattle’s popular weekly, high-stakes, competitive improv comedy show. Based on audience suggestions, two teams of incredible improvisers rumble, creating exciting fast-paced improv games, hilarious stories, scenes, and songs right on the spot and in the moment. Boo the judges as they award points to each team. At the end of the night, one team is declared a winner, the audience member with the suggestion walks out with a prize. Every Friday and Saturday.
Location: Unexpected Productions, at the Gum Wall in the Market
Tickets ($16) here.
Depart from the confines of normalcy and escape into psychedelic nocturnal revelry. Noir is a risqué revue featuring Can Can’s most mischievous provocateurs in a night of indulgent dining paired with world-class entertainment. With Jonathan Betchtel, Shadou Mintrone, Jasmine Jean Sim, Sasha Voyt, Travis Guerin, and Rey Rodriguez.
A music and dance odyssey set to Pink & Pezzner’s entrancing soundscape and adorned by the backdrop of an elaborate visual landscape, this onstage live cinematic experience is unrivaled.
Note new location (enter mid-block on Pine).
21+ event. View menu here.
Tickets ($83+, depending on day) here.
Havana Hop is a children’s tale of culture and confidence. Young Yeila dreams of being a superstar but her lack of confidence gives her awful stage fright. With advice from her mother and mentors, Yeila begins her journey to find her roots, get confidence and be amazing. Travel with Yeila who visits her grandmother in Cuba to add a salsa flavor to her own hip-hop style. The audience gets to dance along in this dynamic participation play where one actress creates three generations of lively women. Journey with Yeila as she discovers the fun of her multi-cultural heritage.
This performance listed as ASL interpreted and audio described — as always, please confirm date and best seating location with the theatre. See accessibility info here.
Run time (estimated): 60 minutes
Financially accessible ticketing options may be available; see info here.
Tickets ($35-$60, depending on date and seat location) here.
Set during America’s surge of Utopian communities, the play wrestles with belief and doubt in a swiftly changing world. As the young women in the community claim new spiritual gifts, Sister Hannah and the other elders must judge whether these gifts are real or rebellion. Written by Arlene Hutton, directed by Marianne Savell.
Previews 3/22-23, opening 3/24.
Pay-what-you-choose performance on 3/29; see info here.
Tickets ($28-$59) here.
By William Shakespeare
Adapted by Lamar Legend
Directed by S Franco
King Henry IV’s reign has been rife with conflict from the very beginning, which is not surprising given that he usurped the throne from Richard II. Now, even friends have become enemies as conflict between the King and his former supporters grows. To make matters worse, the King’s son seems disinclined to rule, frequenting the taverns and brothels of London with his friend Sir John Falstaff. Family drama and political intrigue intertwine to make way for a new ruler, and as unrest grows and conflict bubbles, England dares to ask: who has the right to wear the crown?An all-BIPOC company gathers for this epic tale of a polarized nation, a combined adaptation of both parts of Henry IV in a follow up to Drum and Colours from winter 2022.
Furthering the work of previous projects like the Shakespeare Equity Engagement program (SEE) and the Holding Space project, Drum and Colours aims to meet the community’s needs with an all-BIPOC company with 360-degree representation, including actors, directors, and production team. It explores BIPOC company members’ personal connections to the classics and sheds new light on familiar works. SSC believes that art that is open — to adaptation, interpretation, and the recognition of the wonderful vastness of the human experience — is stronger and more long-lasting than art which ignores that complexity.
Previews 3/14-16, opens 3/17
Tickets ($45-$62, depending on day) here.
$10 rush tickets (if tickets remain) available for all performances; see Groundling tickets info here.
The color yellow. Sunsets. Things with stripes. Wearing a cape. Ice cream! There are a million brilliant things. Can you name them all?
The hit play and international sensation Every Brilliant Thing by Duncan Macmillan with Jonny Donahoe is a one-of-a-kind storytelling experience blending comedy, improv, and audience interaction to tell the story of an adult growing up in the shadow of mental illness and learning to grapple with their own experiences of love, loss, and a finding a new way forward, one brilliant thing at a time.
Previews 3/17-22, opens 3/23
Tickets here.
Limited number of PWYC tickets offered for each performance. $20 rush (if tickets remain) available for all performances. See info here.
In this world premiere one-act play, Arjun and Rhiannon find themselves in a hotel room in Victoria, BC, excited to start a new chapter in their lives. As we watch them navigate their present moment — with a little help from Doctor Who — we learn about the struggles of their past and the uncertainty of the future that still awaits them. Written by Jim Moran, directed by David Hsieh, and performed by two different sets of actors throughout the run of the show. (See cast dates on ticketing page.)
Location Taproot studio theatre (212 N 85th St)
Tickets ($15-$30, sliding scale for all) here.
Move yo’ body rhythms reverberate in this beat-filled visual mixtape that blends poetry, dance, media, and music. Equal parts comedy, pain, and retrospection, Paige Hernandez uses the stage to share her own story as a multicultural girl growing up in Baltimore who is desperate to fit in and find her voice. Paige’s journey through hip-hop leads to self-discovery to become a leading artist of this generation. Sibling-duo Paige Hernandez (writer and performer) and Nick tha 1da (musician) in collaboration with Danielle A. Drakes (director) and Bryan Joseph Lee (dramaturg) have developed a unique coming-of-age story that speaks to a dynamic hip-hop-influenced generation.
This performance listed as ASL interpreted and audio described — as always, please confirm date and best seating location with the theatre. See accessibility info here.
Run time (estimated): 60 minutes
Financially accessible ticketing options may be available; see info here.
Tickets ($20-$45, depending on date and seat location) here.
Depart from the confines of normalcy and escape into psychedelic nocturnal revelry. Noir is a risqué revue featuring Can Can’s most mischievous provocateurs in a night of indulgent dining paired with world-class entertainment. With Jonathan Betchtel, Shadou Mintrone, Jasmine Jean Sim, Sasha Voyt, Travis Guerin, and Rey Rodriguez.
A music and dance odyssey set to Pink & Pezzner’s entrancing soundscape and adorned by the backdrop of an elaborate visual landscape, this onstage live cinematic experience is unrivaled.
Note new location (enter mid-block on Pine).
21+ event. View menu here.
Tickets ($83+, depending on day) here.
Reboot Theatre Company, known for its intriguing deep dives and fresh interpretations of theater, brings to life 110 in the Shade, a beautiful exploration of love, hope, and acceptance. From the creators of The Fantasticks, 110 in the Shade is a touching and intimate musical adaptation of the hit play The Rainmaker. Set in a small western town besieged by drought, Lizzie, intelligent and independent, struggles with the societal pressure to do as a “woman” should do. One blistering hot day, Lizzie’s family urges her to marry the recently widowed Sheriff File, while charismatic stranger Starbuck comes to town with promises of being able to make it rain. Immediately suspicious, Lizzie tries to pick apart Starbuck’s story, but realizes a deeper truth about herself along the way. While the source material was written in the 1950’s, director Scot Charles Anderson will take a closer look at the seemingly simplified gender roles in classic Reboot style.
Tickets $5-$50 (sliding scale available for all) here.
Viola washes up on the shores of the bewildering land of Illyria after losing her twin brother in a shipwreck. But what is Illyria exactly? In Dice Keeper: Twelfth Night’s 18-show run, no two Illyrias are the same — and no two Violas for that matter.
Dacha returns with the next iteration of our most audacious original format: Dice Keeper: Twelfth Night. In the Dice series, a small ensemble of actors memorizes the entire script of a Shakespeare show and the roles are randomized at the start of each performance. This year, we’ve added a brand new wrinkle – the Dice Keeper. The Dice Keeper changes the directorial concept for each performance with no warning to the cast. Has he set the show in the Wild West or has he replaced all the costumes with hospital scrubs?
Dice Keeper: Twelfth Night is a playful send-up of directors with over-imaginative interpretations of Shakespeare, and a love letter to all the actors, designers and audiences who have endured their whims. Most importantly, with each new concept the Dice Keeper is convinced that this is the best way to tell the story of Twelfth Night, and who knows, by the end of the show you may just agree with him. Directed by Mike Lion.
Tickets ($3-$55, pay-what-you-choose available for all) here.
By William Shakespeare
Adapted by Lamar Legend
Directed by S Franco
King Henry IV’s reign has been rife with conflict from the very beginning, which is not surprising given that he usurped the throne from Richard II. Now, even friends have become enemies as conflict between the King and his former supporters grows. To make matters worse, the King’s son seems disinclined to rule, frequenting the taverns and brothels of London with his friend Sir John Falstaff. Family drama and political intrigue intertwine to make way for a new ruler, and as unrest grows and conflict bubbles, England dares to ask: who has the right to wear the crown?An all-BIPOC company gathers for this epic tale of a polarized nation, a combined adaptation of both parts of Henry IV in a follow up to Drum and Colours from winter 2022.
Furthering the work of previous projects like the Shakespeare Equity Engagement program (SEE) and the Holding Space project, Drum and Colours aims to meet the community’s needs with an all-BIPOC company with 360-degree representation, including actors, directors, and production team. It explores BIPOC company members’ personal connections to the classics and sheds new light on familiar works. SSC believes that art that is open — to adaptation, interpretation, and the recognition of the wonderful vastness of the human experience — is stronger and more long-lasting than art which ignores that complexity.
Previews 3/14-16, opens 3/17
Tickets ($45-$62, depending on day) here.
$10 rush tickets (if tickets remain) available for all performances; see Groundling tickets info here.
The color yellow. Sunsets. Things with stripes. Wearing a cape. Ice cream! There are a million brilliant things. Can you name them all?
The hit play and international sensation Every Brilliant Thing by Duncan Macmillan with Jonny Donahoe is a one-of-a-kind storytelling experience blending comedy, improv, and audience interaction to tell the story of an adult growing up in the shadow of mental illness and learning to grapple with their own experiences of love, loss, and a finding a new way forward, one brilliant thing at a time.
Previews 3/17-22, opens 3/23
Tickets here.
Limited number of PWYC tickets offered for each performance. $20 rush (if tickets remain) available for all performances. See info here.
After a boating accident, two women wash up on a distant shore. They look for a path home, but discover that this unfamiliar land is not what it seems. Loosely inspired by the myth of Orpheus and Eurydice, Zinnie Harris’ Meet Me at Dawn is a tenderly lyrical and utterly modern fable exploring the mystery of grief and the triumph of everyday love. Featuring Jennifer Faulkner and Jordi Montes.
Live stream option available.
Tickets ($17-$37, sliding scale available to all) here.
Wrongfully imprisoned, Edmee Dantes seeks vengeance on those who have wronged her in this literary burlesque adaptation of Alexandre Dumas’s The Count of Monte Cristo. Adapted by Mx. Pucks A’Plenty and directed and choreographed by Fosse Jack, join us at Theatre Off Jackson on March 30, March 31, and April 1 for an epic quest for justice.
Featuring Noveltease Company Members Onyx Asili, Cheeky Diamondz, Scarlett Folds, Lulu La Lune, Al Lykya, Trixie Paprika, Ramona Rhapsody, Miss Elaine Yes, and special guests Carson St. Clair and Ash Midnight.
Tickets ($27 suggested, and pay-what-you-choose offered to all) here.
In this world premiere one-act play, Arjun and Rhiannon find themselves in a hotel room in Victoria, BC, excited to start a new chapter in their lives. As we watch them navigate their present moment — with a little help from Doctor Who — we learn about the struggles of their past and the uncertainty of the future that still awaits them. Written by Jim Moran, directed by David Hsieh, and performed by two different sets of actors throughout the run of the show. (See cast dates on ticketing page.)
Location Taproot studio theatre (212 N 85th St)
Tickets ($15-$30, sliding scale for all) here.
Augie is the understudy in a major production for one of the most demanding roles in the theatre, King Lear. He may have to go on tonight! His wife, Anna, is ready to help him rehearse. But she has got a secret (or two), and he’s got a problem …
Tickets ($44-$55) here.
Set during America’s surge of Utopian communities, the play wrestles with belief and doubt in a swiftly changing world. As the young women in the community claim new spiritual gifts, Sister Hannah and the other elders must judge whether these gifts are real or rebellion. Written by Arlene Hutton, directed by Marianne Savell.
Previews 3/22-23, opening 3/24.
Pay-what-you-choose performance on 3/29; see info here.
Tickets ($28-$59) here.
Somewhere Between features FLOCK’s signature partnering, rich and complex movement, and heartfelt storytelling. This new dance show explores myths and childhood stories, unpacking how memory and imagination play into our reality and our definitions of self. Co-choreographers Alice Klock and Florian Lochner are joined by a stunning group of guest artists in a program that offers a vibrantly physical and multilayered look at the possibilities within human connection.
With artists Liane Aung, Kevin Shannon, Robert Rubama, Emily Krenik
Tickets ($36) here.
The West Coast premiere of The Motherboard Suite brings to life a suite of music by musician, poet, actor Saul Williams. Directed by Bill T. Jones, this non-linear work is performed by Saul and his musical collaborators, and features seven choreographers — Maria Bauman, Kayla Farrish, Marjani Forté-Saunders, d. Sabela grimes, Jasmine Hearn, Shamel Pitts | TRIBE, and Seattle choreographer Jade Solomon Curtis. Each choreographer is invited into the world of Williams’ exploration at the intersection of technology and race, exploitation and mystical anarchy, where hackers are artists and activists.
Following the performance, join us for a conversation from the Meany stage, moderated by artist, curator and writer Berette S Macaulay, with Saul Williams and Bill T. Jones.
Tickets ($34) here.
Depart from the confines of normalcy and escape into psychedelic nocturnal revelry. Noir is a risqué revue featuring Can Can’s most mischievous provocateurs in a night of indulgent dining paired with world-class entertainment. With Jonathan Betchtel, Shadou Mintrone, Jasmine Jean Sim, Sasha Voyt, Travis Guerin, and Rey Rodriguez.
A music and dance odyssey set to Pink & Pezzner’s entrancing soundscape and adorned by the backdrop of an elaborate visual landscape, this onstage live cinematic experience is unrivaled.
Note new location (enter mid-block on Pine).
21+ event. View menu here.
Tickets ($83+, depending on day) here.
Havana Hop is a children’s tale of culture and confidence. Young Yeila dreams of being a superstar but her lack of confidence gives her awful stage fright. With advice from her mother and mentors, Yeila begins her journey to find her roots, get confidence and be amazing. Travel with Yeila who visits her grandmother in Cuba to add a salsa flavor to her own hip-hop style. The audience gets to dance along in this dynamic participation play where one actress creates three generations of lively women. Journey with Yeila as she discovers the fun of her multi-cultural heritage.
This performance listed as sensory friendly — as always, please confirm date and additional information with the theatre. See accessibility info here.
Run time (estimated): 60 minutes
Financially accessible ticketing options may be available; see info here.
Tickets ($35-$60, depending on date and seat location) here.
Reboot Theatre Company, known for its intriguing deep dives and fresh interpretations of theater, brings to life 110 in the Shade, a beautiful exploration of love, hope, and acceptance. From the creators of The Fantasticks, 110 in the Shade is a touching and intimate musical adaptation of the hit play The Rainmaker. Set in a small western town besieged by drought, Lizzie, intelligent and independent, struggles with the societal pressure to do as a “woman” should do. One blistering hot day, Lizzie’s family urges her to marry the recently widowed Sheriff File, while charismatic stranger Starbuck comes to town with promises of being able to make it rain. Immediately suspicious, Lizzie tries to pick apart Starbuck’s story, but realizes a deeper truth about herself along the way. While the source material was written in the 1950’s, director Scot Charles Anderson will take a closer look at the seemingly simplified gender roles in classic Reboot style.
Tickets $5-$50 (sliding scale available for all) here.
Viola washes up on the shores of the bewildering land of Illyria after losing her twin brother in a shipwreck. But what is Illyria exactly? In Dice Keeper: Twelfth Night’s 18-show run, no two Illyrias are the same — and no two Violas for that matter.
Dacha returns with the next iteration of our most audacious original format: Dice Keeper: Twelfth Night. In the Dice series, a small ensemble of actors memorizes the entire script of a Shakespeare show and the roles are randomized at the start of each performance. This year, we’ve added a brand new wrinkle – the Dice Keeper. The Dice Keeper changes the directorial concept for each performance with no warning to the cast. Has he set the show in the Wild West or has he replaced all the costumes with hospital scrubs?
Dice Keeper: Twelfth Night is a playful send-up of directors with over-imaginative interpretations of Shakespeare, and a love letter to all the actors, designers and audiences who have endured their whims. Most importantly, with each new concept the Dice Keeper is convinced that this is the best way to tell the story of Twelfth Night, and who knows, by the end of the show you may just agree with him. Directed by Mike Lion.
Tickets ($3-$55, pay-what-you-choose available for all) here.
By William Shakespeare
Adapted by Lamar Legend
Directed by S Franco
King Henry IV’s reign has been rife with conflict from the very beginning, which is not surprising given that he usurped the throne from Richard II. Now, even friends have become enemies as conflict between the King and his former supporters grows. To make matters worse, the King’s son seems disinclined to rule, frequenting the taverns and brothels of London with his friend Sir John Falstaff. Family drama and political intrigue intertwine to make way for a new ruler, and as unrest grows and conflict bubbles, England dares to ask: who has the right to wear the crown?An all-BIPOC company gathers for this epic tale of a polarized nation, a combined adaptation of both parts of Henry IV in a follow up to Drum and Colours from winter 2022.
Furthering the work of previous projects like the Shakespeare Equity Engagement program (SEE) and the Holding Space project, Drum and Colours aims to meet the community’s needs with an all-BIPOC company with 360-degree representation, including actors, directors, and production team. It explores BIPOC company members’ personal connections to the classics and sheds new light on familiar works. SSC believes that art that is open — to adaptation, interpretation, and the recognition of the wonderful vastness of the human experience — is stronger and more long-lasting than art which ignores that complexity.
Previews 3/14-16, opens 3/17
Tickets ($45-$62, depending on day) here.
$10 rush tickets (if tickets remain) available for all performances; see Groundling tickets info here.
The color yellow. Sunsets. Things with stripes. Wearing a cape. Ice cream! There are a million brilliant things. Can you name them all?
The hit play and international sensation Every Brilliant Thing by Duncan Macmillan with Jonny Donahoe is a one-of-a-kind storytelling experience blending comedy, improv, and audience interaction to tell the story of an adult growing up in the shadow of mental illness and learning to grapple with their own experiences of love, loss, and a finding a new way forward, one brilliant thing at a time.
Previews 3/17-22, opens 3/23
Tickets here.
Limited number of PWYC tickets offered for each performance. $20 rush (if tickets remain) available for all performances. See info here.
In this world premiere one-act play, Arjun and Rhiannon find themselves in a hotel room in Victoria, BC, excited to start a new chapter in their lives. As we watch them navigate their present moment — with a little help from Doctor Who — we learn about the struggles of their past and the uncertainty of the future that still awaits them. Written by Jim Moran, directed by David Hsieh, and performed by two different sets of actors throughout the run of the show. (See cast dates on ticketing page.)
Location Taproot studio theatre (212 N 85th St)
Tickets ($15-$30, sliding scale for all) here.
Augie is the understudy in a major production for one of the most demanding roles in the theatre, King Lear. He may have to go on tonight! His wife, Anna, is ready to help him rehearse. But she has got a secret (or two), and he’s got a problem …
Tickets ($44-$55) here.
After a boating accident, two women wash up on a distant shore. They look for a path home, but discover that this unfamiliar land is not what it seems. Loosely inspired by the myth of Orpheus and Eurydice, Zinnie Harris’ Meet Me at Dawn is a tenderly lyrical and utterly modern fable exploring the mystery of grief and the triumph of everyday love. Featuring Jennifer Faulkner and Jordi Montes.
Live stream option available.
Tickets ($17-$37, sliding scale available to all) here.
Move yo’ body rhythms reverberate in this beat-filled visual mixtape that blends poetry, dance, media, and music. Equal parts comedy, pain, and retrospection, Paige Hernandez uses the stage to share her own story as a multicultural girl growing up in Baltimore who is desperate to fit in and find her voice. Paige’s journey through hip-hop leads to self-discovery to become a leading artist of this generation. Sibling-duo Paige Hernandez (writer and performer) and Nick tha 1da (musician) in collaboration with Danielle A. Drakes (director) and Bryan Joseph Lee (dramaturg) have developed a unique coming-of-age story that speaks to a dynamic hip-hop-influenced generation.
This performance listed as sensory friendly — as always, please confirm date and additional information with the theatre. See accessibility info here.
Run time (estimated): 60 minutes
Financially accessible ticketing options may be available; see info here.
Tickets ($20-$45, depending on date and seat location) here.
Viola washes up on the shores of the bewildering land of Illyria after losing her twin brother in a shipwreck. But what is Illyria exactly? In Dice Keeper: Twelfth Night’s 18-show run, no two Illyrias are the same — and no two Violas for that matter.
Dacha returns with the next iteration of our most audacious original format: Dice Keeper: Twelfth Night. In the Dice series, a small ensemble of actors memorizes the entire script of a Shakespeare show and the roles are randomized at the start of each performance. This year, we’ve added a brand new wrinkle – the Dice Keeper. The Dice Keeper changes the directorial concept for each performance with no warning to the cast. Has he set the show in the Wild West or has he replaced all the costumes with hospital scrubs?
Dice Keeper: Twelfth Night is a playful send-up of directors with over-imaginative interpretations of Shakespeare, and a love letter to all the actors, designers and audiences who have endured their whims. Most importantly, with each new concept the Dice Keeper is convinced that this is the best way to tell the story of Twelfth Night, and who knows, by the end of the show you may just agree with him. Directed by Mike Lion.
Tickets ($3-$55, pay-what-you-choose available for all) here.
Depart from the confines of normalcy and escape into psychedelic nocturnal revelry. Noir is a risqué revue featuring Can Can’s most mischievous provocateurs in a night of indulgent dining paired with world-class entertainment. With Jonathan Betchtel, Shadou Mintrone, Jasmine Jean Sim, Sasha Voyt, Travis Guerin, and Rey Rodriguez.
A music and dance odyssey set to Pink & Pezzner’s entrancing soundscape and adorned by the backdrop of an elaborate visual landscape, this onstage live cinematic experience is unrivaled.
Note new location (enter mid-block on Pine).
21+ event. View menu here.
Tickets ($83+, depending on day) here.
After a boating accident, two women wash up on a distant shore. They look for a path home, but discover that this unfamiliar land is not what it seems. Loosely inspired by the myth of Orpheus and Eurydice, Zinnie Harris’ Meet Me at Dawn is a tenderly lyrical and utterly modern fable exploring the mystery of grief and the triumph of everyday love. Featuring Jennifer Faulkner and Jordi Montes.
Live stream option available.
Tickets ($17-$37, sliding scale available to all) here.
Join 16-year-old Tracy Turnblad in 1960’s Baltimore as she sets out to dance her way onto TV’s most popular show. Can a girl with big dreams (and even bigger hair) change the world?
Broadway’s Tony Award-winning musical comedy phenomenon is back on tour, featuring the beloved score of hit songs including “Welcome to the 60’s,” “Good Morning Baltimore” and “You Can’t Stop the Beat.” This all-new touring production will reunite Broadway’s award-winning creative team led by director Jack O’Brien and choreographer Jerry Mitchell to bring Hairspray to a new generation of theatre audiences.
Tickets ($57-$180) here.
Set during America’s surge of Utopian communities, the play wrestles with belief and doubt in a swiftly changing world. As the young women in the community claim new spiritual gifts, Sister Hannah and the other elders must judge whether these gifts are real or rebellion. Written by Arlene Hutton, directed by Marianne Savell.
Pay-what-you-choose performance on 3/29; see info here.
Tickets ($28) here.
Set during America’s surge of Utopian communities, the play wrestles with belief and doubt in a swiftly changing world. As the young women in the community claim new spiritual gifts, Sister Hannah and the other elders must judge whether these gifts are real or rebellion. Written by Arlene Hutton, directed by Marianne Savell.
Previews 3/22-23, opening 3/24.
Pay-what-you-choose performance on 3/29; see info here.
Tickets ($28-$59) here.
By William Shakespeare
Adapted by Lamar Legend
Directed by S Franco
King Henry IV’s reign has been rife with conflict from the very beginning, which is not surprising given that he usurped the throne from Richard II. Now, even friends have become enemies as conflict between the King and his former supporters grows. To make matters worse, the King’s son seems disinclined to rule, frequenting the taverns and brothels of London with his friend Sir John Falstaff. Family drama and political intrigue intertwine to make way for a new ruler, and as unrest grows and conflict bubbles, England dares to ask: who has the right to wear the crown?An all-BIPOC company gathers for this epic tale of a polarized nation, a combined adaptation of both parts of Henry IV in a follow up to Drum and Colours from winter 2022.
Furthering the work of previous projects like the Shakespeare Equity Engagement program (SEE) and the Holding Space project, Drum and Colours aims to meet the community’s needs with an all-BIPOC company with 360-degree representation, including actors, directors, and production team. It explores BIPOC company members’ personal connections to the classics and sheds new light on familiar works. SSC believes that art that is open — to adaptation, interpretation, and the recognition of the wonderful vastness of the human experience — is stronger and more long-lasting than art which ignores that complexity.
Previews 3/14-16, opens 3/17
Tickets ($45-$62, depending on day) here.
$10 rush tickets (if tickets remain) available for all performances; see Groundling tickets info here.
Join 16-year-old Tracy Turnblad in 1960’s Baltimore as she sets out to dance her way onto TV’s most popular show. Can a girl with big dreams (and even bigger hair) change the world?
Broadway’s Tony Award-winning musical comedy phenomenon is back on tour, featuring the beloved score of hit songs including “Welcome to the 60’s,” “Good Morning Baltimore” and “You Can’t Stop the Beat.” This all-new touring production will reunite Broadway’s award-winning creative team led by director Jack O’Brien and choreographer Jerry Mitchell to bring Hairspray to a new generation of theatre audiences.
Tickets ($57-$180) here.
Depart from the confines of normalcy and escape into psychedelic nocturnal revelry. Noir is a risqué revue featuring Can Can’s most mischievous provocateurs in a night of indulgent dining paired with world-class entertainment. With Jonathan Betchtel, Shadou Mintrone, Jasmine Jean Sim, Sasha Voyt, Travis Guerin, and Rey Rodriguez.
A music and dance odyssey set to Pink & Pezzner’s entrancing soundscape and adorned by the backdrop of an elaborate visual landscape, this onstage live cinematic experience is unrivaled.
Note new location (enter mid-block on Pine).
21+ event. View menu here.
Tickets ($83+, depending on day) here.
Reboot Theatre Company, known for its intriguing deep dives and fresh interpretations of theater, brings to life 110 in the Shade, a beautiful exploration of love, hope, and acceptance. From the creators of The Fantasticks, 110 in the Shade is a touching and intimate musical adaptation of the hit play The Rainmaker. Set in a small western town besieged by drought, Lizzie, intelligent and independent, struggles with the societal pressure to do as a “woman” should do. One blistering hot day, Lizzie’s family urges her to marry the recently widowed Sheriff File, while charismatic stranger Starbuck comes to town with promises of being able to make it rain. Immediately suspicious, Lizzie tries to pick apart Starbuck’s story, but realizes a deeper truth about herself along the way. While the source material was written in the 1950’s, director Scot Charles Anderson will take a closer look at the seemingly simplified gender roles in classic Reboot style.
Tickets $5-$50 (sliding scale available for all) here.
Set during America’s surge of Utopian communities, the play wrestles with belief and doubt in a swiftly changing world. As the young women in the community claim new spiritual gifts, Sister Hannah and the other elders must judge whether these gifts are real or rebellion. Written by Arlene Hutton, directed by Marianne Savell.
Previews 3/22-23, opening 3/24.
Pay-what-you-choose performance on 3/29; see info here.
Tickets ($28-$59) here.
By William Shakespeare
Adapted by Lamar Legend
Directed by S Franco
King Henry IV’s reign has been rife with conflict from the very beginning, which is not surprising given that he usurped the throne from Richard II. Now, even friends have become enemies as conflict between the King and his former supporters grows. To make matters worse, the King’s son seems disinclined to rule, frequenting the taverns and brothels of London with his friend Sir John Falstaff. Family drama and political intrigue intertwine to make way for a new ruler, and as unrest grows and conflict bubbles, England dares to ask: who has the right to wear the crown?An all-BIPOC company gathers for this epic tale of a polarized nation, a combined adaptation of both parts of Henry IV in a follow up to Drum and Colours from winter 2022.
Furthering the work of previous projects like the Shakespeare Equity Engagement program (SEE) and the Holding Space project, Drum and Colours aims to meet the community’s needs with an all-BIPOC company with 360-degree representation, including actors, directors, and production team. It explores BIPOC company members’ personal connections to the classics and sheds new light on familiar works. SSC believes that art that is open — to adaptation, interpretation, and the recognition of the wonderful vastness of the human experience — is stronger and more long-lasting than art which ignores that complexity.
Previews 3/14-16, opens 3/17
Tickets ($45-$62, depending on day) here.
$10 rush tickets (if tickets remain) available for all performances; see Groundling tickets info here.
Join 16-year-old Tracy Turnblad in 1960’s Baltimore as she sets out to dance her way onto TV’s most popular show. Can a girl with big dreams (and even bigger hair) change the world?
Broadway’s Tony Award-winning musical comedy phenomenon is back on tour, featuring the beloved score of hit songs including “Welcome to the 60’s,” “Good Morning Baltimore” and “You Can’t Stop the Beat.” This all-new touring production will reunite Broadway’s award-winning creative team led by director Jack O’Brien and choreographer Jerry Mitchell to bring Hairspray to a new generation of theatre audiences.
Tickets ($57-$180) here.
After a boating accident, two women wash up on a distant shore. They look for a path home, but discover that this unfamiliar land is not what it seems. Loosely inspired by the myth of Orpheus and Eurydice, Zinnie Harris’ Meet Me at Dawn is a tenderly lyrical and utterly modern fable exploring the mystery of grief and the triumph of everyday love. Featuring Jennifer Faulkner and Jordi Montes.
Live stream option available.
Tickets ($17-$37, sliding scale available to all) here.
In this world premiere one-act play, Arjun and Rhiannon find themselves in a hotel room in Victoria, BC, excited to start a new chapter in their lives. As we watch them navigate their present moment — with a little help from Doctor Who — we learn about the struggles of their past and the uncertainty of the future that still awaits them. Written by Jim Moran, directed by David Hsieh, and performed by two different sets of actors throughout the run of the show. (See cast dates on ticketing page.)
Location Taproot studio theatre (212 N 85th St)
Tickets ($15-$30, sliding scale for all) here.
Augie is the understudy in a major production for one of the most demanding roles in the theatre, King Lear. He may have to go on tonight! His wife, Anna, is ready to help him rehearse. But she has got a secret (or two), and he’s got a problem …
Tickets ($44-$55) here.
Depart from the confines of normalcy and escape into psychedelic nocturnal revelry. Noir is a risqué revue featuring Can Can’s most mischievous provocateurs in a night of indulgent dining paired with world-class entertainment. With Jonathan Betchtel, Shadou Mintrone, Jasmine Jean Sim, Sasha Voyt, Travis Guerin, and Rey Rodriguez.
A music and dance odyssey set to Pink & Pezzner’s entrancing soundscape and adorned by the backdrop of an elaborate visual landscape, this onstage live cinematic experience is unrivaled.
Note new location (enter mid-block on Pine).
21+ event. View menu here.
Tickets ($83+, depending on day) here.
Reboot Theatre Company, known for its intriguing deep dives and fresh interpretations of theater, brings to life 110 in the Shade, a beautiful exploration of love, hope, and acceptance. From the creators of The Fantasticks, 110 in the Shade is a touching and intimate musical adaptation of the hit play The Rainmaker. Set in a small western town besieged by drought, Lizzie, intelligent and independent, struggles with the societal pressure to do as a “woman” should do. One blistering hot day, Lizzie’s family urges her to marry the recently widowed Sheriff File, while charismatic stranger Starbuck comes to town with promises of being able to make it rain. Immediately suspicious, Lizzie tries to pick apart Starbuck’s story, but realizes a deeper truth about herself along the way. While the source material was written in the 1950’s, director Scot Charles Anderson will take a closer look at the seemingly simplified gender roles in classic Reboot style.
Tickets $5-$50 (sliding scale available for all) here.
Viola washes up on the shores of the bewildering land of Illyria after losing her twin brother in a shipwreck. But what is Illyria exactly? In Dice Keeper: Twelfth Night’s 18-show run, no two Illyrias are the same — and no two Violas for that matter.
Dacha returns with the next iteration of our most audacious original format: Dice Keeper: Twelfth Night. In the Dice series, a small ensemble of actors memorizes the entire script of a Shakespeare show and the roles are randomized at the start of each performance. This year, we’ve added a brand new wrinkle – the Dice Keeper. The Dice Keeper changes the directorial concept for each performance with no warning to the cast. Has he set the show in the Wild West or has he replaced all the costumes with hospital scrubs?
Dice Keeper: Twelfth Night is a playful send-up of directors with over-imaginative interpretations of Shakespeare, and a love letter to all the actors, designers and audiences who have endured their whims. Most importantly, with each new concept the Dice Keeper is convinced that this is the best way to tell the story of Twelfth Night, and who knows, by the end of the show you may just agree with him. Directed by Mike Lion.
Tickets ($3-$55, pay-what-you-choose available for all) here.
By William Shakespeare
Adapted by Lamar Legend
Directed by S Franco
King Henry IV’s reign has been rife with conflict from the very beginning, which is not surprising given that he usurped the throne from Richard II. Now, even friends have become enemies as conflict between the King and his former supporters grows. To make matters worse, the King’s son seems disinclined to rule, frequenting the taverns and brothels of London with his friend Sir John Falstaff. Family drama and political intrigue intertwine to make way for a new ruler, and as unrest grows and conflict bubbles, England dares to ask: who has the right to wear the crown?An all-BIPOC company gathers for this epic tale of a polarized nation, a combined adaptation of both parts of Henry IV in a follow up to Drum and Colours from winter 2022.
Furthering the work of previous projects like the Shakespeare Equity Engagement program (SEE) and the Holding Space project, Drum and Colours aims to meet the community’s needs with an all-BIPOC company with 360-degree representation, including actors, directors, and production team. It explores BIPOC company members’ personal connections to the classics and sheds new light on familiar works. SSC believes that art that is open — to adaptation, interpretation, and the recognition of the wonderful vastness of the human experience — is stronger and more long-lasting than art which ignores that complexity.
Previews 3/14-16, opens 3/17
Tickets ($45-$62, depending on day) here.
$10 rush tickets (if tickets remain) available for all performances; see Groundling tickets info here.
After a boating accident, two women wash up on a distant shore. They look for a path home, but discover that this unfamiliar land is not what it seems. Loosely inspired by the myth of Orpheus and Eurydice, Zinnie Harris’ Meet Me at Dawn is a tenderly lyrical and utterly modern fable exploring the mystery of grief and the triumph of everyday love. Featuring Jennifer Faulkner and Jordi Montes.
Live stream option available.
Tickets ($17-$37, sliding scale available to all) here.