Welcome to the area’s best theatre calendar.
Looking for what’s happening around town? — We’ve got you covered, with locally sourced plays, touring musicals, dance, comedy, and more, all around the Sound.
Use Categories to view only Theatre, Comedy, Dance, Outdoor Shows, Free Events, and more.
Use Tags to filter by location/region, representation, ASL interpreted shows, sliding scale tickets, and more.
Click the Calendar icon (MONTH YEAR) to start the view from a future date.
We try hard to provide updated information, but these showtimes are not official. Please confirm dates/times with the individual theatres via their ticketing pages.
Listings are currently limited to those based in King, Pierce, Snohomish, and Thurston Counties; and slowly expanding west and north (Kitsap, Jefferson, Skagit, and Whatcom counties). The below show listings will be updated as new information is received. If you have a professional, community theatre, dance, or fringe show coming up in Western Washington that’s not listed, please tell us about it.
Mama’s up early to prepare the perfect stew for a very important community meal. As the day rolls on, tempers go from a simmer to a boil, and secrets rise to the surface for three generations of Tucker women. When the violence hovering around the periphery of their lives begins to intrude upon the sanctity of the kitchen, mothers and daughters wrestle with loss and hope in this hilarious, haunting drama. Written by Zora Howard; directed by Claudine Mboligikpelani Nako.
ASL interpreted and audio described performance on 3/30 (matinee); see info here.
Previews 3/15-20; opens 3/21
Limited number of pay-what-you-choose advance tickets available for each performance. Rush tickets ($20) offered for all performances, if available. See discount ticket information here.
Tickets here.
Mama’s up early to prepare the perfect stew for a very important community meal. As the day rolls on, tempers go from a simmer to a boil, and secrets rise to the surface for three generations of Tucker women. When the violence hovering around the periphery of their lives begins to intrude upon the sanctity of the kitchen, mothers and daughters wrestle with loss and hope in this hilarious, haunting drama. Written by Zora Howard; directed by Claudine Mboligikpelani Nako.
ASL interpreted and audio described performance on 3/30 (matinee); see info here.
Previews 3/15-20; opens 3/21
Limited number of pay-what-you-choose advance tickets available for each performance. Rush tickets ($20) offered for all performances, if available. See discount ticket information here.
Tickets here.
College: a time of freedom, of frivolity, of friskiness. Freshmen Lulu and Marianne test their limits as they party through the school year in search of their place in the world: Marianne is newly eighteen, while Lulu tries to reignite a spark with her boyfriend of 10 years. But when their drama-nerd-roommate Harriet brings in baggage from a student production of Measure for Measure, ideas of consent and manipulation start to seep into their lives.
Seattle favorite Keiko Green brings her sharp provocation and biting humor to a new play that puts contemporary discussions in direct conversation with one of the most problematic devices in Shakespeare. In the grand tradition of the problem plays, The Bed Trick has no answers, but will have you pondering the questions long after you leave the theatre.
Location: Center Theatre (Seattle Center Armory, lower level)
ASL interpreted performance on 4/4
Tickets ($41-$68, depending on day) here.
$10 rush tickets (if tickets remain) available for all performances; see Groundling tickets info here.
Two sisters and a dog live out their lives on the bleak English moors, dreaming of love and power. The arrival of a hapless governess and a moor-hen set all three on a strange and dangerous path. The Moors is a dark comedy about love, desperation, and visibility. Written by Jen Silverman; directed by Annie Lareau.
Tickets $10-$100 (sliding scale available for all) here.
Myra’s typical, middle-class family is normal in its eccentricities, especially when it comes to dealing with her illness. The boiler keeps breaking, the cat’s gone missing, and the perfect funeral needs planning, but her husband would rather bury his head in a newspaper while her two daughters wrestle with their own problems. Myra might be busy researching flatpack coffins and creating a PowerPoint presentation of her dying wishes, but her last big project is to fix her family. Join As If Theatre Company for Laura Wade’s funny, moving journey through love, loss and laughter, that earned the playwright a Critics’ Circle Theatre Award and an Olivier Award nomination. Directed by Cindy Giese French.
Location: Kenmore Community Club (7304 NE 175th St., Kenmore)
Pay-what-you-choose tickets available for second week (3/21-24) performances.
Tickets ($27) here.
Mama’s up early to prepare the perfect stew for a very important community meal. As the day rolls on, tempers go from a simmer to a boil, and secrets rise to the surface for three generations of Tucker women. When the violence hovering around the periphery of their lives begins to intrude upon the sanctity of the kitchen, mothers and daughters wrestle with loss and hope in this hilarious, haunting drama. Written by Zora Howard; directed by Claudine Mboligikpelani Nako.
ASL interpreted and audio described performance on 3/30 (matinee); see info here.
Previews 3/15-20; opens 3/21
Limited number of pay-what-you-choose advance tickets available for each performance. Rush tickets ($20) offered for all performances, if available. See discount ticket information here.
Tickets here.
College: a time of freedom, of frivolity, of friskiness. Freshmen Lulu and Marianne test their limits as they party through the school year in search of their place in the world: Marianne is newly eighteen, while Lulu tries to reignite a spark with her boyfriend of 10 years. But when their drama-nerd-roommate Harriet brings in baggage from a student production of Measure for Measure, ideas of consent and manipulation start to seep into their lives.
Seattle favorite Keiko Green brings her sharp provocation and biting humor to a new play that puts contemporary discussions in direct conversation with one of the most problematic devices in Shakespeare. In the grand tradition of the problem plays, The Bed Trick has no answers, but will have you pondering the questions long after you leave the theatre.
Location: Center Theatre (Seattle Center Armory, lower level)
ASL interpreted performance on 4/4
Tickets ($41-$68, depending on day) here.
$10 rush tickets (if tickets remain) available for all performances; see Groundling tickets info here.
Two sisters and a dog live out their lives on the bleak English moors, dreaming of love and power. The arrival of a hapless governess and a moor-hen set all three on a strange and dangerous path. The Moors is a dark comedy about love, desperation, and visibility. Written by Jen Silverman; directed by Annie Lareau.
Tickets $10-$100 (sliding scale available for all) here.
From Ancient Greece to the wild American frontier, Our Country brings origin myths down to earth in an intimate portrait of a complex sibling relationship. Inspired by Sophocles’ Antigone, artist Annie Saunders sets off on an autobiographical journey, using recreations of recorded conversations with her outlaw brother. The past unfurls, enveloping them and the audience. Inside this shape-shifting space, the two face each other at their most primal. Our Country excavates the past to rethink the present, recalling a time when we were young – as individuals, as a nation, as a democratic system. How far have we really come?
Tickets here.
Myra’s typical, middle-class family is normal in its eccentricities, especially when it comes to dealing with her illness. The boiler keeps breaking, the cat’s gone missing, and the perfect funeral needs planning, but her husband would rather bury his head in a newspaper while her two daughters wrestle with their own problems. Myra might be busy researching flatpack coffins and creating a PowerPoint presentation of her dying wishes, but her last big project is to fix her family. Join As If Theatre Company for Laura Wade’s funny, moving journey through love, loss and laughter, that earned the playwright a Critics’ Circle Theatre Award and an Olivier Award nomination. Directed by Cindy Giese French.
Location: Kenmore Community Club (7304 NE 175th St., Kenmore)
Pay-what-you-choose tickets available for second week (3/21-24) performances.
Tickets ($27) here.
Mama’s up early to prepare the perfect stew for a very important community meal. As the day rolls on, tempers go from a simmer to a boil, and secrets rise to the surface for three generations of Tucker women. When the violence hovering around the periphery of their lives begins to intrude upon the sanctity of the kitchen, mothers and daughters wrestle with loss and hope in this hilarious, haunting drama. Written by Zora Howard; directed by Claudine Mboligikpelani Nako.
ASL interpreted and audio described performance on 3/30 (matinee); see info here.
Previews 3/15-20; opens 3/21
Limited number of pay-what-you-choose advance tickets available for each performance. Rush tickets ($20) offered for all performances, if available. See discount ticket information here.
Tickets here.
College: a time of freedom, of frivolity, of friskiness. Freshmen Lulu and Marianne test their limits as they party through the school year in search of their place in the world: Marianne is newly eighteen, while Lulu tries to reignite a spark with her boyfriend of 10 years. But when their drama-nerd-roommate Harriet brings in baggage from a student production of Measure for Measure, ideas of consent and manipulation start to seep into their lives.
Seattle favorite Keiko Green brings her sharp provocation and biting humor to a new play that puts contemporary discussions in direct conversation with one of the most problematic devices in Shakespeare. In the grand tradition of the problem plays, The Bed Trick has no answers, but will have you pondering the questions long after you leave the theatre.
Location: Center Theatre (Seattle Center Armory, lower level)
ASL interpreted performance on 4/4
Tickets ($41-$68, depending on day) here.
$10 rush tickets (if tickets remain) available for all performances; see Groundling tickets info here.
Two sisters and a dog live out their lives on the bleak English moors, dreaming of love and power. The arrival of a hapless governess and a moor-hen set all three on a strange and dangerous path. The Moors is a dark comedy about love, desperation, and visibility. Written by Jen Silverman; directed by Annie Lareau.
Tickets $10-$100 (sliding scale available for all) here.
From Ancient Greece to the wild American frontier, Our Country brings origin myths down to earth in an intimate portrait of a complex sibling relationship. Inspired by Sophocles’ Antigone, artist Annie Saunders sets off on an autobiographical journey, using recreations of recorded conversations with her outlaw brother. The past unfurls, enveloping them and the audience. Inside this shape-shifting space, the two face each other at their most primal. Our Country excavates the past to rethink the present, recalling a time when we were young – as individuals, as a nation, as a democratic system. How far have we really come?
Tickets here.
From Ancient Greece to the wild American frontier, Our Country brings origin myths down to earth in an intimate portrait of a complex sibling relationship. Inspired by Sophocles’ Antigone, artist Annie Saunders sets off on an autobiographical journey, using recreations of recorded conversations with her outlaw brother. The past unfurls, enveloping them and the audience. Inside this shape-shifting space, the two face each other at their most primal. Our Country excavates the past to rethink the present, recalling a time when we were young – as individuals, as a nation, as a democratic system. How far have we really come?
Tickets here.
Mama’s up early to prepare the perfect stew for a very important community meal. As the day rolls on, tempers go from a simmer to a boil, and secrets rise to the surface for three generations of Tucker women. When the violence hovering around the periphery of their lives begins to intrude upon the sanctity of the kitchen, mothers and daughters wrestle with loss and hope in this hilarious, haunting drama. Written by Zora Howard; directed by Claudine Mboligikpelani Nako.
ASL interpreted and audio described performance on 3/30 (matinee); see info here.
Previews 3/15-20; opens 3/21
Limited number of pay-what-you-choose advance tickets available for each performance. Rush tickets ($20) offered for all performances, if available. See discount ticket information here.
Tickets here.
Myra’s typical, middle-class family is normal in its eccentricities, especially when it comes to dealing with her illness. The boiler keeps breaking, the cat’s gone missing, and the perfect funeral needs planning, but her husband would rather bury his head in a newspaper while her two daughters wrestle with their own problems. Myra might be busy researching flatpack coffins and creating a PowerPoint presentation of her dying wishes, but her last big project is to fix her family. Join As If Theatre Company for Laura Wade’s funny, moving journey through love, loss and laughter, that earned the playwright a Critics’ Circle Theatre Award and an Olivier Award nomination. Directed by Cindy Giese French.
Location: Kenmore Community Club (7304 NE 175th St., Kenmore)
Pay-what-you-choose tickets available for second week (3/21-24) performances.
Tickets ($27) here.
Mama’s up early to prepare the perfect stew for a very important community meal. As the day rolls on, tempers go from a simmer to a boil, and secrets rise to the surface for three generations of Tucker women. When the violence hovering around the periphery of their lives begins to intrude upon the sanctity of the kitchen, mothers and daughters wrestle with loss and hope in this hilarious, haunting drama. Written by Zora Howard; directed by Claudine Mboligikpelani Nako.
ASL interpreted and audio described performance on 3/30 (matinee); see info here.
Previews 3/15-20; opens 3/21
Limited number of pay-what-you-choose advance tickets available for each performance. Rush tickets ($20) offered for all performances, if available. See discount ticket information here.
Tickets here.
College: a time of freedom, of frivolity, of friskiness. Freshmen Lulu and Marianne test their limits as they party through the school year in search of their place in the world: Marianne is newly eighteen, while Lulu tries to reignite a spark with her boyfriend of 10 years. But when their drama-nerd-roommate Harriet brings in baggage from a student production of Measure for Measure, ideas of consent and manipulation start to seep into their lives.
Seattle favorite Keiko Green brings her sharp provocation and biting humor to a new play that puts contemporary discussions in direct conversation with one of the most problematic devices in Shakespeare. In the grand tradition of the problem plays, The Bed Trick has no answers, but will have you pondering the questions long after you leave the theatre.
Location: Center Theatre (Seattle Center Armory, lower level)
ASL interpreted performance on 4/4
Tickets ($41-$68, depending on day) here.
$10 rush tickets (if tickets remain) available for all performances; see Groundling tickets info here.
Two sisters and a dog live out their lives on the bleak English moors, dreaming of love and power. The arrival of a hapless governess and a moor-hen set all three on a strange and dangerous path. The Moors is a dark comedy about love, desperation, and visibility. Written by Jen Silverman; directed by Annie Lareau.
Tickets $10-$100 (sliding scale available for all) here.
From Ancient Greece to the wild American frontier, Our Country brings origin myths down to earth in an intimate portrait of a complex sibling relationship. Inspired by Sophocles’ Antigone, artist Annie Saunders sets off on an autobiographical journey, using recreations of recorded conversations with her outlaw brother. The past unfurls, enveloping them and the audience. Inside this shape-shifting space, the two face each other at their most primal. Our Country excavates the past to rethink the present, recalling a time when we were young – as individuals, as a nation, as a democratic system. How far have we really come?
Tickets here.
Mama’s up early to prepare the perfect stew for a very important community meal. As the day rolls on, tempers go from a simmer to a boil, and secrets rise to the surface for three generations of Tucker women. When the violence hovering around the periphery of their lives begins to intrude upon the sanctity of the kitchen, mothers and daughters wrestle with loss and hope in this hilarious, haunting drama. Written by Zora Howard; directed by Claudine Mboligikpelani Nako.
ASL interpreted and audio described performance on 3/30 (matinee); see info here.
Previews 3/15-20; opens 3/21
Limited number of pay-what-you-choose advance tickets available for each performance. Rush tickets ($20) offered for all performances, if available. See discount ticket information here.
Tickets here.
College: a time of freedom, of frivolity, of friskiness. Freshmen Lulu and Marianne test their limits as they party through the school year in search of their place in the world: Marianne is newly eighteen, while Lulu tries to reignite a spark with her boyfriend of 10 years. But when their drama-nerd-roommate Harriet brings in baggage from a student production of Measure for Measure, ideas of consent and manipulation start to seep into their lives.
Seattle favorite Keiko Green brings her sharp provocation and biting humor to a new play that puts contemporary discussions in direct conversation with one of the most problematic devices in Shakespeare. In the grand tradition of the problem plays, The Bed Trick has no answers, but will have you pondering the questions long after you leave the theatre.
Location: Center Theatre (Seattle Center Armory, lower level)
ASL interpreted performance on 4/4
Tickets ($41-$68, depending on day) here.
$10 rush tickets (if tickets remain) available for all performances; see Groundling tickets info here.
Two sisters and a dog live out their lives on the bleak English moors, dreaming of love and power. The arrival of a hapless governess and a moor-hen set all three on a strange and dangerous path. The Moors is a dark comedy about love, desperation, and visibility. Written by Jen Silverman; directed by Annie Lareau.
Tickets $10-$100 (sliding scale available for all) here.
Myra’s typical, middle-class family is normal in its eccentricities, especially when it comes to dealing with her illness. The boiler keeps breaking, the cat’s gone missing, and the perfect funeral needs planning, but her husband would rather bury his head in a newspaper while her two daughters wrestle with their own problems. Myra might be busy researching flatpack coffins and creating a PowerPoint presentation of her dying wishes, but her last big project is to fix her family. Join As If Theatre Company for Laura Wade’s funny, moving journey through love, loss and laughter, that earned the playwright a Critics’ Circle Theatre Award and an Olivier Award nomination. Directed by Cindy Giese French.
Location: Kenmore Community Club (7304 NE 175th St., Kenmore)
Pay-what-you-choose tickets available for second week (3/21-24) performances.
Tickets ($27) here.
Mama’s up early to prepare the perfect stew for a very important community meal. As the day rolls on, tempers go from a simmer to a boil, and secrets rise to the surface for three generations of Tucker women. When the violence hovering around the periphery of their lives begins to intrude upon the sanctity of the kitchen, mothers and daughters wrestle with loss and hope in this hilarious, haunting drama. Written by Zora Howard; directed by Claudine Mboligikpelani Nako.
ASL interpreted and audio described performance on 3/30 (matinee); see info here.
Previews 3/15-20; opens 3/21
Limited number of pay-what-you-choose advance tickets available for each performance. Rush tickets ($20) offered for all performances, if available. See discount ticket information here.
Tickets here.
Mama’s up early to prepare the perfect stew for a very important community meal. As the day rolls on, tempers go from a simmer to a boil, and secrets rise to the surface for three generations of Tucker women. When the violence hovering around the periphery of their lives begins to intrude upon the sanctity of the kitchen, mothers and daughters wrestle with loss and hope in this hilarious, haunting drama. Written by Zora Howard; directed by Claudine Mboligikpelani Nako.
ASL interpreted and audio described performance on 3/30 (matinee); see info here.
Previews 3/15-20; opens 3/21
Limited number of pay-what-you-choose advance tickets available for each performance. Rush tickets ($20) offered for all performances, if available. See discount ticket information here.
Tickets here.
College: a time of freedom, of frivolity, of friskiness. Freshmen Lulu and Marianne test their limits as they party through the school year in search of their place in the world: Marianne is newly eighteen, while Lulu tries to reignite a spark with her boyfriend of 10 years. But when their drama-nerd-roommate Harriet brings in baggage from a student production of Measure for Measure, ideas of consent and manipulation start to seep into their lives.
Seattle favorite Keiko Green brings her sharp provocation and biting humor to a new play that puts contemporary discussions in direct conversation with one of the most problematic devices in Shakespeare. In the grand tradition of the problem plays, The Bed Trick has no answers, but will have you pondering the questions long after you leave the theatre.
Location: Center Theatre (Seattle Center Armory, lower level)
ASL interpreted performance on 4/4
Tickets ($41-$68, depending on day) here.
$10 rush tickets (if tickets remain) available for all performances; see Groundling tickets info here.
Mama’s up early to prepare the perfect stew for a very important community meal. As the day rolls on, tempers go from a simmer to a boil, and secrets rise to the surface for three generations of Tucker women. When the violence hovering around the periphery of their lives begins to intrude upon the sanctity of the kitchen, mothers and daughters wrestle with loss and hope in this hilarious, haunting drama. Written by Zora Howard; directed by Claudine Mboligikpelani Nako.
ASL interpreted and audio described performance on 3/30 (matinee); see info here.
Previews 3/15-20; opens 3/21
Limited number of pay-what-you-choose advance tickets available for each performance. Rush tickets ($20) offered for all performances, if available. See discount ticket information here.
Tickets here.
Myra’s typical, middle-class family is normal in its eccentricities, especially when it comes to dealing with her illness. The boiler keeps breaking, the cat’s gone missing, and the perfect funeral needs planning, but her husband would rather bury his head in a newspaper while her two daughters wrestle with their own problems. Myra might be busy researching flatpack coffins and creating a PowerPoint presentation of her dying wishes, but her last big project is to fix her family. Join As If Theatre Company for Laura Wade’s funny, moving journey through love, loss and laughter, that earned the playwright a Critics’ Circle Theatre Award and an Olivier Award nomination. Directed by Cindy Giese French.
Location: Kenmore Community Club (7304 NE 175th St., Kenmore)
Pay-what-you-choose tickets available for second week (3/21-24) performances.
Tickets ($27) here.
Mama’s up early to prepare the perfect stew for a very important community meal. As the day rolls on, tempers go from a simmer to a boil, and secrets rise to the surface for three generations of Tucker women. When the violence hovering around the periphery of their lives begins to intrude upon the sanctity of the kitchen, mothers and daughters wrestle with loss and hope in this hilarious, haunting drama. Written by Zora Howard; directed by Claudine Mboligikpelani Nako.
ASL interpreted and audio described performance on 3/30 (matinee); see info here.
Previews 3/15-20; opens 3/21
Limited number of pay-what-you-choose advance tickets available for each performance. Rush tickets ($20) offered for all performances, if available. See discount ticket information here.
Tickets here.
College: a time of freedom, of frivolity, of friskiness. Freshmen Lulu and Marianne test their limits as they party through the school year in search of their place in the world: Marianne is newly eighteen, while Lulu tries to reignite a spark with her boyfriend of 10 years. But when their drama-nerd-roommate Harriet brings in baggage from a student production of Measure for Measure, ideas of consent and manipulation start to seep into their lives.
Seattle favorite Keiko Green brings her sharp provocation and biting humor to a new play that puts contemporary discussions in direct conversation with one of the most problematic devices in Shakespeare. In the grand tradition of the problem plays, The Bed Trick has no answers, but will have you pondering the questions long after you leave the theatre.
Location: Center Theatre (Seattle Center Armory, lower level)
ASL interpreted performance on 4/4
Tickets ($41-$68, depending on day) here.
$10 rush tickets (if tickets remain) available for all performances; see Groundling tickets info here.
Two sisters and a dog live out their lives on the bleak English moors, dreaming of love and power. The arrival of a hapless governess and a moor-hen set all three on a strange and dangerous path. The Moors is a dark comedy about love, desperation, and visibility. Written by Jen Silverman; directed by Annie Lareau.
Tickets $10-$100 (sliding scale available for all) here.
Myra’s typical, middle-class family is normal in its eccentricities, especially when it comes to dealing with her illness. The boiler keeps breaking, the cat’s gone missing, and the perfect funeral needs planning, but her husband would rather bury his head in a newspaper while her two daughters wrestle with their own problems. Myra might be busy researching flatpack coffins and creating a PowerPoint presentation of her dying wishes, but her last big project is to fix her family. Join As If Theatre Company for Laura Wade’s funny, moving journey through love, loss and laughter, that earned the playwright a Critics’ Circle Theatre Award and an Olivier Award nomination. Directed by Cindy Giese French.
Location: Kenmore Community Club (7304 NE 175th St., Kenmore)
Pay-what-you-choose tickets available for second week (3/21-24) performances.
Tickets ($27) here.
Mama’s up early to prepare the perfect stew for a very important community meal. As the day rolls on, tempers go from a simmer to a boil, and secrets rise to the surface for three generations of Tucker women. When the violence hovering around the periphery of their lives begins to intrude upon the sanctity of the kitchen, mothers and daughters wrestle with loss and hope in this hilarious, haunting drama. Written by Zora Howard; directed by Claudine Mboligikpelani Nako.
ASL interpreted and audio described performance on 3/30 (matinee); see info here.
Previews 3/15-20; opens 3/21
Limited number of pay-what-you-choose advance tickets available for each performance. Rush tickets ($20) offered for all performances, if available. See discount ticket information here.
Tickets here.
College: a time of freedom, of frivolity, of friskiness. Freshmen Lulu and Marianne test their limits as they party through the school year in search of their place in the world: Marianne is newly eighteen, while Lulu tries to reignite a spark with her boyfriend of 10 years. But when their drama-nerd-roommate Harriet brings in baggage from a student production of Measure for Measure, ideas of consent and manipulation start to seep into their lives.
Seattle favorite Keiko Green brings her sharp provocation and biting humor to a new play that puts contemporary discussions in direct conversation with one of the most problematic devices in Shakespeare. In the grand tradition of the problem plays, The Bed Trick has no answers, but will have you pondering the questions long after you leave the theatre.
Location: Center Theatre (Seattle Center Armory, lower level)
ASL interpreted performance on 4/4
Tickets ($41-$68, depending on day) here.
$10 rush tickets (if tickets remain) available for all performances; see Groundling tickets info here.
Two sisters and a dog live out their lives on the bleak English moors, dreaming of love and power. The arrival of a hapless governess and a moor-hen set all three on a strange and dangerous path. The Moors is a dark comedy about love, desperation, and visibility. Written by Jen Silverman; directed by Annie Lareau.
Tickets $10-$100 (sliding scale available for all) here.
Mama’s up early to prepare the perfect stew for a very important community meal. As the day rolls on, tempers go from a simmer to a boil, and secrets rise to the surface for three generations of Tucker women. When the violence hovering around the periphery of their lives begins to intrude upon the sanctity of the kitchen, mothers and daughters wrestle with loss and hope in this hilarious, haunting drama. Written by Zora Howard; directed by Claudine Mboligikpelani Nako.
ASL interpreted and audio described performance on 3/30 (matinee); see info here.
Previews 3/15-20; opens 3/21
Limited number of pay-what-you-choose advance tickets available for each performance. Rush tickets ($20) offered for all performances, if available. See discount ticket information here.
Tickets here.
Want more audio described theatre? See NWTheatre’s complete calendar of audio described performances here.
Want more Deaf-friendly theatre? See NWTheatre’s complete calendar of ASL interpreted and open captioned performances here.
College: a time of freedom, of frivolity, of friskiness. Freshmen Lulu and Marianne test their limits as they party through the school year in search of their place in the world: Marianne is newly eighteen, while Lulu tries to reignite a spark with her boyfriend of 10 years. But when their drama-nerd-roommate Harriet brings in baggage from a student production of Measure for Measure, ideas of consent and manipulation start to seep into their lives.
Seattle favorite Keiko Green brings her sharp provocation and biting humor to a new play that puts contemporary discussions in direct conversation with one of the most problematic devices in Shakespeare. In the grand tradition of the problem plays, The Bed Trick has no answers, but will have you pondering the questions long after you leave the theatre.
Location: Center Theatre (Seattle Center Armory, lower level)
ASL interpreted performance on 4/4
Tickets ($41-$68, depending on day) here.
$10 rush tickets (if tickets remain) available for all performances; see Groundling tickets info here.
Myra’s typical, middle-class family is normal in its eccentricities, especially when it comes to dealing with her illness. The boiler keeps breaking, the cat’s gone missing, and the perfect funeral needs planning, but her husband would rather bury his head in a newspaper while her two daughters wrestle with their own problems. Myra might be busy researching flatpack coffins and creating a PowerPoint presentation of her dying wishes, but her last big project is to fix her family. Join As If Theatre Company for Laura Wade’s funny, moving journey through love, loss and laughter, that earned the playwright a Critics’ Circle Theatre Award and an Olivier Award nomination. Directed by Cindy Giese French.
Location: Kenmore Community Club (7304 NE 175th St., Kenmore)
Pay-what-you-choose tickets available for second week (3/21-24) performances.
Tickets ($27) here.
Through choreography, set design, and costume, Okareka Dance Company strives to tell bold, spiritual stories that are of and from New Zealand. The company performs Mana Wahine [Powerful Women], a multi-media exploration of the strength, spirit, and primal beauty of women, specifically Maori women.
Tickets ($48-$78) here.
Mama’s up early to prepare the perfect stew for a very important community meal. As the day rolls on, tempers go from a simmer to a boil, and secrets rise to the surface for three generations of Tucker women. When the violence hovering around the periphery of their lives begins to intrude upon the sanctity of the kitchen, mothers and daughters wrestle with loss and hope in this hilarious, haunting drama. Written by Zora Howard; directed by Claudine Mboligikpelani Nako.
ASL interpreted and audio described performance on 3/30 (matinee); see info here.
Previews 3/15-20; opens 3/21
Limited number of pay-what-you-choose advance tickets available for each performance. Rush tickets ($20) offered for all performances, if available. See discount ticket information here.
Tickets here.
College: a time of freedom, of frivolity, of friskiness. Freshmen Lulu and Marianne test their limits as they party through the school year in search of their place in the world: Marianne is newly eighteen, while Lulu tries to reignite a spark with her boyfriend of 10 years. But when their drama-nerd-roommate Harriet brings in baggage from a student production of Measure for Measure, ideas of consent and manipulation start to seep into their lives.
Seattle favorite Keiko Green brings her sharp provocation and biting humor to a new play that puts contemporary discussions in direct conversation with one of the most problematic devices in Shakespeare. In the grand tradition of the problem plays, The Bed Trick has no answers, but will have you pondering the questions long after you leave the theatre.
Location: Center Theatre (Seattle Center Armory, lower level)
ASL interpreted performance on 4/4
Tickets ($41-$68, depending on day) here.
$10 rush tickets (if tickets remain) available for all performances; see Groundling tickets info here.
Two sisters and a dog live out their lives on the bleak English moors, dreaming of love and power. The arrival of a hapless governess and a moor-hen set all three on a strange and dangerous path. The Moors is a dark comedy about love, desperation, and visibility. Written by Jen Silverman; directed by Annie Lareau.
Tickets $10-$100 (sliding scale available for all) here.
Mama’s up early to prepare the perfect stew for a very important community meal. As the day rolls on, tempers go from a simmer to a boil, and secrets rise to the surface for three generations of Tucker women. When the violence hovering around the periphery of their lives begins to intrude upon the sanctity of the kitchen, mothers and daughters wrestle with loss and hope in this hilarious, haunting drama. Written by Zora Howard; directed by Claudine Mboligikpelani Nako.
ASL interpreted and audio described performance on 3/30 (matinee); see info here.
Previews 3/15-20; opens 3/21
Limited number of pay-what-you-choose advance tickets available for each performance. Rush tickets ($20) offered for all performances, if available. See discount ticket information here.
Tickets here.
College: a time of freedom, of frivolity, of friskiness. Freshmen Lulu and Marianne test their limits as they party through the school year in search of their place in the world: Marianne is newly eighteen, while Lulu tries to reignite a spark with her boyfriend of 10 years. But when their drama-nerd-roommate Harriet brings in baggage from a student production of Measure for Measure, ideas of consent and manipulation start to seep into their lives.
Seattle favorite Keiko Green brings her sharp provocation and biting humor to a new play that puts contemporary discussions in direct conversation with one of the most problematic devices in Shakespeare. In the grand tradition of the problem plays, The Bed Trick has no answers, but will have you pondering the questions long after you leave the theatre.
Location: Center Theatre (Seattle Center Armory, lower level)
ASL interpreted performance on 4/4
Tickets ($41-$68, depending on day) here.
$10 rush tickets (if tickets remain) available for all performances; see Groundling tickets info here.
Two sisters and a dog live out their lives on the bleak English moors, dreaming of love and power. The arrival of a hapless governess and a moor-hen set all three on a strange and dangerous path. The Moors is a dark comedy about love, desperation, and visibility. Written by Jen Silverman; directed by Annie Lareau.
Tickets $10-$100 (sliding scale available for all) here.
Mama’s up early to prepare the perfect stew for a very important community meal. As the day rolls on, tempers go from a simmer to a boil, and secrets rise to the surface for three generations of Tucker women. When the violence hovering around the periphery of their lives begins to intrude upon the sanctity of the kitchen, mothers and daughters wrestle with loss and hope in this hilarious, haunting drama. Written by Zora Howard; directed by Claudine Mboligikpelani Nako.
ASL interpreted and audio described performance on 3/30 (matinee); see info here.
Previews 3/15-20; opens 3/21
Limited number of pay-what-you-choose advance tickets available for each performance. Rush tickets ($20) offered for all performances, if available. See discount ticket information here.
Tickets here.
College: a time of freedom, of frivolity, of friskiness. Freshmen Lulu and Marianne test their limits as they party through the school year in search of their place in the world: Marianne is newly eighteen, while Lulu tries to reignite a spark with her boyfriend of 10 years. But when their drama-nerd-roommate Harriet brings in baggage from a student production of Measure for Measure, ideas of consent and manipulation start to seep into their lives.
Seattle favorite Keiko Green brings her sharp provocation and biting humor to a new play that puts contemporary discussions in direct conversation with one of the most problematic devices in Shakespeare. In the grand tradition of the problem plays, The Bed Trick has no answers, but will have you pondering the questions long after you leave the theatre.
Location: Center Theatre (Seattle Center Armory, lower level)
ASL interpreted performance on 4/4
Tickets ($41-$68, depending on day) here.
$10 rush tickets (if tickets remain) available for all performances; see Groundling tickets info here.
College: a time of freedom, of frivolity, of friskiness. Freshmen Lulu and Marianne test their limits as they party through the school year in search of their place in the world: Marianne is newly eighteen, while Lulu tries to reignite a spark with her boyfriend of 10 years. But when their drama-nerd-roommate Harriet brings in baggage from a student production of Measure for Measure, ideas of consent and manipulation start to seep into their lives.
Seattle favorite Keiko Green brings her sharp provocation and biting humor to a new play that puts contemporary discussions in direct conversation with one of the most problematic devices in Shakespeare. In the grand tradition of the problem plays, The Bed Trick has no answers, but will have you pondering the questions long after you leave the theatre.
Location: Center Theatre (Seattle Center Armory, lower level)
ASL interpreted performance on 4/4
Tickets ($41-$68, depending on day) here.
$10 rush tickets (if tickets remain) available for all performances; see Groundling tickets info here.
Two words set in motion award-winning playwright Sanaz Toossi’s intricate and profound New York debut: “English Only.” This is the mantra that rules one classroom in Iran, where four adult students are preparing for the TOEFL — the Test of English as a Foreign Language. Chasing fluency through a maze of word games, listening exercises, and show-and-tell sessions, they hope that one day, English will make them whole. But it might be splitting them each in half. Written by Sanaz Toossi; directed by Naghmeh Samini.
A co-production with Seda Iranian Theatre Ensemble
Preview 4/3; opens 4/4
Financial accessibility: Reduced price tickets ($18.50) offered to those who need them. Enter discount code “inclusion” during checkout process.
Tickets ($48.50) here.
Two words set in motion award-winning playwright Sanaz Toossi’s intricate and profound New York debut: “English Only.” This is the mantra that rules one classroom in Iran, where four adult students are preparing for the TOEFL — the Test of English as a Foreign Language. Chasing fluency through a maze of word games, listening exercises, and show-and-tell sessions, they hope that one day, English will make them whole. But it might be splitting them each in half. Written by Sanaz Toossi; directed by Naghmeh Samini.
A co-production with Seda Iranian Theatre Ensemble
Preview 4/3; opens 4/4
Financial accessibility: Reduced price tickets ($18.50) offered to those who need them. Enter discount code “inclusion” during checkout process.
Tickets ($48.50) here.
College: a time of freedom, of frivolity, of friskiness. Freshmen Lulu and Marianne test their limits as they party through the school year in search of their place in the world: Marianne is newly eighteen, while Lulu tries to reignite a spark with her boyfriend of 10 years. But when their drama-nerd-roommate Harriet brings in baggage from a student production of Measure for Measure, ideas of consent and manipulation start to seep into their lives.
Seattle favorite Keiko Green brings her sharp provocation and biting humor to a new play that puts contemporary discussions in direct conversation with one of the most problematic devices in Shakespeare. In the grand tradition of the problem plays, The Bed Trick has no answers, but will have you pondering the questions long after you leave the theatre.
Location: Center Theatre (Seattle Center Armory, lower level)
ASL interpreted performance on 4/4
Tickets ($41-$68, depending on day) here.
$10 rush tickets (if tickets remain) available for all performances; see Groundling tickets info here.
Want more Deaf-friendly theatre? See NWTheatre’s complete calendar of ASL interpreted and open captioned performances here.
Two sisters and a dog live out their lives on the bleak English moors, dreaming of love and power. The arrival of a hapless governess and a moor-hen set all three on a strange and dangerous path. The Moors is a dark comedy about love, desperation, and visibility. Written by Jen Silverman; directed by Annie Lareau.
Tickets $10-$100 (sliding scale available for all) here.
Inspired by and set in the wake of Shakespeare’s Othello, this play follows Desdemona’s Child as they come back to the town in which they were raised, haunted by the ghost of Beautiful D, and with a desire to come to terms with trauma from the past. Featuring performances by Cornish Theater Students and produced by Cornish Performance Production Students. Written by Caridad Svich; directed by Amaya Zhané.
Location: Cornish Playhouse studio theatre (201 Mercer St.)
Tickets here.
Two words set in motion award-winning playwright Sanaz Toossi’s intricate and profound New York debut: “English Only.” This is the mantra that rules one classroom in Iran, where four adult students are preparing for the TOEFL — the Test of English as a Foreign Language. Chasing fluency through a maze of word games, listening exercises, and show-and-tell sessions, they hope that one day, English will make them whole. But it might be splitting them each in half. Written by Sanaz Toossi; directed by Naghmeh Samini.
A co-production with Seda Iranian Theatre Ensemble
Preview 4/3; opens 4/4
Financial accessibility: Reduced price tickets ($18.50) offered to those who need them. Enter discount code “inclusion” during checkout process.
Tickets ($48.50) here.
College: a time of freedom, of frivolity, of friskiness. Freshmen Lulu and Marianne test their limits as they party through the school year in search of their place in the world: Marianne is newly eighteen, while Lulu tries to reignite a spark with her boyfriend of 10 years. But when their drama-nerd-roommate Harriet brings in baggage from a student production of Measure for Measure, ideas of consent and manipulation start to seep into their lives.
Seattle favorite Keiko Green brings her sharp provocation and biting humor to a new play that puts contemporary discussions in direct conversation with one of the most problematic devices in Shakespeare. In the grand tradition of the problem plays, The Bed Trick has no answers, but will have you pondering the questions long after you leave the theatre.
Location: Center Theatre (Seattle Center Armory, lower level)
ASL interpreted performance on 4/4
Tickets ($41-$68, depending on day) here.
$10 rush tickets (if tickets remain) available for all performances; see Groundling tickets info here.
Two sisters and a dog live out their lives on the bleak English moors, dreaming of love and power. The arrival of a hapless governess and a moor-hen set all three on a strange and dangerous path. The Moors is a dark comedy about love, desperation, and visibility. Written by Jen Silverman; directed by Annie Lareau.
Tickets $10-$100 (sliding scale available for all) here.
Inspired by and set in the wake of Shakespeare’s Othello, this play follows Desdemona’s Child as they come back to the town in which they were raised, haunted by the ghost of Beautiful D, and with a desire to come to terms with trauma from the past. Featuring performances by Cornish Theater Students and produced by Cornish Performance Production Students. Written by Caridad Svich; directed by Amaya Zhané.
Location: Cornish Playhouse studio theatre (201 Mercer St.)
Tickets here.
Inspired by and set in the wake of Shakespeare’s Othello, this play follows Desdemona’s Child as they come back to the town in which they were raised, haunted by the ghost of Beautiful D, and with a desire to come to terms with trauma from the past. Featuring performances by Cornish Theater Students and produced by Cornish Performance Production Students. Written by Caridad Svich; directed by Amaya Zhané.
Location: Cornish Playhouse studio theatre (201 Mercer St.)
Tickets here.
College: a time of freedom, of frivolity, of friskiness. Freshmen Lulu and Marianne test their limits as they party through the school year in search of their place in the world: Marianne is newly eighteen, while Lulu tries to reignite a spark with her boyfriend of 10 years. But when their drama-nerd-roommate Harriet brings in baggage from a student production of Measure for Measure, ideas of consent and manipulation start to seep into their lives.
Seattle favorite Keiko Green brings her sharp provocation and biting humor to a new play that puts contemporary discussions in direct conversation with one of the most problematic devices in Shakespeare. In the grand tradition of the problem plays, The Bed Trick has no answers, but will have you pondering the questions long after you leave the theatre.
Location: Center Theatre (Seattle Center Armory, lower level)
ASL interpreted performance on 4/4
Tickets ($41-$68, depending on day) here.
$10 rush tickets (if tickets remain) available for all performances; see Groundling tickets info here.
Two words set in motion award-winning playwright Sanaz Toossi’s intricate and profound New York debut: “English Only.” This is the mantra that rules one classroom in Iran, where four adult students are preparing for the TOEFL — the Test of English as a Foreign Language. Chasing fluency through a maze of word games, listening exercises, and show-and-tell sessions, they hope that one day, English will make them whole. But it might be splitting them each in half. Written by Sanaz Toossi; directed by Naghmeh Samini.
A co-production with Seda Iranian Theatre Ensemble
Preview 4/3; opens 4/4
Financial accessibility: Reduced price tickets ($18.50) offered to those who need them. Enter discount code “inclusion” during checkout process.
Tickets ($48.50) here.
College: a time of freedom, of frivolity, of friskiness. Freshmen Lulu and Marianne test their limits as they party through the school year in search of their place in the world: Marianne is newly eighteen, while Lulu tries to reignite a spark with her boyfriend of 10 years. But when their drama-nerd-roommate Harriet brings in baggage from a student production of Measure for Measure, ideas of consent and manipulation start to seep into their lives.
Seattle favorite Keiko Green brings her sharp provocation and biting humor to a new play that puts contemporary discussions in direct conversation with one of the most problematic devices in Shakespeare. In the grand tradition of the problem plays, The Bed Trick has no answers, but will have you pondering the questions long after you leave the theatre.
Location: Center Theatre (Seattle Center Armory, lower level)
ASL interpreted performance on 4/4
Tickets ($41-$68, depending on day) here.
$10 rush tickets (if tickets remain) available for all performances; see Groundling tickets info here.
Two sisters and a dog live out their lives on the bleak English moors, dreaming of love and power. The arrival of a hapless governess and a moor-hen set all three on a strange and dangerous path. The Moors is a dark comedy about love, desperation, and visibility. Written by Jen Silverman; directed by Annie Lareau.
Tickets $10-$100 (sliding scale available for all) here.
Inspired by and set in the wake of Shakespeare’s Othello, this play follows Desdemona’s Child as they come back to the town in which they were raised, haunted by the ghost of Beautiful D, and with a desire to come to terms with trauma from the past. Featuring performances by Cornish Theater Students and produced by Cornish Performance Production Students. Written by Caridad Svich; directed by Amaya Zhané.
Location: Cornish Playhouse studio theatre (201 Mercer St.)
Tickets here.
College: a time of freedom, of frivolity, of friskiness. Freshmen Lulu and Marianne test their limits as they party through the school year in search of their place in the world: Marianne is newly eighteen, while Lulu tries to reignite a spark with her boyfriend of 10 years. But when their drama-nerd-roommate Harriet brings in baggage from a student production of Measure for Measure, ideas of consent and manipulation start to seep into their lives.
Seattle favorite Keiko Green brings her sharp provocation and biting humor to a new play that puts contemporary discussions in direct conversation with one of the most problematic devices in Shakespeare. In the grand tradition of the problem plays, The Bed Trick has no answers, but will have you pondering the questions long after you leave the theatre.
Location: Center Theatre (Seattle Center Armory, lower level)
ASL interpreted performance on 4/4
Tickets ($41-$68, depending on day) here.
$10 rush tickets (if tickets remain) available for all performances; see Groundling tickets info here.
Two sisters and a dog live out their lives on the bleak English moors, dreaming of love and power. The arrival of a hapless governess and a moor-hen set all three on a strange and dangerous path. The Moors is a dark comedy about love, desperation, and visibility. Written by Jen Silverman; directed by Annie Lareau.
Tickets $10-$100 (sliding scale available for all) here.
Two words set in motion award-winning playwright Sanaz Toossi’s intricate and profound New York debut: “English Only.” This is the mantra that rules one classroom in Iran, where four adult students are preparing for the TOEFL — the Test of English as a Foreign Language. Chasing fluency through a maze of word games, listening exercises, and show-and-tell sessions, they hope that one day, English will make them whole. But it might be splitting them each in half. Written by Sanaz Toossi; directed by Naghmeh Samini.
A co-production with Seda Iranian Theatre Ensemble
Preview 4/3; opens 4/4
Financial accessibility: Reduced price tickets ($18.50) offered to those who need them. Enter discount code “inclusion” during checkout process.
Tickets ($48.50) here.
Trapeze, fabric, and more, with local and guest performers. Every 1st Sunday except during summer. Doors at 3:45, show at 5.
Location: inside the Brotherhood Lounge bar (119 Capitol Way N) (21+ event)
$15 donation requested at the door; no one turned away for lack of funds
Show info here.
Inspired by and set in the wake of Shakespeare’s Othello, this play follows Desdemona’s Child as they come back to the town in which they were raised, haunted by the ghost of Beautiful D, and with a desire to come to terms with trauma from the past. Featuring performances by Cornish Theater Students and produced by Cornish Performance Production Students. Written by Caridad Svich; directed by Amaya Zhané.
Location: Cornish Playhouse studio theatre (201 Mercer St.)
Tickets here.
Enjoy an in-depth discussion with PNB artists and experts before attending an exclusive dress rehearsal performance with PNB Company dancers and the PNB Orchestra. You’ll get insider information and a sneak peek at the show.
Conversations & Dress Rehearsal event tickets are pay-what-you-choose, with $25 donation suggested. Info and tickets here.
About the production:
Crystal Pite’s captivating The Seasons’ Canon is back by popular demand. This mesmerizing work features 54 dancers moving as one organism to Vivaldi’s The Four Seasons, recomposed by Max Richter. Pite’s epic-scale work is complemented by Twyla Tharp’s Shaker-inspired Sweet Fields and Jessica Lang’s stunning solo work The Calling. Show info, cast lists (subject to change), and performance tickets here.
Two words set in motion award-winning playwright Sanaz Toossi’s intricate and profound New York debut: “English Only.” This is the mantra that rules one classroom in Iran, where four adult students are preparing for the TOEFL — the Test of English as a Foreign Language. Chasing fluency through a maze of word games, listening exercises, and show-and-tell sessions, they hope that one day, English will make them whole. But it might be splitting them each in half. Written by Sanaz Toossi; directed by Naghmeh Samini.
A co-production with Seda Iranian Theatre Ensemble
Preview 4/3; opens 4/4
Financial accessibility: Reduced price tickets ($18.50) offered to those who need them. Enter discount code “inclusion” during checkout process.
Tickets ($48.50) here.
Playwright Lauren Gunderson and composer/lyricist duo Bree Lowdermilk and Kait Kerrigan bring Justice, an intimate, epic new musical built with sweeping songs, urgent conversations about equality, and deeply relatable heroines. Justice explores the first women on the U.S. Supreme Court: Sandra Day O’Connor, Ruth Bader Ginsburg, and Sonia Sotomayor, at the height of their influence. They confront and comfort each other about equal justice under the law, legal strategy, civic responsibility, as well as husbands, motherhood, kids, dreams, and sorrows, all while setting a new course for our country and the world. Directed by Rose Woods; music direction by Sheila Weidendorf.
Pay-what-you-choose tickets available at the door for Thursday shows. All dates have sliding-scale tickets, beginning at $20 (by email request). Advance tickets online at regular price ($32+).
Tickets here.
Two sisters and a dog live out their lives on the bleak English moors, dreaming of love and power. The arrival of a hapless governess and a moor-hen set all three on a strange and dangerous path. The Moors is a dark comedy about love, desperation, and visibility. Written by Jen Silverman; directed by Annie Lareau.
Tickets $10-$100 (sliding scale available for all) here.
Two words set in motion award-winning playwright Sanaz Toossi’s intricate and profound New York debut: “English Only.” This is the mantra that rules one classroom in Iran, where four adult students are preparing for the TOEFL — the Test of English as a Foreign Language. Chasing fluency through a maze of word games, listening exercises, and show-and-tell sessions, they hope that one day, English will make them whole. But it might be splitting them each in half. Written by Sanaz Toossi; directed by Naghmeh Samini.
A co-production with Seda Iranian Theatre Ensemble
Preview 4/3; opens 4/4
Financial accessibility: Reduced price tickets ($18.50) offered to those who need them. Enter discount code “inclusion” during checkout process.
Tickets ($48.50) here.
Playwright Lauren Gunderson and composer/lyricist duo Bree Lowdermilk and Kait Kerrigan bring Justice, an intimate, epic new musical built with sweeping songs, urgent conversations about equality, and deeply relatable heroines. Justice explores the first women on the U.S. Supreme Court: Sandra Day O’Connor, Ruth Bader Ginsburg, and Sonia Sotomayor, at the height of their influence. They confront and comfort each other about equal justice under the law, legal strategy, civic responsibility, as well as husbands, motherhood, kids, dreams, and sorrows, all while setting a new course for our country and the world. Directed by Rose Woods; music direction by Sheila Weidendorf.
Pay-what-you-choose tickets available at the door for Thursday shows. All dates have sliding-scale tickets, beginning at $20 (by email request). Advance tickets online at regular price ($32+).
Tickets here.
Two sisters and a dog live out their lives on the bleak English moors, dreaming of love and power. The arrival of a hapless governess and a moor-hen set all three on a strange and dangerous path. The Moors is a dark comedy about love, desperation, and visibility. Written by Jen Silverman; directed by Annie Lareau.
Tickets $10-$100 (sliding scale available for all) here.
Crystal Pite’s captivating The Seasons’ Canon is back by popular demand. This mesmerizing work features 54 dancers moving as one organism to Vivaldi’s The Four Seasons, recomposed by Max Richter. Pite’s epic-scale work is complemented by Twyla Tharp’s Shaker-inspired Sweet Fields and Jessica Lang’s stunning solo work The Calling.
Pay-what-you-choose performance on 4/18. (See PWYC and discount ticket info here.)
Show info, cast lists (subject to change), and tickets here.
Crystal Pite’s captivating The Seasons’ Canon is back by popular demand. This mesmerizing work features 54 dancers moving as one organism to Vivaldi’s The Four Seasons, recomposed by Max Richter. Pite’s epic-scale work is complemented by Twyla Tharp’s Shaker-inspired Sweet Fields and Jessica Lang’s stunning solo work The Calling.
Pay-what-you-choose performance on 4/18. (See PWYC and discount ticket info here.)
Show info, cast lists (subject to change), and tickets here.
Two words set in motion award-winning playwright Sanaz Toossi’s intricate and profound New York debut: “English Only.” This is the mantra that rules one classroom in Iran, where four adult students are preparing for the TOEFL — the Test of English as a Foreign Language. Chasing fluency through a maze of word games, listening exercises, and show-and-tell sessions, they hope that one day, English will make them whole. But it might be splitting them each in half. Written by Sanaz Toossi; directed by Naghmeh Samini.
A co-production with Seda Iranian Theatre Ensemble
Preview 4/3; opens 4/4
Financial accessibility: Reduced price tickets ($18.50) offered to those who need them. Enter discount code “inclusion” during checkout process.
Tickets ($48.50) here.