Pacific Northwest Ballet just announced its 2024-25 season, hot on the heels of season announcements from The 5th Avenue Theatre, Seattle Opera, Village Theatre, and Broadway at The Paramount. Now that most of the biggest stages in musicals and dance are set, here’s a look at their seasons.
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Handel’s tale of island lust has some serious power dynamics on display in Seattle Opera’s bold staging. Alcina runs through 10/28 at McCaw Hall.
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With a dazzling, futuristic Das Rheingold right on the tails of a lovely original parks show, Seattle Opera is flexing its creative might. Das Rheingold runs through 8/20.
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At The 5th Avenue Theatre, Seattle Opera, and The Phoenix Theatre, three musically-driven shows invite you to pick a side.
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There are a lot of shows you could see this weekend and not go wrong, but a few shows really stand out — and they’re closing soon. Here’s what I’d focus on if I ran your agenda. (For performances March 4 & 5)
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The Can Can Culinary Cabaret presents the ultimately feel-good House of Hearts, as Seattle Opera mounts a gorgeous concert-style telling of the classic tale of temptation and betrayal in Samson and Delilah.
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All around the Sound, theatre and dance companies treated viewers to a lot of great performances in 2022. Here’s what stood out to NWTheatre as the most powerful, most memorable, most spectacular of the year.
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At least nine versions are taking shape throughout the region. How to decide? Here, theatres give the scoop on what fun twists to expect at each — and why they’re like candy coal or a boozy trio.
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Beware the apothecary in two shows on now, with potions for love and death alike. The world premiere ‘La Tofana’s Poison Emporium’ from Macha Theatre Works and Seattle Opera’s Wagner epic ‘Tristan and Isolde’ both run through 10/29.
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The gorgeous new opera ‘Blue’ presents a portrait of a middle-class Black family and their chosen families, galvanized by a joy and a tragedy. The West Coast premiere runs through March 12.
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What’s billed as the story of a jazz great taking care of unfinished business after his untimely death, winds up a tale of addiction to drugs and White women. It runs through March 7.
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Seattle Opera’s take on Tchaikovsky’s ‘Eugene Onegin’ is beautiful, in instrument, voice, and design, with a lusciously lyrical delivery makes up for a rather uninspired plot. It runs through January 25.
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